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charles-burney

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Journal Articles
Journal of the American Musicological Society (2014) 67 (2): 429–486.
Published: 01 August 2014
...-Jacques Rousseau and Charles Burney, both engaged in contemporary debates on the quest for universality of music in a multicultural world. Newly discovered evidence sheds light on the liturgical context of Tartini's violin concertos, as well as on religious rituals of music making and listening that left...
Journal Articles
Journal of the American Musicological Society (2019) 72 (2): 541–580.
Published: 01 August 2019
... attention in an iterable way, in part by acknowledging and spurring the further production of music-related discourse. 35 One of the period's most energetic producers of such discourse, Charles Burney was only the most prominent of contemporaries to laud the “contrivance, and the interesting combination...
Journal Articles
Journal of the American Musicological Society (2017) 70 (1): 61–128.
Published: 01 April 2017
... found in Herissone, Music Theory , 14–25. I would add that these practices by no means ended with the seventeenth century. I have discovered that, although Charles Burney made liberal use of others' work, he nonetheless charged Johann Nikolaus Forkel with “unfair use … of my property” and John Hawkins...
Journal Articles
Journal of the American Musicological Society (2015) 68 (1): 151–228.
Published: 01 April 2015
..., Stephen . Mad Music: Charles Ives, the Nostalgic Rebel . Lebanon, NH : University Press of New England / ForeEdge , 2014 . Burghardt, Gordon M. The Genesis of Animal Play: Testing the Limits . Cambridge, MA : MIT Press , 2005 . Burney, Charles . Dr. Burney’s Musical Tours in Europe...
Journal Articles
Journal of the American Musicological Society (2014) 67 (2): 589–598.
Published: 01 August 2014
... appropriated it as a model for his own compositions” (p. 68). Also of interest is the observation that “(Franck's) good friend Charles-Valentin Alkan … no doubt premiered more Bach organ works [on the pedal piano!] in the French capital than did any organist” (p. 69). Appendix 1 (pp. 159–72) lists the pieces...
Journal Articles
Journal of the American Musicological Society (2013) 66 (2): 337–396.
Published: 01 August 2013
... November 2012. All translations in this essay are mine, unless otherwise noted. © 2013 by the Regents of the University of California 2013 Carl Philipp Emanuel Bach Charles Burney historiography portrait collecting physiognomy Journal of the American Musicological Society, Vol. 66, Number...
Journal Articles
Journal of the American Musicological Society (2013) 66 (2): 594–600.
Published: 01 August 2013
... © 2013 by the Regents of the University of California 2013 Publications Received Ake, David, Charles Hiroshi Garrett, and Daniel Goldmark, eds. Jazz/Not Jazz: The Music and Its Boundaries. Paperback ed. Roth Family Foundation Music in America Imprint. Berkeley, Los Angeles, and London...
Journal Articles
Journal of the American Musicological Society (2013) 66 (1): 251–295.
Published: 01 April 2013
... Johann Georg Sulzer s Allgemeine Theorie der schönen Künste (1771/1774), the French Encyclopédie méthodique (1782 1832), and Charles Burney s English translation of Rousseau s entries on music for the Rees Cyclopædia (publ. 1819 29) all texts widely imitated and plagiarized in later dictionaries and...
Journal Articles
Journal of the American Musicological Society (2013) 66 (1): 5–102.
Published: 01 April 2013
Journal Articles
Journal of the American Musicological Society (2011) 64 (3): 495–526.
Published: 01 December 2011
..., when public enthusiasm for the genre was in decline. Besides Galli, Middlesex s singers for the 1742 43 season included Giovanna Contini and Frasi (so- prano); his principals were Caterina Visconti (soprano), Angelo Maria Monti - celli (male soprano), and Angelo Amorevoli (tenor). Charles Burney...
Journal Articles
Journal of the American Musicological Society (2011) 64 (2): 471–481.
Published: 01 August 2011
... chorus with the obscure Riccoleno fugue might well be coincidental. Certainly the question of what Charles Burney meant when he said these words were set to a fragment of canto fermo needs to be considered.13 Was he indicating that Handel s melodic idea was like a hymn tune or Gregorian chant, or that...
Journal Articles
Journal of the American Musicological Society (2010) 63 (1): 155–159.
Published: 01 April 2010
...-cited Chinese air, drawn from the missionary account (1736) by the Jesuit Jean-Baptiste Du Halde and repub- lished in Rousseau s Dictionnaire de musique (1768), as both folklike and fun- damentally Scottish. Gelbart s book usefully shows how the reception by Charles Burney, in particular, of this...
Journal Articles
Journal of the American Musicological Society (2010) 63 (2): 243–290.
Published: 01 August 2010
... exceptions: the 1652 book Select Musicall Ayres, and Dialogues, as described in note 28 below; and Catch that Catch Can of 1667, which Playford dedicated To his endeared Friends of the late Musick-Society and Meeting, in the Old- Jury, London, Charles Pig[e]on, Thomas Tempest, Herbert Pelham, John Pelling...
Journal Articles
Journal of the American Musicological Society (2009) 62 (3): 699–720.
Published: 01 December 2009
...) Christian Bach.17 We have to look to Hawkins s contemporary and competitor to find any attempt similar to Taruskin s and Brendel s to treat the music of his own time. The last chapters in Charles Burney s General History of Music are devoted to the music not just of the eighteenth century, but predominantly...
Journal Articles
Journal of the American Musicological Society (2009) 62 (1): 79–143.
Published: 01 April 2009
..., ed. Frédéric d Agay, 2 vols. (Paris: Mercure de France, 1986), 2:311. 22. Charles Burney, A General History of Music: From the Earliest Ages to the Present Period, 4 vols. (London: Printed for the Author, 1776 89); repr., ed. Frank Mercer, 2 vols. (New York: Dover, 1957), part 4, 2:917. Burney had...
Journal Articles
Journal of the American Musicological Society (2008) 61 (1): 215–220.
Published: 01 April 2008
... personal, voice that dominates, figuring prominently, like a cross between Sterne and Burney, as it observes, reports, argues, exhorts, charms, and even flirts. Her style is warm, conversational, and accessible, even as it is learned and, at times, de- manding. The personal mode comes to the fore in the...
Journal Articles
Journal of the American Musicological Society (2006) 59 (1): 196–202.
Published: 01 April 2006
... the Viennese School, 1740 1780 (New York: Norton, 1995). Reviews 197 have been written ; p. 46) in whose company (as well as that of numerous other contemporaries) Heartz travels through eighteenth-century Europe has encouraged a focus on capitals, for Charles Burney, the lodestar of this volume...
Journal Articles
Journal of the American Musicological Society (2007) 60 (1): 1–70.
Published: 01 April 2007
... court, Hippolito Galvagni, to his duke, Guglielmo Gonzaga.24 Dated 11 May 1567, a Sunday, it gives further details of the circumstances under which theMass was heard by Charles IX, the sixteen-year-old French king, and Catherine de Medici, his Italian mother.25 It also refers to the sixty-part Agnus...
Journal Articles
Journal of the American Musicological Society (2005) 58 (3): 559–637.
Published: 01 December 2005
... Handel and Italian Opera (Cambridge: Cambridge University Press, 1985), 34 79. 3. Charles Burney includes the description of the performance and singers drawn by an ex- cellent and unprejudiced judge, the late Mr. Quantz (A General History of Music from the Earliest Ages to the Present Period. By...
Journal Articles
Journal of the American Musicological Society (2006) 59 (1): 113–184.
Published: 01 April 2006
... www.ucpress.edu/journals/rights.htm. I would like to thank the friends and colleagues who read and offered helpful criticism of ear- lier drafts of this article: Charles Burkhart, James Gleick, Sally Goldfarb, Ellie Hisama, Brian Hyer, Richard Kramer, Shaugn O Donnell, Starry Schor, and the anonymous reviewers...