1
Benjamin Suchoff, ed., Béla Bartók's Essays (New York, 1976), p. 343.
Suchoff
343
Béla Bartók's Essays
1976
2
Melodje ludowe litewskie (Cracow, 1900)
Melodje ludowe litewskie
1900
Ger- man title, Litauische Volks-Weisen
Stravinsky's model is no. 157, "Tu, manu seserėlė."
3
Igor Stravinsky, An Autobiography (New York, 1936), p. 48
Stravinsky
48
An Autobiography
1936
Vera Stravinsky and Robert Craft, Stravinsky in Pictures and Documents (New York, 1978), pp. 522-6
Stravinsky
522
Stravinsky in Pictures and Documents
1978
4
An Autobiography, p. 97.
97
5
Stravinsky in Pictures and Documents, p. 202.
202
6
Igor Stravinsky and Robert Craft, Memories and Commentaries (Garden City, 1960), p. 92.
Stravinsky
92
Memories and Commentaries
1960
7
Ballets Russes from 1917
Night on Bald Mountain of 1926
London Sleeping Beauty of 1921 (prefiguring Mavra and Apollo, to say nothing of Le Baiser de la Fée)
Richard Buckle's Diaghilev, New York Review of Books, November 8, 1979
Buckle
November 8
Diaghilev, New York Review of Books
1979
Diaghilev to Boris Kochno (July 21, 1924)
Boris Kochno, Diaghilev and the Ballets Russes (New York, 1970), p. 226
Kochno
226
Diaghilev and the Ballets Russes
1970
"Quelques confidences sur la musique" (1935), in Eric Walter White, Stravinsky: The Composer and His Works (Berkeley, 1966), p. 539
White
Quelques confidences sur la musique
539
Stravinsky: The Composer and His Works
1966
8
Poetics of Music in the Form of Six Lessons (New York, 1959), p. 97-
97
Poetics of Music in the Form of Six Lessons
1959
9
Poetics, p. 103.
103
10
Poetics, p. 122.
122
11
Mme. Stravinsky and Craft (see n. 3)
Alexis Kall, "Stravinsky in the Chair of Poetry," The Musical Quarterly, XXVI (1940), pp. 283-9610.2307/738766
283
Frederick Jacobi, Jr., "Harvard Soirée," Modern Music, XVII (1939-40), pp. 47-8
Jacobi
47
XVII
Modern Music
1939
inter alia Marc Blitzstein, "The Phenomenon of Stravinsky," The Musical Quarterly, XXI (1935), pp. 330-4710.2307/739053
330
12
Igor Stravinsky and Robert Craft, Expositions and Developments (Garden City, 1962), pp. 165, 169.
Stravinsky
165
Expositions and Developments
1962
13
Igor Stravinsky and Robert Craft, Conversations with Stravinsky (Garden City, 1959), p. 82.
Stravinsky
82
Conversations with Stravinsky
1959
14
(Dialogues and a Diary (Garden City, 1963), p. 256
256
Dialogues and a Diary
1963
Theodore Stra- vinsky's photographic study of his parents, Catherine and Igor Stravinsky (London, 1973)
Stravinsky
Catherine and Igor Stravinsky
1973
Dialogues, p. 256
256
Xenia Yurievna in a book of memorabilia, 0 I. F. Stra- vinskom i ego blizkix (Leningrad, 1978)
Yurievna
0 I. F. Stravinskom i ego blizkix
1978
15
L. S. Dyachkova, ed., I. F. Stravinskij: Stat'i i materialy (Moscow, 1973), P. 488
Dyachkova
488
I. F. Stravinskij: Stat'i i materialy
1973
St. Petersburg, 1909
16
London: Boosey & Hawkes, 1969 (published by Boosey & Hawkes with the cooperation of its then owner, the late André Meyer)
Theodore Stravinsky's collection (taken at Clarens in 1912)
Roger Smalley, "The Sketchbook of The Rite of Spring," Tempo, CXI (1969-70), pp. 2-1310.2307/943342
2
Boris Yarustovsky, "I. Stravinskij: éskiznaja tetrad' (1911-1913 gg.), Nekotorye nabljudenija i razmyšlenija," in I. F. Stravinskij: Stat'i i materialy
Yarustovsky
I. Stravinskij: éskiznaja tetrad' (1911-1913 gg.), Nekotorye nabljudenija i razmyšlenija
I. F. Stravinskij: Stat'i i materialy
n. 15
Allen Forte, The Harmonic Organization of The Rite of Spring (New Haven, 1978)
Forte
The Harmonic Organization of The Rite of Spring
1978
Current Musicology, XXVIII (1979), pp. 114-29
114
XXVIII
Current Musicology
1979
17
Nicholas Roerich, of his collaboration with Stravinsky is far more detailed and informative than the laconic account included by the composer in Memories and Commentaries
N. K. Roerich, "Vesna svjaščennaja," in N. K. Rerix: Iz literaturnogo nasledija (Moscow, 1974), pp. 359-60
Roerich
Vesna svjaščennaja
359
N. K. Rerix: Iz literaturnogo nasledija
1974
"Who else knows the secret of our ancestors' close feeling for the earth?" Dec. 15, 1912, to N. F. Findeisen
Stravinsky in Pictures and Documents, p. 77
18
Lawrence Morton, "Footnotes to Stravinsky Studies: 'Le Sacre du Printemps'," Tempo, CXXVIII (1979), pp. 9-1610.2307/946060
9
p. 7
p. 29
19
F. W. Sternfeld, "Some Russian Folk Songs in Stravinsky's Petrouchka," which appeared first in Music Library Association Notes, II (1945), pp. 98-104
Sternfeld
98
II
Music Library Association Notes
1945
Charles Hamm in his edition of the ballet for the Norton Critical Scores (New York, 1967), pp. 203-15
čudnyj mesjac plyvËt nad rekoju
Andrei Rimsky-Korsakov, to whom Stravinsky wrote for them on Decem- ber 3/16, 191 from Beaulieu
I. F. Stravinskij: Stat'i i materialy, pp. 451-2
451
Aj, vo pole lipin'ka ("A linden tree stood in the meadow") included
no. 54
Rimsky-Korsakov's One Hundred Russian Folk Songs (1877)
Rimsky-Korsakov
One Hundred Russian Folk Songs
1877
Snegurochka (The Snow Maiden, 1882)
The Snow Maiden
Snegurochka
1882
Rannye balety Stravinskogo (Moscow, 1967), pp. 72-3
72
Rannye balety Stravinskogo
1967
Finally, Vera Bach- inskaya, in Narodnye pesni v tvorčestve russkix kompozitorov (Moscow, 1962)
Bachinskaya
Narodnye pesni v tvorčestve russkix kompozitorov
1962
Shrovetide song, A my maslenicu dožidaem
no. 46
Suchoff, pp. 354-92
354
n. 1 above
Russian folk music (Suchoff, pp. 316- 19)
316
The Rite of Spring
S. Skrebkov, "K voprosu o stile sovremennoj muzyki ('Vesna svjaščennaja' Stravins- kogo),"
G. Grigorieva, "Russkij fol'klor v sočinenijax Stravinskogo," both in Mu- zyka i sovremennost', VI (Moscow, 1969)
20
M. I. Glinka, Memoirs, trans. Richard B. Mudge (Norman, Oklahoma, 1963), p. 101
Glinka
101
Memoirs
1963
21
Douglas Johnson, "Beethoven Scholars and Beethoven's Sketches," 19th Century Music, II (1978), pp. 3-17
Johnson
3
II
19th Century Music
1978
same volume, pp. 270-9
22
Igor Stravinsky, The Rite of Spring: Sketches 1.911-1913, Appendix, p. 6.
23
Memories and Commentaries, p. 91.
91
24
Nikolai Rimsky-Korsakov, My Musical Life, trans. Judah A. Joffe (New York, 1923), pp. 207, 208.
Rimsky-Korsakov
207
My Musical Life
1923
25
Tatiana Popova, Russkoe narodnoe muzykal'noe tvorčestvo, I (Moscow, 1955), p. 71.
Popova
71
I
Russkoe narodnoe muzykal'noe tvorčestvo
1955
26
Popova, p. 73.
73
27
Morton, p. 16.
16
28
Sketches, Appendix, p. 6.
29
n. 16
30
Sketches, Appendix, pp. 15-16.
31
Borodin's maid, see My Musical Life, p. 165
165
32
P. Chaikovsky, 50 russkix narodnyx pesen, obrabotka dl ja fortepjano v 4 ruki (Moscow: Jurgenson, 1869), no. 23
Chaikovsky
50 russkix narodnyx pesen, obrabotka dl ja fortepjano v 4 ruki
1869
Konstantin Villebois's collection of 100 songs published in 1860
Chaikovsky's piano duet arrangements well, and remembered having taken the famous "Down St. Peter's Road" melody from it for Petrushka (Mem- ories and Commentaries, p. 91)
Chaikovsky
Down St. Peter's Road
91
Petrushka
Rim- sky-Korsakov's arrangements of Forty Russian Folk Songs as sung by Tertii Filippov (1882)
Sternfeld and Bachinskaya think, he found it with the name Ja večor mlada vo piru byla
Sternfeld, "Some Russian Folk Songs," in Norton Critical Scores, pp. 214-15
Sternfeld
Some Russian Folk Songs
214
Norton Critical Scores
Bachinskaya, p. 179
179
33
Act I, no. 3 (Na more utuška kupalasja)
Chaikovsky's first and (during his lifetime) suppressed opera, The Voy- evoda (1869)
Chaikovsky
The Voyevoda
1869
Anton Arensky's Son na Volge (A Volga Dream, 1890)
Arensky
Son na Volge
A Volga Dream
1890
The Voyevoda's libretto (by Ostrovsky)
Rim- sky-Korsakov used Utuška, too, in Tsar Saltan (1900)
Rimsky-Korsakov
Utuška
Tsar Saltan
1900
35
pp. 46, 75, and 116
36
My Musical Life, pp. 343-4
343
37
Russkoe narodnoe muzykal'noe tvorčestvo, I, p. 61.
61
38
Melodika kalendarnyx pesen (Leningrad, 1975), pp. 78-81
78
Melodika kalendarnyx pesen
1975
E. Romanov, Belorusskie na- rodnye melodii (Vilna, 1912)
Romanov
Belorusskie narodnye melodii
1912
Gerald Seaman in his History of Russian Music, Vol. I (New York, 1967), p. 238
Seaman
238
I
History of Russian Music
1967
39
Zemtsovsky, pp. 78-9.
40
Pesni vostočno-slavjanskoj obščnosti (Minsk, 1977).
Pesni vostočno-slavjanskoj obščnosti
1977
41
FËdor Istomin and Sergei Liapunov, eds., Pesni russkogo naroda, sobrany v gu- bernijax: Vologodskoj, Vjatskoj i Kostromskoj v 1893 godu (St. Petersburg, 1899).
Istomin
Pesni russkogo naroda, sobrany v gubernijax: Vologodskoj, Vjatskoj i Kostromskoj v 1893 godu
1899
42
Sternfeld, "Some Russian Folk Songs" (Norton Critical Scores reprint), pp. 208-9
208
43
Morton, p. 14.
14
44
"Pojut narodnye ispolniteli," Melodiya D-24901
45
Rimsky-Korsakov, One Hundred Russian Folk Songs, no. 46
n. 19
46
"Genesis of a Masterpiece," in The Rite of Spring: Sketches, p. xxiii.
Genesis of a Masterpiece
xxiii
The Rite of Spring: Sketches
47
Anna Rudneva, Folk Songs of the Kursk Region (Moscow, 1957)
Rudneva
Folk Songs of the Kursk Region
1957
48
Morton, "Footnotes to Stravinsky Studies," p. 13
13
49
I. F. Stravinskij: Stat'i i materialy, p. 188.
188
51
Between pp. 39 and 47 some sketches for The Nightingale
Part II of The Rite intervene
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