1-20 of 5670
Save search
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles

Olin Downes and the Soviets

Kevin Bartig
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 675–721.
https://doi.org/10.1525/jams.2024.77.3.675
Published: 01 December 2024
View article titled, Olin Downes and the Soviets
Open the PDF for Olin Downes and the Soviets in another window
Journal Articles

Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)

Noel Torres-Rivera
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 723–767.
https://doi.org/10.1525/jams.2024.77.3.723
Published: 01 December 2024
View article titled, Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)
Open the PDF for Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966) in another window
Journal Articles

Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)

Elaine R. Fitz Gibbon
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 769–822.
https://doi.org/10.1525/jams.2024.77.3.769
Published: 01 December 2024
View article titled, Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)
Open the PDF for Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975) in another window
Journal Articles

Printing Music in Renaissance Rome , by Jane A. Bernstein

Benjamin Ory
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 823–826.
https://doi.org/10.1525/jams.2024.77.3.823
Published: 01 December 2024
View article titled, Printing Music in Renaissance Rome , by Jane A. Bernstein
Open the PDF for Printing Music in Renaissance Rome , by Jane A. Bernstein in another window
Journal Articles

Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge

Myungjin Oh
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 826–829.
https://doi.org/10.1525/jams.2024.77.3.826
Published: 01 December 2024
View article titled, Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge
Open the PDF for Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge in another window
Journal Articles

She Played and Sang: Jane Austen and Music , by Gillian Dooley

Marian Wilson Kimber
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 830–833.
https://doi.org/10.1525/jams.2024.77.3.830
Published: 01 December 2024
View article titled, She Played and Sang: Jane Austen and Music , by Gillian Dooley
Open the PDF for She Played and Sang: Jane Austen and Music , by Gillian Dooley in another window
Journal Articles

Sounding Latin Music, Hearing the Americas , by Jairo Moreno

Rachel Horner
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 833–836.
https://doi.org/10.1525/jams.2024.77.3.833
Published: 01 December 2024
View article titled, Sounding Latin Music, Hearing the Americas , by Jairo Moreno
Open the PDF for Sounding Latin Music, Hearing the Americas , by Jairo Moreno in another window
Journal Articles

Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel

Aidan McGartland
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 836–839.
https://doi.org/10.1525/jams.2024.77.3.836
Published: 01 December 2024
View article titled, Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel
Open the PDF for Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel in another window
Journal Articles

From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds

Charles Weaver
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 840–843.
https://doi.org/10.1525/jams.2024.77.3.840
Published: 01 December 2024
View article titled, From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds
Open the PDF for From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds in another window
Journal Articles

On African Music: Techniques, Influences, Scholarship , by Kofi Agawu

Martin Scherzinger
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 843–848.
https://doi.org/10.1525/jams.2024.77.3.843
Published: 01 December 2024
View article titled, On African Music: Techniques, Influences, Scholarship , by Kofi Agawu
Open the PDF for On African Music: Techniques, Influences, Scholarship , by Kofi Agawu in another window
Journal Articles

Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne

Ayana O. Smith
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 848–852.
https://doi.org/10.1525/jams.2024.77.3.848
Published: 01 December 2024
View article titled, Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne
Open the PDF for Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne in another window
Journal Articles

Digital Open-Access and Open Educational Resources for the Music History Classroom

Daniel Barolsky, Trudi Wright
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 853–863.
https://doi.org/10.1525/jams.2024.77.3.853
Published: 01 December 2024
View article titled, Digital Open-Access and Open Educational Resources for the Music History Classroom
Open the PDF for Digital Open-Access and Open Educational Resources for the Music History Classroom in another window
Journal Articles

Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.

Emiliano Ricciardi
Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 863–875.
https://doi.org/10.1525/jams.2024.77.3.863
Published: 01 December 2024
View article titled, Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.
Open the PDF for Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors. in another window
Journal Articles

Contributors to This Issue

Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 876–878.
https://doi.org/10.1525/jams.2024.77.3.876
Published: 01 December 2024
View article titled, Contributors to This Issue
Open the PDF for Contributors to This Issue in another window
Journal Articles

Publications Received

Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 879–881.
https://doi.org/10.1525/jams.2024.77.3.879
Published: 01 December 2024
View article titled, Publications Received
Open the PDF for Publications Received in another window
Journal Articles

Author Submission Guidelines

Journal: Journal of the American Musicological Society
Journal of the American Musicological Society (2024) 77 (3): 882–885.
https://doi.org/10.1525/jams.2024.77.3.882
Published: 01 December 2024
View article titled, Author Submission Guidelines
Open the PDF for Author Submission Guidelines in another window
Images
The homepage banner for CRIM

The homepage banner for CRIM

in Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors. > Journal of the American Musicological Society
Published: 01 December 2024
Figure 1 The homepage banner for CRIM More about this image found in The homepage banner for CRIM
Images
CRIM’s edition of Verdelot’s madrigal “Ultimi miei sospiri”

CRIM’s edition of Verdelot’s madrigal “Ultimi miei sospiri”

in Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors. > Journal of the American Musicological Society
Published: 01 December 2024
Figure 2 CRIM’s edition of Verdelot’s madrigal “Ultimi miei sospiri” More about this image found in CRIM’s edition of Verdelot’s madrigal “Ultimi miei sospiri”
Images
Analytical annotations on Palestrina’s motet “Veni sponsa Christi”

Analytical annotations on Palestrina’s motet “Veni sponsa Christi”

in Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors. > Journal of the American Musicological Society
Published: 01 December 2024
Figure 3 Analytical annotations on Palestrina’s motet “Veni sponsa Christi” More about this image found in Analytical annotations on Palestrina’s motet “Veni sponsa Christi”
Images
Analytical annotations on Palestrina’s mass “Veni sponsa Christi”

Analytical annotations on Palestrina’s mass “Veni sponsa Christi”

in Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors. > Journal of the American Musicological Society
Published: 01 December 2024
Figure 4 Analytical annotations on Palestrina’s mass “Veni sponsa Christi” More about this image found in Analytical annotations on Palestrina’s mass “Veni sponsa Christi”