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Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 583–616.
Published: 01 December 2017
...Jennifer Saltzstein Two thirteenth-century vernacular motets copied side by side in the Montpellier Codex tell a story of sin and repentance. In one a shepherd rapes a maiden, while in the other a penitent begs the Virgin Mary to forgive a great sin. The music of these two motets is nearly...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 825–865.
Published: 01 December 2019
Journal Articles
Journal of the American Musicological Society (2019) 72 (2): 431–492.
Published: 01 August 2019
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 306–307.
Published: 01 April 2019
...) and the editor of a forthcoming volume on Adam de la Halle (Brill). Her article Rape and Repentance in Two Medieval Motets (this Journal, 2017) received the AmericanMusicological Society s H. Colin Slim Award. She is currently writing a book on medieval music and the environment. BRAXTON D. SHELLEY...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 115–180.
Published: 01 April 2019
..., raping the girl in the secluded landscape, far from onlookers. 3 Pastourelles often begin with the springtime opening, a reference that medieval audiences would have immediately associated with the love song tradition. 4 In pastourelles , the warmth of the season stirs the knight's lust for the...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 245–251.
Published: 01 April 2019
... Politics of Teaching Mozart's Don Giovanni ,” NWSA Journal 12, no. 1 (2000): 119–42; and “Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance” (especially Richard Will, “ Don Giovanni and the Resilience of Rape Culture”), this Journal 71, no. 1 (2018): 213–53. ...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 43–113.
Published: 01 April 2019
Journal Articles
Journal of the American Musicological Society (2018) 71 (3): 868–872.
Published: 01 December 2018
... Music, reviewed by EMILY ZAZULIA, 3:842 47 Digital Mozart Edition (DME), reviewed by NEAL ZASLAW, 2:572 86 Don Giovanni and the Resilience of Rape Culture, by RICHARD WILL, in Collo- quy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resis- tance, 1:218 22 e-codices: Virtual...
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 213–253.
Published: 01 April 2018
... recently pointed out, while anyone can be raped, women are “the primary targets of the messages and myths that sustain rape culture. We're the ones asked to change our behavior, limit our movements, and take full responsibility for the prevention of sexual violence in society”: Harding, Asking For It , 5...
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 272–277.
Published: 01 April 2018
... orchestra. Kaija Saariaho's Adriana Mater (2006) explores the story of a rape victim during an unnamed war (loosely suggestive of the Bosnian conflict) and the vengeful child born as a result. Rich spectralist orchestral textures combine with an offstage chorus to illustrate themes of powerlessness...
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 887–891.
Published: 01 December 2017
..., by Kimberly A. Francis, 3:866 70 Proksch, Bryan, Reviving Haydn: New Appreciations in the Twentieth Century, re- viewed by W. DEAN SUTCLIFFE, 1:257 61 Rape and Repentance in Two Medieval Motets, by JENNIFER SALTZSTEIN, 3:583 616 REHDING, ALEXANDER, Introduction, in Colloquy: Discrete/Continuous: Mu...
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 767–817.
Published: 01 December 2017
... copyrights for motion pictures” and had worked for “Roxy” Rothapfel and Erno Rapée before being hired by Warner Bros. to work on early Vitaphone projects, including (apparently) The Jazz Singer : Spring, Saying It with Songs , 200, note 1 to Appendix 1. 123. Jazz Singer Production Files, Folder 1106...
Journal Articles
Journal of the American Musicological Society (2016) 69 (3): 848–853.
Published: 01 December 2016
... details. Most striking is his account of Vivier's claim that he was raped as a young boy by his Uncle Joe and of his adoptive family's victim-blaming and apathy: as his sister Gisele is reported to have said to Gilmore, “well, that's life I suppose … there's nothing to be done … this sort of thing happens...
Journal Articles
Journal Articles
Journal of the American Musicological Society (2011) 64 (3): 601–645.
Published: 01 December 2011
... shines his pate with boot polish before raping and destroying a manikin.18 At this time, pantomimes were more popular than ever, with cabarets and theaters staging works of well-known artists and neophytes alike. Pierrot costumes also began to clothe female artists, such as Félicia Mallet and Peppa...
Journal Articles
Journal of the American Musicological Society (2011) 64 (1): 51–118.
Published: 01 April 2011
... images. Further, it was associated with actions such as rape, hitting, or cockfighting, or with actions motivated by excesses of pride or conceit. Sometimes, it resulted only in bold and unacceptable speech: in mockery or insult. From another perspective, to be hubristic was to act without respect for...
Journal Articles
Journal of the American Musicological Society (2010) 63 (3): 553–640.
Published: 01 December 2010
... enunciate everything directly, explicitly, and concretely. His voice be- comes the object s proxy, consuming it, replacing it; instead of evoking it, he presenting the rebirth of spring and fertility obtained at the cost of rape ( Perséphone: Evolution of the Libretto, 3:476). Yet from The Rite to Les...
Journal Articles
Journal of the American Musicological Society (2010) 63 (2): 367–377.
Published: 01 August 2010
... Teresa and the rape of Prosperina with equal skill. With chisel in hand, Monteverdi carved out of his librettos remarkably lifelike and human figures. Whether treading in the foot- steps of an epic hero or plotting their way through the ethical relativism of Imperial Rome, Monteverdi s heroes and...
Journal Articles
Journal of the American Musicological Society (2010) 63 (1): 1–43.
Published: 01 April 2010
... introductory speeches, Fulgenzio (the travesty Jew who intends to rape Prudenza) remains con- cealed, listening and observing. On the point of joining the group himself, he realizes that although his costume convincingly disguises his body, he risks revealing himself through sound: he cannot speak ebraico and...
Journal Articles
Journal of the American Musicological Society (2009) 62 (3): 571–645.
Published: 01 December 2009