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Volume 72, Issue 1
Spring 2019
Issue Cover
ISSN 0003-0139
EISSN 1547-3848
Articles
Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century
Sergio Ospina Romero
View Articletitled, Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century
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Composing Film Music in Theory and Practice: Honegger's Contributions to Les misérables and Rapt
Leslie Sprout
View Articletitled, Composing Film Music in Theory and Practice: Honegger's Contributions to <em>Les misérables</em> and <em>Rapt</em>
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Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment
Jennifer Saltzstein
View Articletitled, Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment
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Analyzing Gospel
Braxton D. Shelley
View Articletitled, Analyzing Gospel
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Reviews: Books
Review: Cherubino's Leap: In Search of the Enlightenment Moment, by Richard Kramer
Sarah Day-O'Connell
View Articletitled, Review: <em>Cherubino's Leap: In Search of the Enlightenment Moment</em>, by Richard Kramer
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Review: The Elocutionists: Women, Music, and the Spoken Word, by Marian Wilson Kimber
Mary Simonson
View Articletitled, Review: <em>The Elocutionists: Women, Music, and the Spoken Word</em>, by Marian Wilson Kimber
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Review: Music at Hand: Instruments, Bodies, and Cognition, by Jonathan De Souza
Zachary Wallmark
View Articletitled, Review: <em>Music at Hand: Instruments, Bodies, and Cognition</em>, by Jonathan De Souza
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Review: From 1989, or European Music and the Modernist Unconscious, by Seth Brodsky
Amy Bauer
View Articletitled, Review: <em>From 1989, or European Music and the Modernist Unconscious</em>, by Seth Brodsky
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Review: Los libros de polifonía de la Catedral de México: Estudio y catálogo crítico, by Javier Marín López; Los papeles para Euterpe: La música en la Ciudad de México desde la historia cultural, siglo XIX, edited by Laura Suárez de la Torre; Carlos Chávez and His World, edited by Leonora Saavedra
John Koegel
View Articletitled, Review: <em>Los libros de polifonía de la Catedral de México: Estudio y catálogo crítico</em>, by Javier Marín López; <em>Los papeles para Euterpe: La música en la Ciudad de México desde la historia cultural, siglo XIX</em>, edited by Laura Suárez de la Torre; <em>Carlos Chávez and His World</em>, edited by Leonora Saavedra
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Reviews: Digital and Multimedia Scholarship
Review: Wikipedia: The Free Encyclopedia
Darren Mueller
View Articletitled, Review: Wikipedia: The Free Encyclopedia
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Review: The Opera House, directed by Susan Froemke
Christopher Lynch
View Articletitled, Review: <em>The Opera House</em>, directed by Susan Froemke
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Communications
Jeffrey Hamburger, Eva Schlotheuber, Susan Marti, Margot Fassler, Nancy van Deusen
View Articletitled, Communications
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Contributors to This Issue
View Articletitled, Contributors to This Issue
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Publications Received
View Articletitled, Publications Received
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Submission Guidelines
View Articletitled, Submission Guidelines
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All Issues
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)
Olin Downes and the Soviets
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne
  • Online ISSN 1547-3848
  • Print ISSN 0003-0139
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