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Volume 72, Issue 3
Fall 2019
Issue Cover
ISSN 0003-0139
EISSN 1547-3848

Special Issue on Music, Race, and Ethnicity

Editorial Introduction
View Articletitled, Editorial Introduction
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Articles
“Mohr und Trompeter”: Blackness and Social Status in Early Modern Germany
Arne Spohr
View Articletitled, “Mohr und Trompeter”: Blackness and Social Status in Early Modern Germany
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Genre, Ethnoracial Alterity, and the Genesis of jazz manouche
Siv B. Lie
View Articletitled, Genre, Ethnoracial Alterity, and the Genesis of <em>jazz manouche</em>
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The Modernities of H. Lawrence Freeman
David Gutkin
View Articletitled, The Modernities of H. Lawrence Freeman
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Race, Blacksound, and the (Re)Making of Musicological Discourse
Matthew D. Morrison
View Articletitled, Race, Blacksound, and the (Re)Making of Musicological Discourse
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Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe
Kira Thurman
View Articletitled, Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe
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Reviews: Books
Review: The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks, by Jean-Paul C. Montagnier
C. Jane Gosine
View Articletitled, Review: <em>The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks</em>, by Jean-Paul C. Montagnier
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Review: Cipriano de Rore: New Perspectives on His Life and Music, edited by Jessie Ann Owens and Katelijne Schiltz
William Peter Mahrt
View Articletitled, Review: <em>Cipriano de Rore: New Perspectives on His Life and Music</em>, edited by Jessie Ann Owens and Katelijne Schiltz
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Review: Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage, by Gillian M. Rodger
Jeremiah Davenport
View Articletitled, Review: <em>Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage</em>, by Gillian M. Rodger
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Review: Opera and the Political Imaginary in Old Regime France, by Olivia Bloechl
Julia Doe
View Articletitled, Review: <em>Opera and the Political Imaginary in Old Regime France</em>, by Olivia Bloechl
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Reviews: Digital and Multimedia Scholarship
Review: Thesaurus Musicarum Latinarum (TML)
Karen Desmond
View Articletitled, Review: Thesaurus Musicarum Latinarum (TML)
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Review: The Global Jukebox
Tamsyn Mahoney-Steel
View Articletitled, Review: The Global Jukebox
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Review: Measuring Polyphony: Digital Encodings of Late Medieval Music
Kate Helsen
View Articletitled, Review: Measuring Polyphony: Digital Encodings of Late Medieval Music
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Review: International Music Score Library Project (IMSLP)
Sophie A. Brady
View Articletitled, Review: International Music Score Library Project (IMSLP)
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Contributors to This Issue
View Articletitled, Contributors to This Issue
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Publications Received
View Articletitled, Publications Received
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Erratum
Jonathan Stock
View Articletitled, Erratum
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Submission Guidelines
View Articletitled, Submission Guidelines
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Index to Volume 72
View Articletitled, Index to Volume 72
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All Issues
Contributors to This Issue
Publications Received
The Musical Language of Italian Opera, 1813–1859, by William Rothstein
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies
  • Online ISSN 1547-3848
  • Print ISSN 0003-0139
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