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Journal Articles

Hector Berlioz’s Neurophysiological Imagination

Carmel Raz

Journal of the American Musicological Society (2022) 75 (1): 1–37.

DOI: https://doi.org/10.1525/jams.2022.75.1.1

Published: 01 April 2022

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Journal Articles

Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions

Roger Mathew Grant

Journal of the American Musicological Society (2022) 75 (1): 129–162.

DOI: https://doi.org/10.1525/jams.2022.75.1.129

Published: 01 April 2022

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Journal Articles

Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance , by Alisha Lola Jones

Birgitta J. Johnson

Journal of the American Musicological Society (2022) 75 (1): 163–167.

DOI: https://doi.org/10.1525/jams.2022.75.1.163

Published: 01 April 2022

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Journal Articles

De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917) , edited by Javier Marín-López

Alejandro García Sudo, Elisabeth Le Guin

Journal of the American Musicological Society (2022) 75 (1): 167–180.

DOI: https://doi.org/10.1525/jams.2022.75.1.167

Published: 01 April 2022

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Journal Articles

Nadia Boulanger and Her World , edited by Jeanice Brooks

Louis K. Epstein

Journal of the American Musicological Society (2022) 75 (1): 181–186.

DOI: https://doi.org/10.1525/jams.2022.75.1.181

Published: 01 April 2022

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Journal Articles

Grand Illusion: Phantasmagoria in Nineteenth-Century Opera , by Gabriela Cruz

Diana R. Hallman

Journal of the American Musicological Society (2022) 75 (1): 186–191.

DOI: https://doi.org/10.1525/jams.2022.75.1.186

Published: 01 April 2022

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Journal Articles

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 , by Sarah Ann Long

David J. Rothenberg

Journal of the American Musicological Society (2022) 75 (1): 191–195.

DOI: https://doi.org/10.1525/jams.2022.75.1.191

Published: 01 April 2022

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Journal Articles

Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture , by Anthony R. DelDonna

W. Dean Sutcliffe

Journal of the American Musicological Society (2022) 75 (1): 195–200.

DOI: https://doi.org/10.1525/jams.2022.75.1.195

Published: 01 April 2022

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Journal Articles

Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania , by Sarah Justina Eyerly

Stephen A. Marini

Journal of the American Musicological Society (2022) 75 (1): 200–209.

DOI: https://doi.org/10.1525/jams.2022.75.1.200

Published: 01 April 2022

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Journal Articles

Contributors to This Issue

Journal of the American Musicological Society (2022) 75 (1): 210–211.

DOI: https://doi.org/10.1525/jams.2022.75.1.210

Published: 01 April 2022

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Journal Articles

Publications Received

Journal of the American Musicological Society (2022) 75 (1): 212–216.

DOI: https://doi.org/10.1525/jams.2022.75.1.212

Published: 01 April 2022

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Journal Articles

Author Submission Guidelines

Journal of the American Musicological Society (2022) 75 (1): 217–220.

DOI: https://doi.org/10.1525/jams.2022.75.1.217

Published: 01 April 2022

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Journal Articles

#AlmaToo: The Art of Being Believed

Nancy Newman

Journal of the American Musicological Society (2022) 75 (1): 39–79.

DOI: https://doi.org/10.1525/jams.2022.75.1.39

Published: 01 April 2022

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Journal Articles

Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957

David H. Miller

Journal of the American Musicological Society (2022) 75 (1): 81–127.

DOI: https://doi.org/10.1525/jams.2022.75.1.81

Published: 01 April 2022

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Images

Réquiem Chiquitano , “Dies irae,” mm. 1–14

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 1 Réquiem Chiquitano , “Dies irae,” mm. 1–14 More

Images

San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 2 San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38 More

Images

San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 2 San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38 More

Images

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 1–9

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 3 San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 1–9 More

Images

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 4 San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22 More

Images

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22

in Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions > Journal of the American Musicological Society

Published: 01 April 2022

Example 4 San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22 More

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NARROW

Hector Berlioz’s Neurophysiological Imagination

Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions

Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance , by Alisha Lola Jones

De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917) , edited by Javier Marín-López

Nadia Boulanger and Her World , edited by Jeanice Brooks

Grand Illusion: Phantasmagoria in Nineteenth-Century Opera , by Gabriela Cruz

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 , by Sarah Ann Long

Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture , by Anthony R. DelDonna

Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania , by Sarah Justina Eyerly

Contributors to This Issue

Publications Received

Author Submission Guidelines

#AlmaToo: The Art of Being Believed

Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957

Réquiem Chiquitano , “Dies irae,” mm. 1–14

San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38

San Francisco Xavier , “Fiestas moma,” pt. 1, mm. 13–38

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 1–9

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22

San Francisco Xavier , “Fiestas moma,” pt. 2, mm. 9–22

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