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contrafactum

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Adnuntiata per divin consiglio , Feo Belcari&#x27;s <b>contrafactum</b> of Leonardo Giu...
Published: 01 August 2014
Example 2 Adnuntiata per divin consiglio , Feo Belcari's contrafactum of Leonardo Giustinian's Madre che festi . Text from Laude di Feo Belcari [Florence, ca. 1490], 14r–15v. Music edition from Wilson, Music and Merchants , 282. Example 2. Adnuntiata per divin consiglio, Feo Belcari's More
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 583–616.
Published: 01 December 2017
... identical: one is a contrafactum of the other, and represents a conscious narrative continuation of the first. This article offers a close reading of this unusual pair of motets, interpreting their texts and polyphonic musical settings in the context of other motets, the pastourelle song genre, their...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 871–875.
Published: 01 December 2019
... of individual works by De Rore allows intensive examination of important aspects of each piece. Bernhold Schmid's essay in German on “Susanne un jour” takes as its point of departure a curious contrafactum found in a manuscript collection from Brieg, now in Wrocław, in which De Rore's French version...
Journal Articles
Journal of the American Musicological Society (2019) 72 (2): 431–492.
Published: 01 August 2019
Journal Articles
Journal of the American Musicological Society (2018) 71 (3): 839–842.
Published: 01 December 2018
... musical influences and reveal a fundamental compositional strategy of neo-Gregorian chant: melodic transformation into a tune-family and contrafactum using a wave-like, italic melodic style. Offertories use contrafacta and type melodies together with newly composed texts or texts drawn from the New...
Journal Articles
Journal of the American Musicological Society (2014) 67 (2): 379–428.
Published: 01 August 2014
...Example 2 Adnuntiata per divin consiglio , Feo Belcari's contrafactum of Leonardo Giustinian's Madre che festi . Text from Laude di Feo Belcari [Florence, ca. 1490], 14r–15v. Music edition from Wilson, Music and Merchants , 282. Example 2. Adnuntiata per divin consiglio, Feo Belcari's...
Journal Articles
Journal of the American Musicological Society (2010) 63 (3): 641–647.
Published: 01 December 2010
... Journal of the American Musicological Society on the music of this trope complex that the introductory Hodie clarissimam at St. Gall is itself a contrafactum of three other Hodie tropes, probably originat- ing with the one for the Feast of Innocents, Hodie pro domino EX ORE INFANTIUM.7 And while...
Journal Articles
Journal of the American Musicological Society (2009) 62 (1): 1–78.
Published: 01 April 2009
Journal Articles
Journal of the American Musicological Society (2007) 60 (1): 1–70.
Published: 01 April 2007
Journal Articles
Journal of the American Musicological Society (2006) 59 (2): 319–398.
Published: 01 August 2006
Journal Articles
Journal of the American Musicological Society (2002) 55 (3): 525–532.
Published: 01 December 2002
... arrives at the conclu- sion that this tune was attached to the Latin text through a series of deduc- tions that appear in widely separated places (pp. 124-29, 170-83) and depend, first, on the contrafactum/"cantasi come" method and then, some- what circularly, on the appearance of what he calls the "same...
Journal Articles
Journal of the American Musicological Society (1998) 51 (3): 653–659.
Published: 01 October 1998
...: Ricordi, 1987), 74-109; the same article appears in Acta musicologica 59 (1987): 65-90. 3. Immortal but of course not immutable. A few years ago in Italy, David Lewin heard it sung at a May 1 rally with a mimeographed contrafactum handed out to the participants beginning "Vieni, o maggio, t'aspettan le...
Journal Articles
Journal of the American Musicological Society (1995) 48 (2): 283–293.
Published: 01 July 1995
... contrafactum of this piece); Munich, Bayerische Staatsbibliothek, Musiksammlung, Musica MS 260 (no. 46, with the Agnus text); and Vienna, Osterreichische Nationalbibliothek, Musiksammlung, MS Mus. I8832 (no. 12, untexted). The reading in the Munich manuscript is especially striking, for the top voice opens...
Journal Articles
Journal of the American Musicological Society (1994) 47 (3): 521–531.
Published: 01 October 1994
... of this volume have been published piecemeal in anthologies, editions devoted to specific manuscripts, and special editions of individual works. Thus, of the motets, only the problematic Vivit dominus, a duo that Wexler (p. xlix) suggests is a contrafactum of a section of one of the lost Masses, and...
Journal Articles
Journal of the American Musicological Society (1994) 47 (1): 172–177.
Published: 01 April 1994
..., rather surprisingly, turn out to be contrafacta;5 the introit Vir Dei beatus Marcus, for example, has the melody of the introit for the Mass of St. Benedict, Vir Dei Benedictus (though the texts do not correspond after the first line). Curiously, the contrafactum was not made from the version of the...
Journal Articles
Journal of the American Musicological Society (1995) 48 (1): 1–41.
Published: 01 April 1995
Journal Articles
Journal of the American Musicological Society (1994) 47 (2): 203–243.
Published: 01 July 1994
... exam- ples, the spectrum of relations to chant models exhibited by the generality of nonliturgical "chants" in Fauvel is well represented, from close contrafactum to idioms and structures which, in one way or another, draw on more recent, non-Gregorian, melodic behaviors. The Fauvel setting of the...
Journal Articles
Journal of the American Musicological Society (1994) 47 (1): 39–89.
Published: 01 April 1994
Journal Articles
Journal of the American Musicological Society (1992) 45 (1): 166–167.
Published: 01 April 1992
...: Petrucci, 1503 RISM, L 718). The Benedictus of this Mass appears as a contrafactum in Diphona amoena et florida (Niirnberg: J. Montanus and U. Neuber, 1549 RISM 1549 6). M. JENNIFER BLOXAM Williams College See Bloxam, "In Praise of Spurious Saints," this JOURNAL 44 (I991): 172, n. 31. 2 It should first be...
Journal Articles
Journal of the American Musicological Society (1987) 40 (3): 405–442.
Published: 01 October 1987
..., 43 43 13 Anderson 1971, 60-62 60 14 Anderson 1971, 56 and 59 56 Mo 5 No. 85 and Ba No. 17 Mo 7 No. 268, Ba No. 33 and Tu No. 3 Anderson claims that this manuscript evidence further supports the hypoth- esis that Quomodo is a contrafactum (1969, 17 ) Anderson 17 Quomodo is a...