General-Miscellaneous: Historical Musicology

General-Miscellaneous: Historical Musicology
orac-TavT Tavener, Thomas Theodore. An Acoustical Analysis of Stressed and Unstressed Consonant-Vowel Syllables Sung and Spoken in Disyl- labic Pairs by Trained Singers. (D.M.A., Performance, University of Washington, 1972).
Theodore
An Acoustical Analysis of Stressed and Unstressed Consonant-Vowel Syllables Sung and Spoken in Disyllabic Pairs by Trained Singers
1972
*oIen-SteM Stern, Marion Goertzel. Ensemble Music With Obligato Keyboard: Origins and Styles. (Ph.D., Musicology, University of Pennsyl- vania).
*oIke-SynK Synnestvedt, Kirstin. A Stylistic Comparison of Selected Settings for Organ of the Chorale Tune Vater unser im Himmelreich from the Seventeenth Century to the Present. (D.M.A., Performance, Uni- versity of Iowa).
Kirstin
A Stylistic Comparison of Selected Settings for Organ of the Chorale Tune Vater unser im Himmelreich from the Seventeenth Century to the Present
*oIor-KreM Kremer, Marie J. The Organ in Ensemble: A Study of the Organ as used in the Symphony Orchestra. (Ph.D., Musicology, Washington University).
*oIpd-SwiW Swilley, Wanda Sue. The Pedagogy of Flute Embouchure from 1700 to the Present. (D.M.A., Performance, University of Iowa).
Sue
The Pedagogy of Flute Embouchure from 1700 to the Present
oipf-MatG Matte, Gerard. The History of Violin Bowing and Its Impact upon Performance: With Videotape Illustrations of Bowing Technique in Selected Musical Examples. (Ph.D., Music Ed., New York Uni- versity, Educ., 1973). 282 pp.
*oisa-BloA Block, Adrienne Fried. A History of the Noel. (Ph.D., Music, City University of New York).
*oIsa-GirS Girard, Sharon Elizabeth. Requiem Music in Venezuela. (Ph.D., Musicology, University of California at Los Angeles).
*oIsn-RosM Rosenblum, Myron. Contributions to the History and Literature of the Viola d'amore: An Expansion of Werner Eginhard Köhler's Beiträge zur Geschichte und Literatur der Viola d'amore. (Ph.D., Performance, New York University, Educ.).
*oxst-SorJ Sorenson, Jack Eugene. "Focused Gesture" and Musical Style: Analy- sis, Aesthetics, and History in Terms of Manipulated Attention. (Ph.D., Musicology, University of Washington).

General-Miscellaneous: Ethnomusicology

General-Miscellaneous: Ethnomusicology
02fo-GerA Germain, Anne Mildred. Scottish Gaelic Heroic Ballads: An His- torical and Analytical Study. (Ph.D., Musicology, Boston University, 1973)-. xiii, 233 pp. Musical ex., List of works, appendices, bibliog.
*02fo-LarL Larson, LeRoy Wilbur. Scandinavian-American Folk Dance Music of the Norwegians in Minnesota. (Ph.D., Musicology, University of Minnesota).
02fo-LauC Lau, Cheryl Ann. An Inquiry into the Traditional Music of Tahiti and its Pedagogy. (D.M.A., Music Ed., University of Oregon, 1971). vi, 119 pp
Lau
vi
An Inquiry into the Traditional Music of Tahiti and its Pedagogy
1971
Musical ex., trans., appendices, bibliog. UM 78-8564
DA XXXII. 9, 5269-A
9
5269-A
XXXII
DA
*o2in-KimC Kimberlin, Cynthia Tse. The Musical Instruments of Ethiopia: The Instruments, Their Manufacture and Use. (Ph.D., Ethnomusicology, University of California at Los Angeles).
o2pr-OlsD Olsen, Dale Alan. Traditional Life-Cycle Music of the Warao Indians of Venezuela. (Ph.D., Ethnomusicology, University of California at Los Angeles).
o2pr-TurA Turkson, Adolphus. Effutu Asafo Music: A Study of a Traditional Music of Ghana with Special Reference to the Role of Tone Lan- guage in Choral Music Involving Structural and Harmonic Analysis. (Ph.D., Musicology, Northwestern University, 1972). xvi, 365 pp. Ill., plates, tables, musical ex., trans., appendices, bibliog.
*o5bo-HodW Hodges, Woodrow Joe. A Biographical Dictionary of Bassoonists Born Between ca. 1650 and ca. 1810. (Ph.D., Music Literature, Uni- versity of Iowa).
*o5wn-GorW Gora, William Alan. An Annotated Bibliography of Selected Books, Periodical Literature, Bibliographies, and Dissertations Relative to the History, Repertoire, Acoustics, and Pedagogy of the Saxophone. (D.M.A., Performance, University of Miami).
Alan
An Annotated Bibliography of Selected Books, Periodical Literature, Bibliographies, and Dissertations Relative to the History, Repertoire, Acoustics, and Pedagogy of the Saxophone
o6ae-FosJ Foster, Jean Reese. The Aesthetic Concept of Economy. (Ph.D., Musicology, Florida State University, 1972). Musical ex.
*07ps-LehM Lehr, Mangham David. A Survey of Color Theory and Musical Appli- cations. Ph.D., Theory, Michigan State University).
o9cp-GovM Gould, Murray J. Species Counterpoint and Tonal Structure. (Ph.D., Musicology, New York University, Grad., 1973). v, 181 pp. Dia- grams, musical ex., appendices, bibliog.
*ogrh-YesM Yeston, Maury Alan. The Stratification of Musical Rhythm. (Ph.D., Music Theory, Yale University).
*o9sr-PasC Pascoe, Clive B. An Investigation of Relationships Between the "Golden Ratio" and Musical Design. (D.M.E., Music Ed., Uni- versity of Cincinnati).
Clive
An Investigation of Relationships Between the "Golden Ratio" and Musical Design

General-Miscellaneous: Middle Ages Historical Musicology

General-Miscellaneous: Middle Ages Historical Musicology
*21cm-HueR Huestis, Robert Leland. Contrafacta, Parodies, and Instrumental Arrangements from the Ars nova. (Ph.D., Musicology, University of California at Los Angeles).
2 lu-BerM Berendes, Sister M. Benedicta. The Versus and Its Use in the Medieval Roman Liturgy. (Ph.D., Musicology, University of Pittsburgh, 1973). viii, 198 pp. Ill., tables, musical ex., appendices, bibliog.
*+2lu-BjoD Bjork, David Albert. The Kyrie Repertory in Aquitanian Manuscripts From the Tenth and Eleventh Centuries. (Ph.D., Musicology, Uni- versity of California at Berkeley).
*2 lu-NowE Nowacki, Edward Charles. Studies on the Office Antiphons of the Old Roman Manuscripts. (Ph.D., Musicology, Brandeis University).
2 ot-BenR Benedum, Richard Paul. Ornamentation in the Faenza Codex. (D.M.A., Performance, University of Oregon, 1972). vi, 138 pp. text, 172 pp. music. Tables, musical ex., bibliog.
Paul
vi
Ornamentation in the Faenza Codex
1972
*2rsa-RamV Ramalingam, Vivian Safowitz. Organum Duplum in the Notre Dame Era. (Ph.D., Musicology, University of Illinois).
*2itm-HarJ Hart, Josephine. The Relationship between Text and Music in the Bamberg Codex. (D.M.A., Music History, University of Oregon).
Josephine
The Relationship between Text and Music in the Bamberg Codex
*29sr-ChaO Chamberlain, Oliver. Isorhythmic and Isomelic Design in the Motets of the Seventh and Eighth Fascicles of Montpellier Ms H196. (Ph.D., Musicology, University of Michigan).

General-Miscellaneous: Renaissance Historical Musicology

General-Miscellaneous: Renaissance Historical Musicology
3 bo-PieJ Pierce, Jane Illingworth. Hans Gerle: Sixteenth-Century Lutenist and Pedagogue. (Ph.D., Musicology, University of North Carolina, 1973). Vol. I, i, 263 pp. text; Vol. II, 436 pp. music. Musical ex., list of works, appendices, bibliog.
*3Ida-BriJ Briggerman, James Wilson. The Branle in Sixteenth-Century Publica- tions of France and the Low Countries. (Ph.D., Musicology, North- western University).
*31fo-RahD Rahn, Douglas Jay. Melodic and Textual Types in French Popular Song, ca. 1500. (Ph.D., Musicology, Columbia University).
*31ke-FreE French, Elizabeth Chamberlain. Early Tudor Organ Music: 1500-1550. (D.M.A., Performance, Boston University).
Chamberlain
Early Tudor Organ Music: 1500-1550
3ike-MahW Mahrt, William Peter. The Missae ad organum of Heinrich Isaac. (Ph.D., Musicology, Stanford University, 1969). v, 106 pp. text, 19 pp. music. Tables, musical ex., list of works, bibliog
UM 70-1575. DA 3494-A
*3ike-MccH McConnell, Harlan. The Lutheran Chorale in the Sixteenth-Century German Keyboard Tablatures. (Ph.D., Musicology, University of Colorado).
3imc-HanM Hanen, Martha Kight. The Chansonnier El Escorial Ms. IV.a.24. (Ph.D., Musicology, University of Chicago, 1973). Vol. I, v, 279 pp. text
Vol. II, ix, 302 pp. music
3imc-HerM Hernon, Michael A. Perugia Ms. 431 (G20): A Study of the Secular Italian Pieces. (Ph.D., Musicology, George Peabody College for Teachers, 1972). iv, 529 pp. text, I 15 pp. music. Tables, facsims.,. musical ex., appendices, bibliog., indices.
*3Imc-SeeA Seeley, Anne Neely. Motets for the Hungarian Court: The Origin and Contents of Rome, Vatican Library, Palatini Latini 1976-79. (Ph.D., Musicology, University of California at Berkeley).
*3Imc-WalH Walker, Helen Margaret. MS. London, British Museum, Royal 8 G.vii and Its Contents. (Ph.D., Musicology, University of California at Berkeley).
*3ino-BlaA Blachly, Alexander. The Use of Proportion Signs in the Fifteenth Century. (Ph.D., Musicology, Columbia University).
*3ipf-GreD Green, David H. A Performance Guide to Renaissance Wind Instru- ments. (D.M.A., Performance, Boston University).
Green
A Performance Guide to Renaissance Wind Instruments
31pf-RodJ Rodgers, Julane. Early Keyboard Fingering, ca. 1520-1620. (D.M.A., Performance, University of Oregon, 1971). Vi, 331 pp
Rodgers
Vi
Early Keyboard Fingering, ca. 1520-1620
1971
Tables, facsims., musical ex., appendices, bibliog. UM 78-8592. DA XXXII. 9, p. 5274-A
*3isa-BaiA Baird, Arlan Randall. Jacob Handl's Opus Musicum: An Analytical Study. (Ph.D., Music, Brigham Young University).
31sa-BurS Burstyn, Shai. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. (Ph.D., Musicology, Columbia University, 1972). 420 pp.
31sa-CauP Cavanaugh, Philip Stephen. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. (Ph.D., Musicology, Univer- sity of Pittsburgh, 1972). iv, 117 pp. text, 180 pp. music. Tables, musical ex., thematic cat., appendices, bibliog., indices.
31sa-CraE Cramer, Eugene Casjen. The Officium Hebdomadae Sanctae of Tomais Luis de Victoria: A Study of Selected Aspects. and an Edition and Commentary. (Ph.D., Musicology, Boston University, 1973). Vol. I, xii, 158 pp. text
Vol. II, iv, ioi pp. text, 417 pp. music. Tables, musical ex., appendices, bibliog
*31sa-FerM Ferer Mary Tiffany. Renaissance Polyphony for the Feast of St. John the Baptist. (Ph.D., Musicology, University of Illinois).
*3isa-GriJ Griesheimer, James C. The Motets of Ludwig Senfl. (Ph.D., Musicol- ogy, Indiana University).
*3Isa-HoeD Ho, Edith June. The Sacred German Lied-Motets of Leonhard Lechner (ca. 1553-1606). (D.M.A., Performance, Peabody Con- servatory of Music).
Edith
The Sacred German Lied-Motets of Leonhard Lechner (ca. 1553-1606)
*31sa-IngS Ingram, Sonja Stafford. The Polyphonic Salve Regina, 1425-1550. (Ph.D., Musicology, University of North Carolina).
*31sa-RosD Ross, Ronald David. The Motets of Jacob Obrecht: A Stylistic Analy- sis. (Ph.D., Theory, University of Cincinnati).
*3isa-RotL Rottner, Leslie Reid. Spanish Vespers Polyphony 1584-1618. (Ph.D., Musicology, University of California, Los Angeles).
*31sa-YouL Youens, Laura S. Polyphonic Settings of the Proper of the Mass in Annaberg Manuscripts 1126 and 1248. (Ph.D., Musicology, Indiana University).
*31se-BakN Baker, Norma K. The Villancicos of Juan del Encina. (Ph.D., Musi- cology, University of Maryland).
*3 ise-BerJ Bernstein, Jane Agar. French and Netherlandish Currents in the Secular Vocal Music of Elizabethan and Jacobean England. (Ph.D., Musicology, University of California at Berkeley).
*31se-HoeG Hoekstra, Gerald Richard.. The Chansons of Andries Pevernage (1543-1591). (Ph.D., Musicology, Ohio State University).
*3ise-MilL Miller, Leta Ellen. The Parisian Chanson: 1530-1570, a Comparative Study, Including Works by Certon, Sandrin, Maillard, and Their Contemporaries. (Ph.D., Musicology, Stanford University).
*3Ivo-FalD Fallows, David Nicholas. Robert Morton and John Bedyngham: Song Composers in the Fifteenth Century. (Ph.D., Musicology, Uni- versity of California at Berkeley).
3iwo-EnnE Ennulat, Egbert Martin. Johann de Fossa and His Work. (Ph.D., Musicology, Case Western Reserve University, 1971). Vol. I, viii, 276 pp. text
Vol. II, xxxvi, 340 pp. music. Plates, tables, musical ex., bibliog
31wo-JosD Josephson, David S. John Taverner: A Documentary Study of His Life and Music. (Ph.D., Musicology, Columbia University, 1972). 387 pp.
*38bo-LewM Lewis, Mary Stuart. Antonio Gardano. (Ph.D., Musicology, Brandeis University).
39rh-HouE Houghton, Edward F. Rhythmic Structure in the Masses and Motets of Johannes Ockeghem. (Ph.D., Music, University of California at Berkeley, 1971). iv, 334 pp. Ill., tables, musical ex., trans., list of works, appendices, bibliog.
39to-SteJ Stewart, John D. Metrical and Tonal Stability in the Dance Music of the Fitzwilliam Virginal Book. (Ph.D., Theory, Indiana Uni- versity, 1973).
*39tr-CohV Cohen, Vered. Zarlino's Le istituzioni harmoniche, Part IV, in the Context of Sixteenth-Century Modal Theory (Including an An- notated Translation). (Ph.D., Musicology, City University of New York).
39tr-HerR Herman, Robert. Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. (Ph.D., Theory, North Texas State University, 1973). xiv, 929 pp. Ill., plates, tables, musical ex., bibliog., indices.
*39tr-MerD Mercer, David Stuart. The Musica Poetica of Joachim Burmeister: a Translation and Commentary. (Ph.D., Musicology, Stanford Uni- versity).

General-Miscellaneous: Baroque Historical Musicology

General-Miscellaneous: Baroque Historical Musicology
*41ae-CurR Currie, Randolph Newell. Symbolic Structure in the Keyboard Works of J. S. Bach. (Ph.D., Musicology, Ohio State University).
*4ich-BriD Bridges, David Merrell. Musica da Camera in Rome: 1667-1700. (Ph.D., Musicology, George Peabody College for Teachers).
*41ch-TenR Tennyson, Robert Scott. The Trombone in Baroque Chamber Litera- ture. (D.M.A., Performance, University of Maryland).
Tennyson
The Trombone in Baroque Chamber Literature
*41dr-CyrM Cyr, Mary Ellen. Rameau's pastorale-hkroique, Acante et Ce'phise. (Ph.D., Musicology, University of California at Berkeley).
*41en-FleR Fletcher, Richard. A Comprehensive Performance Project in Clarinet Literature with an Essay on Music for Bassoon and Small String Ensemble in the Eighteenth Century. (D.M.A., Performance, Uni- versity of Iowa).
41ic-LepR Leppert, Richard D. Musical Instruments and Performing Ensembles in Flemish Paintings of the Seventeenth Century. (Ph.D., Musicol- ogy, Indiana University, 1973).
41im-BlaL Bland, Leland Dye. The Instrumental Ritornello in Selected Vocal Works of Italian Composers ca. 1670 to ca. 1710. (Ph.D., Theory, University of Iowa, 1973). xix, 403 pp. Tables, musical ex., ap- pendices, bibliog.
*41im-FinM Fink, Michael Armand. The Instrumental Music of Salomon de' Rossi: A Study and Critical Edition of the Third and Fourth Books of Sonatas. (Ph.D., Musicology, University of Southern Cali- fornia).
*41ke-BluC Blum, Charles M. The Emergence of the Clavegin Suite in Seven- teenth-Century France. (Ph.D., Musciology, New York University, Grad.).
*4ike-BooC Booth, Carolyn Lamb. The Clavier Dance Suite in Europe: 1640-1768. (Ph.D., Musicology, University of Washington).
*41ke-CooK Cooper, Kenneth. The Clavichord in the Eighteenth Century. (Ph.D., Musicology, Columbia University, 1971). 286 pp.
*41ke-DamG Damp, George Edward. The Apparatus Musico-organisticus of Georg Muffat (1653-1704): A Study of Stylistic Synthesis and Aspects of Performance Practice, (D.M.A., Performance, University of Roch- ester).
Edward
The Apparatus Musico-organisticus of Georg Muffat (1653-1704): A Study of Stylistic Synthesis and Aspects of Performance Practice
41ke-HanS Hanks, Sarah E. The German Unaccompanied Keyboard Concerto in the Early Eighteenth Century, Including Works of Walther, Bach, and Their Contemporaries. (Ph.D., Musicology, University of Iowa, 1972). x, 359 pp. Ill., plates, tables, facsims., musical ex., thematic cat., appendices, bibliog.
*41ke-KeaH Keating, Henry John. Vater unser im Himmelreich Organ Chorales: 1601 to J.S. Bach. (Ph.D., Musicology, University of Southern California).
*41ke-LeeH Lee, Hwaeja Yoo. Secular Elements in André Raison's Organ Masses. (D.M.A., Performance, University of Oregon, 1970). vi, 194 pp
Lee
vi
Secular Elements in André Raison's Organ Masses
1970
Musical ex., bibliog. UM 71-16,823
DA XXXII. I, p. 475-A
I
475-A
XXXII
DA
*41lt-GroM Grossman, Margaret Rosso. G.B. Doni: His Theories and Intellectual Environment. (Ph.D., Musicology, University of Illinois).
41na-MorJ Morby, John Edwin. Musicians at the Royal Chapel of Versailles, 1683-1792. (Ph.D., History, University of California at Berkeley, 1971). 248 pp. Plates, tables, bibliog.
*41op-MccM McClymonds, Marita Petzoldt. Jommelli's Operas at the Court of Lisbon. (Ph.D., Musicology, University of California at Berkeley).
*4Iop-MilF Millner, Fredrick Lewis. The Late Operas of J.A. Hasse: Composition and Revision as Demonstrated in Twenty-nine Autograph Manu- scripts. (Ph.D., Musicology, University of California at Berkeley).
4Iop-PecM Peckham, Mary Adelaide. The Operas of Georg Philipp Telemann. (Ph.D., Musicology, Columbia University, 1972). 302 pp.
4Ipf-FauQ Faulkner, Quentin. The Symphoniae Sacrae of Heinrich Schiitz: A Manual for Performance. (S.M.D., Musicology, Union Theological Seminary, 1973).
Faulkner
The Symphoniae Sacrae of Heinrich Schiitz: A Manual for Performance
1973
4Ipf-HarT Harmon, Thomas Fredric. The Registration of J.S. Bach's Organ Works: A Study of German Organ-Building and Registration Prac- tices of the Late Baroque Era. (Ph.D., Performance Practice, Wash- ington University, 197'). vii, 372 pp. Tables, appendices, bibliog.
*4Ipf-HoaB Hoag, Barbara Brewster. The Performance Practice of Iberian Key- board Music of the Seventeenth Century. (Ph.D., Musicology, New York University, Grad.).
*4Isa-BroL Brothers, Lester Dwayne. The Hexachord Mass, 1600-1720. (Ph.D., Musicology, University of California at Los Angeles).
*4Isa-EllR Ellinwood, Robert S. The Anthem for Solo Voice in England, 1660 to c. 1800. (D.M.A., Performance, University of Rochester).
Ellinwood
The Anthem for Solo Voice in England, 1660 to c. 1800
41sa-GruJ Grubbs, John Whitfield. The Sacred Vocal Music of the Graun Brothers: A Bio-Bibliographical Study. (Ph.D., Music University of California at Los Angeles, 1972). xvi, vii, 1331 pp. in two vols. Plates, tables, thematic cat., appendices. bibliog., indices.
*4Isa-HabJ Haberlen, John Black. A Critical Survey of the Oratorio Passion From 1650 to 1700. (D.M.A., Performance, University of Illinois).
Haberlen
A Critical Survey of the Oratorio Passion From 1650 to 1700
4Isa-JohM Johnson, Margaret Frishe. Agostino Agazzari (1578-1640): The Motets for One to Four Voices. (Ph.D., Musicology, Tulane University, 1972). vi, 124 pp. Musical ex., bibliog.
*4isa-MccS McClary, Susan. Style in the Oratorios of Alessandro Stradella. (Ph.D., Music, Harvard University).
*4isa-SmiJ Smith, Jo Ann. The Masses and Magnificats of Francisco Lopez y Capilla in Ms. 2428, Biblioteca Nacional, Madrid. (Ph.D., Musicol- ogy, University of Southern California).
*41se-BufI Buff, Iva Mary. The Secular Duets and Trios of Carissimi. (Ph.D., Musicology, University of Rochester).
41Ise-MagJ Maggs, John Anderson. The Secular Music of Alessandro Grandi. (Ph.D., Musicology, University of Michigan).
4Ise-RoyD Royster, Don Lee. Pierre Guedron and the air de cour 1600-1620. (Ph.D., Music History, Yale University, 1972). 222 pp. text, 184 pp. music. Appendices, bibliog., indices.
*4Ise-VogK Vogel, Karen Shakley. The Secular Cantatas of Emanuele d'Astorga. (Ph.D., Music History, Ohio State University).
*4Ist-McdB McDowell, Bonney. Forqueray and Marais: A Study of the French- Italian Stylistic Conflict in the French Baroque Repertoire for Basse de viole. (Ph.D., Musicology, Columbia University).
*4Itm-JorE Jorgens, Elise Bickford. The Beginnings of the Baroque in English Song: A Study of the Changing Relationships Between Music and Poetry. (Ph.D., Musicology, City University of New York).
*41vo-McdJ McDonald, James Ray. Benedetto Marcello's Pecorelle che pascete: The Historical Background and a Stylistic Analysis with a Practical Performing Edition. (D.M.A., Performance, University of Iowa).
McDonald
Benedetto Marcello's Pecorelle che pascete: The Historical Background and a Stylistic Analysis with a Practical Performing Edition
41vo-PieP Piersall, Paul R. The Bass Cantatas of Alessandro Scarlatti. (D.M.A., Performance, University of Oregon, 1971). vi, 441 pp. text, 158 pp. music
Musical ex., appendices, bibliog. UM 72-964
DA XXXII. 6, p. 3354-A
41wn-ThoO Thomas, Orlan Earl. Music for Double-reed Ensembles from the Seventeenth and Eighteenth Centuries: "Collection Philidor". (D.M.A., Performance, University of Rochester, 1973). x, 91 pp. text, 103 pp. music. Plates, facsims., musical ex., appendices, bibliog., indices.
Orlan
x
Music for Double-reed Ensembles from the Seventeenth and Eighteenth Centuries: "Collection Philidor"
1973
*41wo-HarJ Harrison, John Fussell. The Life and Works of William Croft. (Ph.D., Musicology, Bryn Mawr College).
*4Iwo-KarA Karpel, Alan Marc. A Survey of the Works of Johann Matthias Leffloth Including an Edition of the Concerto in F for Cembalo and Violin. (D.M.A., Performance, University of Iowa).
Karpel
A Survey of the Works of Johann Matthias Leffloth Including an Edition of the Concerto in F for Cembalo and Violin
46ae-ObeM Obelkevich, Mary Helen. Manifestations of Philosophy and Science in the Music of Seventeenth-Century France. (Ph.D., Musicology, Columbia University, 1973). iii, 334 pp.
*46tr-EllM Ellison, Mary Beeson. Comparaison de la musique italienne et de la musique francaise of Lecerf de la Vieville: An Annotated Trans- lation of the First Four Dialogues. (Ph.D., Musicology, University of Miami).
*49mu-RivB Rivera, Benito V. Johannes Lippius and His Musical Treatises: A Study of German Musical Thought in the Early Seventeenth Cen- tury. (Ph.D., Musicology, Rutgers University).
*49sr-BarN Barnes, Nancy Mould. Structural Counterpoint and Meter in Eigh- teenth-Century Keyboard Music. (Ph.D., Music, City University of New York).
49tr-GarL Garrett, Lee Raymond. Adriano Banchieri's Conclusioni nel suono dell'organo of 1609: A Translation and Commentary. (D.M.A., Per- formance, University of Oregon, 1972).
Garrett
Adriano Banchieri's Conclusioni nel suono dell'organo of 1609: A Translation and Commentary
1972
*49tr-ReiA Reilly, Allyn D. Georg Andreas Sorge's Vorgemach der musikalischen Composition: A Translation and Commentary. (Ph.D., Theory, Northwestern University).
*49tr-SmiA Smith, Arthur Timothy. Charles Butler's The Principles of Musick, in Singing and Setting, With the Two-fold Use Thereof (Ecclesiasti- call and Civil): A Critical Edition. (Ph.D., Theory, Ohio State University).
*49tr-WilR Williams, Robert Fortson. Marin Mersenne: An Edited Translation of the Fourth Treatise of the Harmonie Universelle. (Ph.D., Theory, University of Rochester, 1972). Vol. I, xii, 342 pp.
Vol. II, 288 pp.
Vol. III, 334 pp. Ill.
musical ex., bibliog. UM 73-983
DA XXXIII. 7, pp. 3705-6A

General-Miscellaneous: Classical Historical Musicology

General-Miscellaneous: Classical Historical Musicology
*5Iae-SeiD Seipt, David Park. C.F.D. Schubart (1739-1791) as Music Critic and Aesthetician. (Ph.D., Musicology, University of Pennsylvania).
*5Ibo-CumH Cummings, Harmon Dean. Andrew Adgate: Philadelphia Psalmodist and Music Educator. (Ph.D., Music Ed., University of Rochester).
*51bo-KeiE Keillor-McCaw, Elaine. Leonzi Honauer: Performer, Teacher, and Composer. (Ph.D., Musicology, University of Toronto).
*5ibo-MosK Moses, Karen Ruth. Johann Christian Fischer, Oboist and Composer (1733-1800). (Ph.D., Musicology, University of Maryland).
*S5bo-SpiG Spice, Gordon Philip. Johann Gottfried Gebhard: Moravian Musician. (Ph.D., Musicology, University of North Carolina).
51bo-WebG Webb, Guy Bedford. Timothy Swan: Yankee Tunesmith. (D.M.A., Choral Music, University of Illinois, 1972). xi, 198 pp. text, 42 pp. music. Ill., musical ex., list of works, appendices, bibliog.
Webb
xi
Timothy Swan: Yankee Tunesmith
1972
*Sich-SteL Steinberg, Lester. The Piano Trios of Joseph Haydn: Analysis of Style in Sonata-Form Movements. (Ph.D., Musicology, New York University, Grad.).
*5ien-HerM Hermann, Myrl Duncan. Instrumental Ensemble Music in America during the Late Eighteenth Century and Early Nineteenth Century. (Ph.D., Musicology, Bryn Mawr College).
*5ike-EspA Espinosa, Alma. The Keyboard Works of Felix Maximo López. (Ph.D., Musicology, New York University, Grad.).
5Ike-WhiA White, A. Duane. The Piano Works of Anton Eberl (1765-1807). (Ph.D., Musicology, University of Wisconsin, 197I). viii, 342 pp.
Tables, facsims., musical ex., thematic cat., appendices, bibliog UM 71-20, 699
DA XXXII. 4, 2125-A
4
2125-A
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5lt-ReiN Reich, Nancy Bassen. A Translation and Commentary of Selected Writings of Johann Friedrich Reichardt (1752-1814): European Musical Life and Music Education as Seen by an Observant Traveler. (Ph.D., Music Ed., New York University, Educ., 1973).
5Ime-CusD Cushman, D. Stephen. Joseph Haydn's Melodic Materials: An Ex- ploratory Introduction to the Primary and Secondary Sources To. gether with an Analytical Catalogue and Tables of Proposed Melodic Correspondence and/or Variance. (Ph.D., Musicology, Boston University, 1972). xxiii, 787 pp. Musical ex., appendices.
*5Imv-AndT Anderson, Thomas Jerome. Johann Friedrich Peter and the Collegium musicum Salem, 1780-90. (Ph.D., Musicology, Florida State Uni- versity).
5Imv-PetF Petty, Fred Curtis. Italian Opera in London, 1760-1800. (Ph.D., Music History, Yale University, 1971). x, 444 pp. Musical ex., list of works, appendices, bibliog., indices
UM 72-17, 155
DA XXXII. 12, p. 7031 -A
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XXXII
DA
51op-AndJ Anderson, Judith Ann. The Viennese Operas of Stephen Storace. (Ph.D., Musicology, The Catholic University of America, 1972). 255 pp. Tables, musical ex., list of works, appendices, bibliog
UM 72-18, 351
DA XXXII. 12
12
XXXII
DA
*5iop-ReiJ Reilly, Jonathan Bruce. The Operas Comiques of Mehul. (Ph.D., Musicology, Northwestern University).
5Ioq-DowA Downs, Anneliese. The Symphonies of Friedrich Schwindl. (Ph.D., Musicology, New York University, Grad., 1973). xi, 240 pp. Plates, figures, musical ex., thematic cat., appendices, bibliog.
*51pf-LasD Lasocki, David Ronald. Phrasing and Articulation in Woodwind Music, 1750-1830. (Ph.D., Muscology, University of Iowa).
*5Ipf-WilK Wilmot, Kenneth L. Articulation and Ornamentation in the Noting of Mechanical Organs: An Investigation and Analysis of Techniques Described by Dom Bedos in L'Art du facteur d'orgues. (D.M.A., Performance, Boston University).
51sa-AdaN Adams, Nelson Falls. The Musical Sources for John Wesley's Tune- Books; the Genealogy of 148 Tunes (S.M.D., Musicology, Union Theological Seminary, 1973).
*5isa-BusD Bush, Deanna. The Genesis of the Symphonic Mass in Mannheim (1743-1778): Relationships Between the Symphony and the Mass (Selected Masses of Richter, Holzbauer, Filtz, and Grua). (Ph.D., Musciology, University of Rochester).
*5Isa-KloD Klocko, David G. Jeremiah Ingalls' Christian Harmony (1805). (Ph.D., Musicology, University of Michigan).
5isa-NafK Nafziger, Kenneth J. The Masses of Haydn and Schubert: A Study in the Rise of Romanticism. (D.M.A., Music History, University of Oregon, 1970). 217 pp. Musical ex., bibliog. UM 71-10,765
Nafziger
The Masses of Haydn and Schubert: A Study in the Rise of Romanticism
1970
DA XXXIA, 10, p. 545 -A
10
545 -A
XXXIA
DA
RILM 70/622dd27
*SIsn-McwB McWilliams, Bernard H. An Edition and Discussion of Karl Stamitz's Concerto in E-Flat Major for Solo Violin, Solo Viola, and Orchestra. (D.M.A., Performance, University of Iowa).
Bernard
An Edition and Discussion of Karl Stamitz's Concerto in E-Flat Major for Solo Violin, Solo Viola, and Orchestra
5Isn-WilM Williams, Michael D. The Violin Concertos of Rodolphe Kreutzer. (Ph.D., Musicology, Indiana University, 1973).
*5Isr-CheC Chevalier, Constance R. The Concept "Fantasia" in the Late Eigh- teenth Century. (Ph.D., Theory, Stanford University).
*5ist-FisR Fishbaugh, Ronald L. Romantic Elements in Selected Keyboard Works of the Eighteenth Century. (Ph.D., Performance, New York Uni- versity, Educ.).
*S5st-WilS Willis, Stephen C. The Problem of Cherubini's Change of Style, 1800- 1810. (Ph.D., Musicology, Columbia University).
5Ivo-ChaJ Chamblee, James Monroe. The Cantatas and Oratorios of Carl Philipp Emanuel Bach. (Ph.D., Musicology, University of North Carolina, 1973). Vol. I, xi, 433 pp.; Vol. II, iii, 127 pp. Ill., tables, musical ex., list of works, appendices, bibliog., indices.
*Srvo-HarE Harris, Ellen T. Carl Philipp Emanuel Bach: His Vocal Style Ex- emplified by the Motets, Psalms and Choruses. (Ph.D., Musicology, University of Chicago).
*5iwn-EthD Etheridge, David Ellis. The Concerto for Clarinet in A Major, K. 622, by W. A. Mozart: A Comparative Study of Nineteenth- and Twentieth-Century Performances and Editions. (D.M.A., Per- formance, University of Rochester).
Etheridge
The Concerto for Clarinet in A Major, K. 622, by W. A. Mozart: A Comparative Study of Nineteenth- and Twentieth-Century Performances and Editions
5iwn-MeyW Meyer, W. Frederick. Oboe Quartets from ca. 1750 to ca. 1825. (D.M.A., Music Ed., University of Rochester, 1973). xi, 116 pp. Tables, musical ex., list of works, appendices, bibliog.
Meyer
xi
Oboe Quartets from ca. 1750 to ca. 1825
1973
*S wo-GinA Ginter, Anthony Francis. Pierre Gavinies: His Life and Works. (Ph.D., Musicology, Ohio State University).
*Szst-KazP Kazadi, Pierre Cary. Africanisms in the Eighteenth-Century Black Brazilian Repertory. (Ph.D., Ethnomusicology, University of Cali- fornia at Los Angeles).
55bo-EstJ Estock, Joseph James. A Biographical Dictionary of Clarinetists Born Before 1800. (Ph.D., Music Lit., University of Iowa, 1972). xi, 392 pp. Tables, list of works, bibliog.
*56im-HosB Hosler, Bellamy Hamilton. Changing Aesthetic Views of Instru- mental Music in Germany, 1750-1800. (Ph.D., Musicology, Univer- sity of Wisconsin).
*59ha-BeaD Beach, David Williams. The Harmonic Theories of Johann Philipp Kirnberger: Their Origins and Influences. (Ph.D., Theory, Yale University).
59sr-BawF Bawel, Frederick H. A Study of Developmental Techniques in Selected Haydn Symphonies. (Ph.D., Theory, Ohio State University, 1972). 251 pp. Musical ex., bibliog.
59sr-DemR Demaree, Robert W., Jr. The Structural Proportions of the Haydn Quartets. (Ph.D., Theory, Indiana University, 1973).
59sr-GibT Gibbs, Thomas Jordan, Jr. A Study of Form in the Late Masses of Joseph Haydn. (Ph.D., Musicology, University of Texas, 1972). xvii, 378 pp. Ill., tables, appendices, bibliog.
59sr-GraF Grave, Floyd Kersey. The Process of Articulation in Mozart's Piano Concertos. (Ph.D., Musicology, New York University, Grad., 1973). xiii, 267 pp.
*59sr-OttC Otto, Craig A. The Coda in Middle-Period Beethoven. (Ph.D., Hu- manities, Syracuse University).
*59to-MonM Montgomery, Michael F. A Critical Analysis of the Modulations of Mozart in Selected Late Instrumental Music. (Ph.D., Music Ed., New York University, Educ.).
*59tr-KovN Kovaleff, Nancy Carol. From Teil to Tonstiick: The Significance of Heinrich Christoph Koch's Versuch einer Anleitung zur Composi- tion in Theory and Practice. (Ph.D., Music History, Yale Uni- versity).

General-Miscellaneous: Romantic Historical Musicology

General-Miscellaneous: Romantic Historical Musicology
*61bo-FriB Friedland, Bea. Louise Farrenc (1804-1875): Composer, Performer, Scholar. (Ph.D., Musicology, City University of New York).
6ibo-ThoJ Thomson, Joan Lewis. Meyerbeer and His Contemporaries. (Ph.D., Musicology, Columbia University, 1972). 316 pp.
*6Ied-PhiL Phillips, Leonard M. The Leipzig Conservatory: 1843-1881. (Ph.D., Musicology, Indiana University).
*6Ike-EdwR Edwards, Robert Lynn. A Study of Selected Song Transcriptions of Franz Liszt. (D.M.A., Performance, University of Oregon, 1972). iv, 96 pp. Tables, musical ex., bibliog.
Edwards
iv
A Study of Selected Song Transcriptions of Franz Liszt
1972
*61ke-OnyJ Onyeledo, Janesetta H. A Stylistic Study of Max Reger's Solo Piano Variations and Fugues on Themes by Johann Sebastian Bach and Georg Philipp Telemann. (Ph.D., Performance, New York Uni- versity, Educ.).
*6ike-WeiD Weikel, Dexter N. The Organ Concerti of Charles Zeuner (1795- 1857): A Critical Commentary and Practical Performing Edition of the Two Organ Concerti of Charles Zeuner. (D.M.A., Liturgical Music, Peabody Conservatory).
Weikel
The Organ Concerti of Charles Zeuner (1795-1857): A Critical Commentary and Practical Performing Edition of the Two Organ Concerti of Charles Zeuner
*6Ike-WilK Wilson, Karen Sue. Liszt's Annres de Pilerinage: A Style-Critical Study. (Ph.D., Musicology, University of North Carolina).
*6ilt-CraJ Crawford, Jack Reed. Mes Souvenirs of Louis Vierne (1870-1937): An Annotated Translation. (Ph.D., Musicology, University of Miami).
*6ilt-LabJ Labaugh, James. Music and English Romantic Poetry. (Ph.D., Musicol- ogy, Harvard University).
*6Imc-JohD Johnson, Douglas Porter. Beethoven's Sketches in the Miscellany, Berlin Autograph 28. (Ph.D., Musicology, University of California at Berkeley).
6imv-ClaL Clark, Linda Jane. Music at Trinity Church, Boston, from 1890 to 1900: A Case-Study in the Relationship between Worship and Culture (S.M.D., Union Theological Seminary, 1973).
Clark
Music at Trinity Church, Boston, from 1890 to 1900: A Case-Study in the Relationship between Worship and Culture
S.M.D., Union Theological Seminary, 1973
1973
6imv-HarP Hardwick, Peter. The Revival of Interest in Old English Music in Victorian England, and the Impact of This Revival on Music Com- posed into the Twentieth Century. (Ph.D., Musicology, University of Washington, 1973). xii, 344 pp. Plates, facsims., musical ex., appendices, bibliog.
*6imv-PetR Peterson, Ronald Dale. The Cultural Climate of Lexington, Kentucky in the Nineteenth Century. (Ph.D., Musicology, University of Cincinnati).
*6Iop-BoyD Boyer, Donald Hornbeck. The Operas of Frangois-Joseph Fdtis. (Ph.D., Mus. Ed., George Peabody College for Teachers).
6Iop-Brac Brauner, Charles Samuel. Vincenzo Bellini and the Aesthetics of Opera Seria in the First Third of the Nineteenth Century. (Ph.D., Music History, Yale University, 1972). Vol. I, v, 309 pp.
Vol. II, 456 pp. Musical ex., appendices, bibliog
*6iop-ErwC Erwin, Charlotte Elizabeth. Richard Strauss' Opera Revisions. (Ph.D., Music History, Yale University).
6iop-GosP Gossett, Philip. The Operas of Rossini: Problems of Textual Criticism in Nineteenth-Century Opera. (Ph.D., Musicology, Princeton Uni- versity, 1970).
*6iop-HalV Hale, Virgil Edward. The Tenor Aria in Verdi's Operas. (D.M.A., Performance, University of Kentucky).
Hale
The Tenor Aria in Verdi's Operas
*61op-MacP Machlin, Paul Stuart. The Flying Dutchman: Sketches, Revisions and Analysis. (Ph.D., Musicology, University of California at Berkeley).
*6iop-RobJ Roberts, John H. The Grand Operas of Giacomo Meyerbeer: A Critical Study. (Ph.D., Musicology, University of California at Berkeley).
6iop-RosR Rosengard, Rose. Popularity and Art in Lortzing's Operas: The Effects of Social Change on a National Operatic Genre. (Ph.D., Musicology, Columbia University, 1973). Vol. I, xxvi, 264 pp.
Vol. II, 308 pp.
Vol. III, 144 pp
*6iop-SabD Sabbeth, Daniel Paul. Towards Falstaff: The Search for Musical and Dramatic Coherence in the Last Two Operas of Verdi. (Ph.D., Musicology, City University of New York).
6Ioq-MauW Maust, Wilbur R. The Symphonies of Anthony Philip Heinrich Based on American Themes. (Ph.D., Musicology, Indiana University, 1973).
6ior-BobR Bobo, Robert P. Scoring for the Wagner Tuben by Richard Wagner, Anton Bruckner, and Richard Strauss. (D.M.A., Performance, Uni- versity of Miami, 1971).
Bobo
Scoring for the Wagner Tuben by Richard Wagner, Anton Bruckner, and Richard Strauss
1971
6ipd-HolJ Holland, Jeanne. Chopin's Teaching and His Students. (Ph.D., Musi- cology, University of North Carolina, 1973). vi, 329 pp. Musical ex., appendices, bibliog.
*6ipf-PerS Permut, Steven Lee. The Romantic "Warhorse" in Early Recorded Piano Music: A Study in Performance Practice. (Ph.D., Musicology, University of Maryland).
*6ise-BerA Berger, Asya E. The Songs of Peter Cornelius: A Study of the Mid- Nineteenth-Century Lied. (Ph.D., Musicology, New York Uni- versity, Grad.).
*6Ise-GaeW Gaeddert, William Kenneth. The Songs of Robert Franz (1815-1892). (Ph.D., Music Lit., University of Iowa).
6ise-StoT Stoner, Thomas Alan. Mendelssohn's Published Songs (Ph.D., Musi- cology, University of Maryland, 1972). viii, 428 pp. Tables, musical ex., list of works, appendices, disc., bibliog., indices.
*61tm-ThyJ Thym, Jurgen. The Solo Song Settings of Eichendorff's Poems by Schumann, Wolf, and Pfitzner. (Ph.D., Musicology, Case Western Reserve University).
*61vo-AleM Alexander, Metche Franke. The Choral-Orchestral Works of Hector Berlioz. (Ph.D., Musicology, North Texas State University).
*61vo-DaiM Daitz, Misi S. The Published Songs of Pierre De Breville (1861-1949): An Analytic Study. (Ph.D., Music Ed., New York University, Educ.).
6xvo-FudJ Fudge, James Thompson. The Male Chorus Music of Franz Liszt. (Ph.D., Choral Lit., University of Iowa, 1972). xv, 413 pp. text, 52 pp. music. Musical ex.
*61vo-SteJ Stephens, John Anthony. The Songs of Henry Russell. (D.M.A., Performance, University of Illinois).
Stephens
The Songs of Henry Russell
*61vo-VicB Vick, Bingham Lafayette, Jr. A Survey of the Choral Works of Max Bruch (1838-1920). (Ph.D., Musicology, Northwestern University).
*6iwn-SacL Sacchini, Louis Vincent. Solo Music for the Clarinet in the 19th Century. (Ph.D., Music Literature, University of Iowa).
*6Iwo-GeoK Georgieff, Katherine Peikarian. The Instrumental and Vocal Works of Ernst Theodor Amadeus Hoffman: Style and Form in the Piano, Chamber and Orchestral Works, the Choral Compositions and the Part Songs. (Ph.D., Musicology, Washington University).
*6Iwo-GraK Graber, Kenneth G. The Life and Works of William Mason (1829- 1908). (Ph.D., Music Literature, University of Iowa).
6Iwo-PetP Peter, Philip Henry. The Life and Work of Cipriani Potter (1792- 1871). (Ph.D., Music History, Northwestern University, 1972).
Vol. I, xiii, 284 pp.
Vol. II, 335 pp.
*62fo-MeaJ Mead, John Holstead. Sea Shanties and Fo'c'sle Songs, 1783-1906, in the G. W. Blunt White Library, Mystic Seaport, Mystic Connecticut. (D.M.A., Music, University of Kentucky).
Mead
Sea Shanties and Fo'c'sle Songs, 1783-1906, in the G. W. Blunt White Library, Mystic Seaport, Mystic Connecticut
64ed-DevR Devick, Royce Devon. Orlando Blackman: A Study of His Con- tribution to Music Education in the Chicago Public Schools (1863- 1899). (Ph.D., Music Lit., University of Iowa, 1972). xiii, 322 pp. Plates, tables, musical ex., list of works, appendices, bibliog.
66cr-PatS Patrick, Susan Bess. Hans von Billow as Music Critic. (Ph.D., Musi- cology, University of North Carolina, 1973). i, 158 pp. Bibliog.
*69sr-HolM Holt, Marilyn. Procedures in Development Sections of Sonata-Form Movements in the Symphonies of Beethoven, Schubert, Mendelssohn, and Schumann. (Ph.D., Musicology, Case Western Reserve Uni- versity).
69sr-SwaA Swartz, Anne. The Mazurkas of Chopin: Certain Aspects of Phras- ing. (Ph.D., Musicology, University of Pittsburgh, 1973)- i, 147 pp. Musical ex., list of works, appendices, bibliog.
*69tr-StoP Stone, Peter Eliot. Antoine Reicha's L'A rt du compositeur dramatique. (Ph.D., Musicology, New York University, Grad.).

General-Miscellaneous: Contemporary Historical Musicology

General-Miscellaneous: Contemporary Historical Musicology
*71bi-BraC Bradley, Carol June. The Genesis of American Music Librarianship, 1902-1942. (Ph.D., Library Science, Florida State University).
*7ibo-ArcN Archabal, Nina Marchetti. Carl Ruggles as Musician and Artist. (Ph.D., Musicology, University of Minnesota).
71bo-HolD Holcomb, Dorothy Regina. Philip Greeley Clapp: His Contribution to the Music of America. (Ph.D., Theory, University of Iowa, 1972). 313 pp
Musical ex., list of works, appendices, bibliog. UM 72-26, 694
*7xbo-WalL Wallach, Laurence. The New England Education of Charles Ives. (Ph.D., Musicology, Columbia University).
7xbo-WehD Wehr, David A. John Finley Williamson (1887-1964): His Life and Contribution to Choral Music. (Ph.D., Music Ed., University of Miami, 1971).
7Ibr-TuoJ Tuozzolo, James M. Trumpet Techniques in Selected Works of Four Contemporary American Composers: Günther Schuller, Meyer Kupferman, William Sydeman, and William Fabizio. (D.M.A., Per- formance, University of Miami, 1972).
Tuozzolo
Trumpet Techniques in Selected Works of Four Contemporary American Composers: Günther Schuller, Meyer Kupferman, William Sydeman, and William Fabizio
1972
*71ch-MyeW Myers, William Alden. The History of the Chamber Concerto in Central Europe During the 1920's. (Ph.D., Humanities, University of Pittsburgh).
*71ch-SmiJ Smith, Joan Templar. The String Quartets of George Rochberg. (Ph.D., Theory, University of Rochester).
71ch-StaJ Staples, James Gwynn III. Six Lesser-Known Piano Quintets of the Twentieth Century. (D.M.A., Performance, University of Ro- chester, 1972). v, 272 pp. Ill., tables, musical ex., bibliog.
Staples
v
Six Lesser-Known Piano Quintets of the Twentieth Century
1972
*7Idr-RooD Root, Deane L. The Development of Original American Popular Stage Music. (Ph.D., Musicology, University of Illinois).
*7ien-JadJ Jadlos, John L. Contemporary American Concert Literature for Strings and Percussion: Evolution of a New Performance Medium, 1950-1972. (D.M.A., Performance, University of Rochester).
Jadlos
Contemporary American Concert Literature for Strings and Percussion: Evolution of a New Performance Medium, 1950-1972
*71fo-SanM Sanders, Maria Elena Kuss. Nativistic Strains in Argentine Operas Premiered at the Teatro Colon (1908-1972). (Ph.D., Musicology, University of California at Los Angeles).
*7ija-SteM Stewart, Milton Lee. Structural Development in the Jazz Improvisa- tional Technique of Clifford Brown. (Ph.D., Musicology, University of Michigan).
*7Ike-BerE Berlin, Edward Alan. Piano Ragtime: A Stylistic Study. (Ph.D., Music, City University of New York).
*7xke-ClaB Clark, Benjamin Preston. The Stylistic Development of Rachmaninov's Music for Piano. (Ph.D., Music, City University of New York).
*7ike-CorM Corzine, Michael Loyd. The Organ Works of Daniel Pinkham. (D.M.A., Performance, University of Rochester).
Corzine
The Organ Works of Daniel Pinkham
7Ike-EnnD Ennett, Dorothy Maxine. An Analysis and Comparison of Selected Piano Sonatas by Three Contemporary Black Composers: George Walker, Howard Swanson, and Roque Cordero. (Ph.D., Perform- ance, New York University, 1973).
*7Ike-GanR Gant, Robert Edward. The Organ Works of Anton Heiller. (D.M.A., Performance, University of Rochester).
Gant
The Organ Works of Anton Heiller
*71ke-HatR Hatlestad, Roger Merle. Siegfried Reda's Vorspiele zu den Psalm- liedern. (D.M.A., Performance, University of Iowa).
Hatlestad
Siegfried Reda's Vorspiele zu den Psalmliedern
*7Ike-JosC Joseph, Charles Mensore. A Study of Igor Stravinsky's Piano Com- positions. (Ph.D., Theory, University of Cincinnati).
*7ike-LyaM Lyall, Max. The Piano Music of Gail Kubik. (D.M.A., Performance, Peabody Conservatory).
Lyall
The Piano Music of Gail Kubik
71ke-MciJ McIntosh, John Stuart. The Organ Music of Maurice Duruflé. (D.M.A., Performance, University of Rochester, 1973). vii, 180 pp. Ill., tables, facsims., musical ex., list of works, appendices, disc., bibliog.
McIntosh
The Organ Music of Maurice Duruflé
1973
*71ke-SmiS Smith, Steven Herbert. The Piano Concerto, 1945-1970: A Selective Survey for Performers. (D.M.A., Performance, University of Ro- chester).
Smith
The Piano Concerto, 1945-1970: A Selective Survey for Performers
*7Ike-StrS Strobel, Sandra Lee. The Organ Music of Charles Edward Ives. (D.M.A., Performance, University of Illinois).
Strobel
The Organ Music of Charles Edward Ives
*7Ike-WilM Wildberger, Melvin. The Piano and Vocal Music of Edward Steuer- mann. (Ph.D., Musicology, Cornell University).
7Ike-WueG Wuellner, Guy Snyder. The Complete Piano Music of Alexander Tcherepnin. (D.M.A., Performance, University of Iowa, 1973).
Wuellner
The Complete Piano Music of Alexander Tcherepnin
1973
*71mv-AllR Allen, RoseMary. Russian Music and Soviet Ideology: A Twentieth- Century Conflict. (D.M.A., Music History, University of Oregon).
Allen
Russian Music and Soviet Ideology: A TwentiethCentury Conflict
*7Imv-ConD Conflenti, Donald Anthony. Trends in Solo Piano Music Performed and Reviewed in New York City during the Period 1965-1972. (D.M.A., Performance, University of Iowa).
Conflenti
Trends in Solo Piano Music Performed and Reviewed in New York City during the Period 1965-1972
*7imv-DecM Deck, Marvin von. Gustav Mahler in New York: His Conducting Activities in New York City 1908-1911. (Ph.D., Music Ed., New York University, Educ.).
7Imv-StoM Stonequist, Martha Elisabeth. The Musical Entente Cordiale: 1905- 1916. (Ph.D., Musicology, University of Colorado, 1972). xvi, 322 pp. Facsims., appendices, bibliog.
*7xna-WojE Wojtkowski, Edward John. Polish Composition and Its Performance Since 1956. (D.M.A., Conducting, University of Washington).
Wojtkowski
Polish Composition and Its Performance Since
1956
7 op-DanR Danes, Robert Harold. Stravinsky's The Rake's Progress: Paradigm of Neoclassic Opera. (Ph.D., Musicology, Washington University, 1972). ix, 226 pp. Tables, musical ex., appendices, bibliog.
*7ioq-HepL Hapner, Lee A. An Analytical Study of Selected Canadian Composi- tions at the Mid-Twentieth Century. (Ph.D., Music Ed., New York University, Educ., 1971). 141 pp.
*7Ioq-MckL Mckinley, Lily. Stylistic Development in Selected Symphonies of William Schuman: A Comparison of Symphonies Numbers Three and Nine. (Ph.D., Music Ed., New York University, Educ.).
71oq-OstA Ostrander, Arthur E. Style in the Orchestral Works of Karl-Birger Blomdahl. (Ph.D., Theory, Indiana University, 1973).
*7ioq-WyaL Wyatt, Lucius Reynolds. A Comparative Study of Selected Orchestral Variations of the Mid-Twentieth Century: 1950-1965. (Ph.D., Theory, University of Rochester).
7ior-SisG Sistrunk, George W. A Comparison of the Two Orchestrations of King David by Arthur Honegger. (D.M.A., Choral Conducting, University of Miami, 1972).
Sistrunk
A Comparison of the Two Orchestrations of King David by Arthur Honegger
1972
71or-WorW Workinger, William C. Some Aspects of Scoring in the Band Works of Vincent Persichetti (Ph.D., Music Ed., New York University, Educ., 1973).
7isa-BoyH Boyer, Horace Clarence. An Analysis of Black Church Music, with Examples Drawn from Services in Rochester, New York. (Ph.D., Music, University of Rochester, 1973). ii, 252 pp. Tables, musical ex., appendices, bibliog.
*7isa-StuM Stulken, Marilyn Kay. A Handbook to the Service Book and Hymnal of the Lutheran Church in America. (D.M.A., Performance, Uni- versity of Rochester).
Stulken
A Handbook to the Service Book and Hymnal of the Lutheran Church in America
7ise-DimC Dimond, Chester Arthur. Fourteen Early Songs of Anton Webern. (D.M.A., Performance, University of Oregon, 1971). x, 151 pp. text, 62 pp. music. Tables, facsims., musical ex., bibliog.
Dimond
x
Fourteen Early Songs of Anton Webern
1971
*71sn-FroA Froelich, Andrew I. The Four Violin Sonatas by Charles Ives. (Ph.D., Musicology, Michigan State University).
*7isn-RadE Raditz, Edward. An Analytical Study of the Violin and Piano Works of Ernest Bloch. (Ph.D., Performance, New York University).
*7 st-DanK Daniel, Keith William. The Style of Francis Poulenc in Its National and Historical Setting. (Ph.D., Musicology, State University of New York at Buffalo).
7'Ist-HilW Hilse, Walter B. Factors Making for Coherence in the Works of Paul Hindemith, 1919-1926. (Ph.D., Musicology, Columbia University, 1972). 499 pp.
*7Ist-MyrD Myrvik, Donald A. Stylistic Change in Music and Its Relation to Social Change in the United States, 1945-1972. (Ph.D., Musicology, University of Minnesota).
*7 vo-BraJ Brantley, John Paul. The Serial Choral Music of Igor Stravinsky. (Ph.D., Theory, University of Iowa).
7ivo-GarW Garcia, William Burres. The Life and Choral Music of John Wesley Work III (1901-1967). (Ph.D., Choral Literature, University of Iowa, 1973). xvi, 246 pp. Ill., tables, musical ex., list of works, ap- pendices, disc., bibliog.
*7Ivo-GerC Gerbrandt, Carl James. The Vocal Solo Music of Alan Hovhaness. (D.M.A., Performance, Peabody Conservatory).
Gerbrandt
The Vocal Solo Music of Alan Hovhaness
7Ivo-HarC Harris, Carl Gordon, Jr. A Study of Characteristic Stylistic Trends Found in the Choral Works of a Selected Group of Afro-American Composers and Arrangers. (D.M.A., Performance, University of Missouri, Kansas City, 1972). viii, 178 pp. Facsims., musical ex., appendices.
Harris
viii
A Study of Characteristic Stylistic Trends Found in the Choral Works of a Selected Group of Afro-American Composers and Arrangers
1972
*7 ivo-JonR Jones, Raymond Durward. Leo Sowerby: His Life and His Choral Music. (Ph.D., Choral music, University of Iowa, 1973) xiii, 582 pp. Ill., plates, musical ex., thematic cat., app., bibliog.
7 ivo-LamG Lamb, Gordon Howard. The Choral Music of Sven Lekberg. (Ph.D., Choral Literature, University of Iowa, 1973). ix, 195 pp. Tables, musical ex., list of works, appendices, bibliog.
71vo-MabG Mabry, George Louis. The Vocal and Choral Works of Ernst von Dohnanyi. (Ph.D., Musicology, George Peabody College for Teachers, 1973). 207 pp. Facsims., musical ex., list of works, bibliog.
*7Iwi-HolW Holman, William Merkel. The Wind Music of Darius Milhaud. (D.M.A., Performance, University of Iowa).
Holman
The Wind Music of Darius Milhaud
*7iwn-ValN Valenziano, Nicholas J. Selected Avant-Garde Compositions for Clarinet Published between 1960 and 1972: Notational Techniques and Performance Problems. (D.M.A., Performance, University of Missouri, Kansas City).
Valenziano
Selected Avant-Garde Compositions for Clarinet Published between 1960 and 1972: Notational Techniques and Performance Problems
*7Iwo-HerH Herman, H. David. The Music of Jan Bender. (D.M.A., Performance, University of Kansas).
Herman
The Music of Jan Bender
7iwo-NisR Nisbett, Robert Franklin. Louis Gruenberg: His Life and Work. (Ph.D., Music, Ohio State University).
*7iwo-OncL Oncley, Lawrence A. The Published Works of Alexander Zemlinsky. (Ph.D., Musicology, Indiana University).
7 wo-ReeA Reed, Addison Walker. The Life and Works of Scott Joplin. (Ph.D., Musicology, University of North Carolina, 1973). viii, 190 pp. Musical ex., list of works, bibliog.
*7Iwo-RosL Rosenstiel, Leonie. Lili Boulanger, Life and Works. (Ph.D., Musicol- ogy, Columbia University).
*7Iwo-WurR Wursten, Richard Bruce. Theodor Streicher: His Life and Music. (Ph.D., Musicology, University of Wisconsin).
72en-OrnR Ornstein, Ruby Sue. Gamelan Gong Kebjar: The Development of a Balinese Musical Tradition. (Ph.D., Musicology, University of California at Los Angeles, 1971). 2 Vols.
*72fo-MilT Miller, Terry E. Khaen Music and Mohlam Singing in Northeastern Thailand. (Ph.D., Musicology, Indiana University).
*72pr-CavB Cavanagh, Beverley Anne. Music of the Netsilik Eskimo: A Study in Acculturation. (Ph.D., Ethnomusicology, University of Toronto).
*72pr-LutM Lutz, Maija M. The Effects of Acculturation on the Eskimo Music of Cumberland Peninsula. (Ph.D., Ethnomusicology, University of Wisconsin).
72vo-YanS Yang, Schuman Chuo. Twentieth Century Chinese Solo Songs: A Historical and Analytical Study of Selected Chinese Solo Songs Composed or Arranged by Chinese Composers from the 1920's to the Present. (Ph.D., Musicology, George Peabody College for Teachers, 1973). Vol. I, vi, 248 pp. text
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*74ed-ElwT Elward, Thomas Joseph. A History of Music Education in the Dis- trict of Columbia Public Schools from 1895 to 1945. (D.M.A., Music Ed., Catholic University).
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74et-AndW Anderson, William Miller, Jr. A Theoretical and Practical Inquiry into the Teaching of Music from Java and India in American Elementary Schools. (Ph.D., Music ed., University of Michigan, 1970). v, 258 pp. Ill., plates, appendices, bibliog
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An Annotated Catalogue of Jan Bender's Published Organ Solo Works: Annotated According to Liturgical Usage and Practical Performance Considerations
76ae-GilA Gillmor, Alan Murray. Erik Satie and the Concept of the Avant- Garde. (Ph.D., Musicology, University of Toronto, 1972). xv, 472 pp. Plates, facsims., musical ex., list of works, appendices, bibliog.
*76ae-HolW Holm, William J. The Influence of American Transcendentalism on the Thought and Music of Charles Ives. (Ph.D., English, University of Kansas).
*76cr-MueB Mueser, Barbara. The Critical Reception of New Music in New York, 1919-1929. (Ph.D., Musicology, City University of New York).
*76vo-KopR Kopelson, Robert Givand. The Me'lodies of Claude Debussy: An Appreciation of Debussy's Compositional Aesthetic as Revealed Through His Published Songs for Solo Voice and Piano. (Ph.D., Musicology, University of California at Berkeley).
*77sk-DyeD Dyen, Doris Jane. The Role of Shape-Note Hymnody in the Musical Styles, Religious Life and Culture of Black Communities Near Ozark, Alabama. (Ph.D., Ethnomusicology, University of Illinois).
*77sk-Kapl Kaphan, Iris Selicoff. Music, Society, and Social Change as Exemplified in Mexico c. 1900-1930: A Study in the Sociology of Music. (Ph.D., Musicology, University of California at Los Angeles).
77skPauJ Paul, June Brooks. Music in Culture: Black Sacred Song Style in Slidell, Louisiana and Chicago, Illinois. (Ph.D., Music History, Northwestern University, 1972). ii, 418 pp. text, 157 pp. music. ill., music ex., list of works, appendices, recording, bibliog., indices.
*77sk-ReyA Reyes-Schramm, Adelaida. The Role of Music in the Black American- Puerto Rican Interaction in East Harlem. (Ph.D., Musicology, Columbia University).
79cm-Gral Grau, Irene Rosenberg. Compositional Techniques Employed in the First Movement of Elliott Carter's Piano Concerto. (Ph.D., Theory, Michigan State University, 1973).
*79cm-LitJ Little, Jeanie Rebecca. Serial, Aleatoric, and Electronic Techniques in Selected American Organ Music. (Ph.D., Organ Lit., University of Iowa).
79dc-BouR Boudinot, Reginald. Development of Insgen: An Orchestra Compiler for Computer-Generated Sound. (Ph.D., Theory, University of Miami, 1972).
79me-GodP Godwin, Paul Milton. A Study of Concepts of Melody, with Particular Reference to Some Music of the Twentieth Century and Examples from the Compositions of Schoenberg, Webern, and Berg. (Ph.D., Theory, Ohio State University, 1972). vii, 230 pp. Tables, musical ex., bibliog.
*79pd-IbbJ Ibberson, John B. An Historical-Pedagogical Investigation of Twen- tieth-Century Keyboard Theory Sources. (Ph.D., Theory, Indiana University).
*79pk-DixG Dixon, Gail Susan. Pitch Organization in Twentieth Century Western Music: A Historical Survey and Comparative Analysis of the Con- cepts of Selected Theorists. (Ph.D., Musicology, University of Toronto).
*79rh-ReaE Reade, Eugene Walter. A Study of Rhythm in the Serial Works of Igor Stravinsky. (Ph.D., Theory, Indiana University).
*79sh-BriA Brinkman, Alexander Russell. Pitch Emphasis and Tonal References in Selected Serial Compositions by Igor Stravinsky: A Computer- Assisted Study. (Ph.D., Theory, University of Rochester).
79sh-LarE Largent, Edward James, Jr. An Investigation into the Perceptibility of Twelve-Tone Rows. (Ph.D., Theory, Ohio State University, 1972). xii, 149 pp. Tables, musical ex., appendices, bibliog.
*79sr-AntE Antokoletz, Elliott Maxim. Pitch Organization and Rhythm in Bartok's Fourth String Quartet. (Ph.D., Music, City University of New York).
79sr-RamP Ramsier, Paul. An Analysis and Comparison of the Motivic Structure of Octandre and Integrales, Two Instrumental Works by Edgard Varese. (Ph.D., Music Education, New York University, Educ., 1972). viii, 193 pp. Ill., tables, musical ex., bibliog.
79sr-SprG Spring, Glenn Ernest, Jr. Determinants of Phrase Structure in Selected Works of Schoenberg, Berg, and Webern. (D.M.A., Composition, University of Washington, 1972). iii, 61 pp. Musical ex., appendices.
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Determinants of Phrase Structure in Selected Works of Schoenberg, Berg, and Webern
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*79to-SchJ Schmalfeldt, Janet S. Alban Berg's Atonal Method: The Interaction of Large-Scale Pitch Structures with the Formal and Dramatic Architecture of Wozzeck. (Ph.D. Theory, Yale University).
*79to-StaL Starr, Lawrence. Mikrokosmos: The Tonal Universe of Béla Bartók. (Ph.D., Musicology, University of California at Berkeley).
79tr-EllB Ellard, Brian Joseph. Edmond Costère's Lois et styles des harmonies musicales: A Study and Translation. (Ph.D., Music Theory, Uni- versity of Rochester, 1973). Vol. I, viii, 184 pp
Vol. II, 430 pp. Tables, bibliog
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