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Volume 73, Issue 2
Summer 2020
Issue Cover
ISSN 0003-0139
EISSN 1547-3848

Articles

Courtesan Singers as Courtiers: Power, Political Pawns, and the Arrest of virtuosa Nina Barcarola
Amy Brosius
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How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century
Emily H. Green
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Colloquy

Colloquy: Musicology and the Middlebrow
Christopher Chowrimootoo and Kate Guthrie (Convenors), John Howland, Andrew Flory, Chris McDonald, Heather Wiebe ...
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Reviews: Books

Plague and Music in the Renaissance, by Remi Chiu
Samantha Bassler
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Black Opera: History, Power, Engagement, by Naomi André
Julia J. Chybowski
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Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by Holly Watkins
Kirsten Paige
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Experimentalisms in Practice: Music Perspectives from Latin America, edited by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid
Edgardo Salinas
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The Fullness of Time: Temporalities of the Fifteenth-Century Low Countries, by Matthew S. Champion
Reinhard Strohm
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Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism, by Phyllis Weliver
David Wright
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Reviews: Digital and Multimedia Scholarship

New Books in Music
Katherine K. Preston, Alexandra Hui, Jennifer Ronyak
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ESC: Sonic Adventure in the Anthropocene
J. Martin Daughtry
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Sekuru's Stories
Thomas Turino
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Contributors to This Issue
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Publications Received
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All Issues
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman
  • Online ISSN 1547-3848
  • Print ISSN 0003-0139
  • Copyright © 2023
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