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Volume 65, Issue 2

Summer 2012

ISSN 0003-0139

EISSN 1547-3848

In this Issue

Articles
Colloquy
Reviews
Contributors to This Issue
Publications Received
Directions to Contributors

Editorial

Daniel Goldmark

Articles

What Fortune Can Do to a Minim

Anna Zayaruznaya

Enlightening Harmonies: Rameau's corps sonore and the Representation of the Divine in the tragédie en musique

Geoffrey Burgess

Mireille's Homecoming? Gounod, Mistral, and the Midi

Katharine Ellis

Dancing the Future, Performing the Past: Isadora Duncan and Wagnerism in the American Imagination

Mary Simonson

Colloquy

Jewish Studies and Music

Klára Móricz, Ronit Seter, Judah M. Cohen, Alexander Knapp, Steven J. Cahn ...

Reviews

Review: Medieval Song in Romance Languages by John Haines

Judith A. Peraino

Review: The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music by David J. Rothenberg

Elizabeth Eva Leach

Review: Nuns Behaving Badly: Tales of Music, Magic, Art, and Arson in the Convents of Italy by Craig A. Monson

Kelley Harness

Review: Wagner and the Erotic Impulse by Laurence Dreyfus

Kevin C. Karnes

Review: Extraordinary Measures: Disability in Music by Joseph N. Straus; Music, Disability, and Society by Alex Lubet

Jennifer Iverson

Contributors to This Issue

Contributors to This Issue

Publications Received

Publications Received

Directions to Contributors

Directions to Contributors

Front Matter
Table of Contents

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Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification

Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War

Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War

Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley

Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman

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