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Volume 72, Issue 2

Summer 2019

ISSN 0003-0139

EISSN 1547-3848

In this Issue

Articles

The Ballads of Marvin Gaye

Andrew Flory

Carl Czerny's Mechanical Reproductions

Jordan Musser

Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle

Catherine A. Bradley

Performing Diplomatic Relations: Music and East German Foreign Policy in the Middle East during the Late 1960s

Elaine Kelly

Colloquy

Colloquy: Attention, Anxiety, and Audition's Histories

Francesca Brittan, Carmel Raz, Nicholas Mathew, Alexandra Kieffer, Benjamin Steege

Reviews

Review: Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America, by Katherine K. Preston

Candace Bailey

Review: Beyond Bach: Music and Everyday Life in the Eighteenth Century, by Andrew Talle

Tanya Kevorkian

Review: Dance and Drama in French Baroque Opera: A History, by Rebecca Harris-Warrick

Anita Hardeman

Review: Improvisation and Social Aesthetics, edited by Georgina Born, Eric Lewis, and Will Straw

Rob Wallace

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Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification

Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War

Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War

Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley

Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman

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