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Volume 77, Issue 2
Summer 2024
Issue Cover
ISSN 0003-0139
EISSN 1547-3848
In this Issue

Articles

Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation
Katherine M. Leo
View Articletitled, Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation
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Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together
Jonathan A. Gómez
View Articletitled, Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together
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Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music
Nana Sharikadze, Maia Sigua, Peter J. Schmelz
View Articletitled, Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music
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The Global Tonnetz
Daniel K. S. Walden
View Articletitled, The Global <em>Tonnetz</em>
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Colloquy

Music, Sound, and Trauma
Maria Cizmic, Jillian C. Rogers, Erin Brooks, Jenny Olivia Johnson, Imani Danielle Mosley ...
View Articletitled, Music, Sound, and Trauma
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Reviews: Books

Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe
Reuben Phillips
View Articletitled, <em>Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception</em>, by Simon P. Keefe
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New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley
Henry Stoll
View Articletitled, <em>New Orleans and the Creation of Transatlantic Opera 1819–1859</em>, by Charlotte Bentley
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Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, by Emily Zazulia
James J. Blasina
View Articletitled, <em>Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing</em>, by Emily Zazulia
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Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley
Julian Onderdonk
View Articletitled, <em>Vaughan Williams and His World</em>, edited by Byron Adams and Daniel M. Grimley
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Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies
Ludim Pedroza
View Articletitled, <em>Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913</em>, by James Q. Davies
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Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy
Michael Goetjen
View Articletitled, <em>Mozart the Performer: Variations on the Showman’s Art</em>, by Dorian Bandy
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Music in the Flesh: An Early Modern Physiology, by Bettina Varwig
Travis Whaley
View Articletitled, <em>Music in the Flesh: An Early Modern Physiology</em>, by Bettina Varwig
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The Musical Language of Italian Opera, 1813–1859, by William Rothstein
Nathaniel Mitchell
View Articletitled, <em>The Musical Language of Italian Opera, 1813–1859</em>, by William Rothstein
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Contributors to This Issue
View Articletitled, Contributors to This Issue
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Publications Received
View Articletitled, Publications Received
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Author Submission Guidelines
View Articletitled, Author Submission Guidelines
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All Issues
Contributors to This Issue
Publications Received
The Musical Language of Italian Opera, 1813–1859, by William Rothstein
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies
  • Online ISSN 1547-3848
  • Print ISSN 0003-0139
  • Copyright © 2024
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