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Issues

Volume 28, Issue 1
Spring 1975
Issue Cover
ISSN 0003-0139
EISSN 1547-3848
In this Issue
Front Matter
View Articletitled, Front Matter
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Centonate Chant: Centonate or Centonate
Leo Treitler
View Articletitled, <em>Centonate</em> Chant: <em>Centonate</em> or <em>Centonate</em>
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The Early Motets of Philippe de Vitry
Ernest H. Sanders
View Articletitled, The Early Motets of Philippe de Vitry
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Unknown Passion Tones in Sixteenth-Century Hispanic Sources
Theodor Göllner
View Articletitled, Unknown Passion Tones in Sixteenth-Century Hispanic Sources
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Notes to Beethoven's Education
Richard Kramer
View Articletitled, Notes to Beethoven's Education
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Studies and Reports

A Review of Costanzo Festa's Biography
David Crawford
View Articletitled, A Review of Costanzo Festa's Biography
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The Contribution of Dance Steps to Musical Analysis and Performance: La Bourgogne
Meredith Ellis Little
View Articletitled, The Contribution of Dance Steps to Musical Analysis and Performance: <em>La Bourgogne</em>
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Reconstructing a Berlioz Sketch
D. Kern Holoman
View Articletitled, Reconstructing a Berlioz Sketch
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Publications Received

Publications Received
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Reviews

Review: Ludwig van Beethoven: Ein Skizzenbuch zu den Diabelli-Variationen und zur Missa Solemnis, SV 154 by Ludwig van Beethoven, Joseph Schmidt-Görg
Robert Winter
View Articletitled, Review: <em>Ludwig van Beethoven: Ein Skizzenbuch zu den Diabelli-Variationen und zur Missa Solemnis, SV 154</em> by Ludwig van Beethoven, Joseph Schmidt-Görg
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Review: The Emperor Maximilian I and Music by Louise Cuyler
Milton Steinhardt
View Articletitled, Review: <em>The Emperor Maximilian I and Music</em> by Louise Cuyler
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Review: Francisco Correa de Arauxo by Charles Jacobs
Robert Stevenson
View Articletitled, Review: <em>Francisco Correa de Arauxo</em> by Charles Jacobs
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Review: The Guitar from the Renaissance to the Present Day by Harvey Turnbull
Thomas F. Heck
View Articletitled, Review: <em>The Guitar from the Renaissance to the Present Day</em> by Harvey Turnbull
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Review: Complete Church Music by Pelham Humfrey, Peter Dennison
Don Franklin
View Articletitled, Review: <em>Complete Church Music</em> by Pelham Humfrey, Peter Dennison
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Review: The Kumiuta and Danmono Traditions of Japanese Koto Music by Willem Adriaansz
Bonnie C. Wade
View Articletitled, Review: <em>The Kumiuta and Danmono Traditions of Japanese Koto Music</em> by Willem Adriaansz
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Review: A Concordance of the Thematic Indexes to the Instrumental Works of Antonio Vivaldi by Lenore Coral, Antonio Vivaldi; A Reference Concordance Table of Vivaldi's Instrumental Works by Noriko Ohmura, Vivaldi; Antonio Vivaldi, Table de concordances des oeuvres (RV) by Peter Ryom
Seymour Kesten
View Articletitled, Review: <em>A Concordance of the Thematic Indexes to the Instrumental Works of Antonio Vivaldi</em> by Lenore Coral, Antonio Vivaldi; <em>A Reference Concordance Table of Vivaldi's Instrumental Works</em> by Noriko Ohmura, Vivaldi; <em>Antonio Vivaldi, Table de concordances des oeuvres (RV)</em> by Peter Ryom
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Review: Shaker Music: A Manifestation of American Folk Culture by Harold E. Cook
Nicholas Tawa
View Articletitled, Review: <em>Shaker Music: A Manifestation of American Folk Culture</em> by Harold E. Cook
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Communications

[Letter from Martin Staehelin]
Martin Staehelin, Harry Joelson
View Articletitled, [Letter from Martin Staehelin]
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Back Matter
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All Issues
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)
Olin Downes and the Soviets
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne
  • Online ISSN 1547-3848
  • Print ISSN 0003-0139
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