[Footnotes]

[Footnotes]
1
"Gendering Modem Music: Thoughts on the Monteverdi-Artusi Controversy," this JOUR- NAL 46 (1993): 1-2510.2307/831804
1
2
Il libro del cortegiano, III, §11-16
Baldassar Castiglione and Giovanni della Casa, Opere (Milan: Rizzoli, 19371, 250-55
Castiglione
250
Opere
1937
Charles S. Singleton, The Book of the Courtier (Garden City, N.Y.: Anchor, 1959), 212-18
Singleton
212
The Book of the Courtier
1959
3
ibid., §13 [p. 252]
252
4
Constance Jordan, Renaissance Feminism (Ithaca: Cornell University Press, 1990)
Jordan
Renaissance Feminism
1990
Girolamo Ruscelli, Lettura ove ... si pruova la somma perfettione delle donne (1552)
Ruscelli
Lettura ove ... si pruova la somma perfettione delle donne
1552
Jordan, 160-62
160
5
Feminine Endings: Music, Gender, and Sexuality (Minneapolis: University of Minnesota Press, 1991), 151 and 206 n. 15
Mcclary
this binary opposition is not, of course, entirely stable
151
Feminine Endings: Music, Gender, and Sexuality
1991
6
Artusi's reply to l'Ottuso's first letter (Seconda parte dell'Artusi [Venice: Giacomo Vincenti, 1603], 11)
Artusi
11
Seconda parte dell'Artusi
1603
Seconda parte dell'Artusi, 34
34
7
Jordan (Renaissance Feminism, 21-22)
21
8
p. 20
9
L'Artusi, overo delle imperfettioni della moderna music (Venice: Giacomo Vincenti, 1600), fols. 1ff. and 39ff.
L'Artusi, overo delle imperfettioni della moderna music
1600
10
ibid., fol. 3r
11
Ibid., fols. 39v-40r.
12
ibid., fol. 2r
13
Il libro del cortegiano, III, § 13 [p. 252]
252
III
Il libro del cortegiano
14
L'Artusi, fol. 39r
16
Susan McClary on Poppea: "Its musical power and erotic frankness have inspired deep admiration"
Iain Fenlon and Peter N. Miller, The Song of the Soul: Understanding "Poppea," Music and Lettens 74 (19931: 278
Fenlon
278
74
The Song of the Soul: Understanding "Poppea," Music and Lettens
1993
17
Artusi as "nothing more than a plyer of his tongue, like a garrulous woman" (p. 16)
16
18
Monteverdi in "The seconda pratica, or the Imperfections of the Composer's Voice," Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca (Stuyvesant, N.Y.: Pendragon, 1992), 195-212
Monteverdi
The seconda pratica, or the Imperfections of the Composer's Voice
195
Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca
1992
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