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Volume 56, Issue 2

Summer 2003

ISSN 0003-0139

EISSN 1547-3848

In this Issue

Articles
Reviews
Contributors to This Issue
Publications Received
Directions to Contributors

Articles

Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria …… virgo serena

Joshua Rifkin

Public Performance and Private Understanding: Clara Wieck's Concerts in Berlin

David Ferris

Aaron Copland and the Popular Front

Elizabeth B. Crist

Reviews

Review: The Maze and the Warrior: Symbols in Architecture, Theology, and Music, by Craig Wright

Barbara Haggh

Review: Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal, by David J. Levin

Berthold Hoeckner

Review: Kurt Weill: A Life in Pictures and Documents, by David Farneth with Elmar Juchem and Dave Stein; Speak Low (When You Speak Love): The Letters of Kurt Weill and Lotte Lenya, edited and translated by Lys Symonette and Kim H. Kowalke; Briefe an die Familie (1914-1950), by Kurt Weill, edited by Lys Symonette and Elmar Juchem; Briefwechsel mit der Universal Edition, by Kurt Weill, selected and edited by Nils Grosch; Musik und musikalisches Theater: Gesammelte Schriften. Mit einer Auswahl von Gesprächen und Interviews, by Kurt Weill, edited by Stephen Hinton and Jürgen Schebera, with collaboration by Elmar Juchem; Kurt Weill und Maxwell Anderson: Neue Wege zu einem amerikanischen Musiktheater, 1938-1950, by Elmar Juchem; Die Dreigroschenoper, by Kurt Weill, edited by Stephen Hinton and Edward Harsh

Christopher Hailey

Review: The Stravinsky Legacy, by Jonathan Cross

Philip Rupprecht

Review: In the Course of Performance: Studies in the World of Musical Improvisation, edited by Bruno Nettl with Melinda Russell

Jonathan P. J. Stock

Contributors to This Issue

Contributors to This Issue

Publications Received

Publications Received

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Directions to Contributors

Back Matter

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Colloquy: Musicology and the Middlebrow

How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century

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