[Footnotes]

[Footnotes]
2
Peter Bergquist, "Mode and Polyphony around 1500, Theory and Prac- tice," Music Forum, I (1967), 99-161
Bergquist
99
I
Music Forum
1967
Heinrich Besseler, Bourdon und Fauxbourdon (Leipzig, 1950)
Besseler
Bourdon und Fauxbourdon
1950
Edward Lowinsky, Tonality and Atonality in Sixteenth-Century Muszc (Berkeley and Los Angeles, 1961)
Lowinsky
Tonality and Atonality in Sixteenth-Century Muszc
1961
Don M. Randel, "Emerging Triadic Tonal- ity in the Fifteenth Century," The Musical Quarterly, LVII (1971), 73-8610.2307/740871
73
Ernest Sanders, "Die Rolle der englischen Mehrstimmigkeit des Mittelalters in der Entwick- lung von Cantus-firmus-Satz und Tonalitäitsstruktur," Archiv für Musikwissenschaft, XXIV (1967), 24-53
Sanders
Die Rolle der englischen Mehrstimmigkeit des Mittelalters in der Entwicklung von Cantus-firmus-Satz und Tonalitäitsstruktur
24
XXIV
Archiv für Musikwissenschaft
1967
3
Ernst Apfel, "Der klangliche Satz und der freie Diskantsatz im 15. Jahrhundert," Archiv für Musikwis- senschaft, XII (1955), 297-313
Apfel
Der klangliche Satz und der freie Diskantsatz im 15. Jahrhundert
297
XII
Archiv für Musikwissenschaft
1955
Richard Crocker's review of Lowinsky's book in the Journal of Music Theory, VI (1962), 142 ff.10.2307/843265
142
Leo Treitler, "Tone System in the Secular Works of Guillaume Dufay," this JOURNAL, XVIII (1965), 131-6910.2307/830681
131
Putnam Aldrich, "An Approach to the Analysis of Renaissance Music," Music Review, XXX (1969), 1-21
Aldrich
1
XXX
Music Review
1969
4
Erwin Jacobi in his article for MGG, Vol. X, cols. 1898-1907
Jacobi
X
MGG
6
"Emerging Triadic Tonality," pp. 76-77
76
8
"Mode and Polyphony," p. 124
124
9
"Emerg- ing Triadic Tonality," p. 76
76
10
Richard Crocker in an article entitled "Discant, Counterpoint, and Harmony," this JOURNAL, XV (1962), 1-2110.2307/830051
1
"Mode and Polyphony," p. 159
159
"Emerging Triadic Tonality," pp. 77-78
77
11
"Discant," pp. 9-12, 6.
9
12
CS, IV, 76-153
76
IV
CS
Musicological Studies and Documents, 5
5
Musicological Studies and Documents
Practica musicae of Gaf- furius, Liber III (Venice, 1512)
III
Practica musicae
1512
Clement A. Miller (Musicological Studies and Documents, 20)
Miller
20
Musicological Studies and Documents
Irwin Young (Madison, Wisconsin, 1969)
13
CS, IV, 147b
147b
IV
CS
14
CS, IV, 148a
148a
IV
CS
CS, IV, 149a
149a
IV
CS
15
fn. 10
16
Le Istitutioni harmoniche (Venice, 1558), Part 3, Chap. 53, p. 221, "Della Cadenza...."
Della Cadenza
221
Le Istitutioni harmoniche
1558
17
Practica musicae, Bk. III, Chaps. 2, 6, 7, and 11
Chaps. 2, 6, 7, and 11
Practica musicae
18
Le Istitutioni, Part 3, Chap. 31
Chap. 31
Le Istitutioni
Oliver Strunk, Source Read- ings in Music History (New York, 1950), pp. 241-44
Strunk
241
Source Readings in Music History
1950
19
Missa Pange lingua, Kyrie II, Qui tollis (especially mm. 45-60)
Kyrie II
Missa Pange lingua
20
Opera omnia, Corpus mensurabilis musicae, 48 (n.p., 1969), p. xxxi
Corpus mensurabilis musicae
xxxi
48
Opera omnia
1969
21
"the cradle of tonality" in Tonality and Atonality in Sixteenth-Century Music, p. 4
the cradle of tonality
4
Tonality and Atonality in Sixteenth-Century Music
22
"Emerging Triadic Tonality," pp. 78-79.
78
23
"Emerging Triadic Tonality," pp. 79-81
79
25
De arte contrapuncti, Bk. III, Chap. 5
Chap. 5
De arte contrapuncti
CS, IV, 149b
149b
IV
CS
26
Rochester, 1936
27
"Tone System in the Secular Works of Guillaume Dufay," this JOURNAL, XVIII (1965), 131-69.
131
XVIII
Journal of the American Musicological Society
1965
29
Tonsystenm und Kirchentdne bei Johannes Tinctöris (Bern and Leipzig, 1935), p. 203
203
Tonsystenm und Kirchentdne bei Johannes Tinctöris
1935
Treitler, "Tone System," p. 133, fn. 7
Treitler's comments, pp. 133-34
133
30
"Tone System," p. 153
153
Balmer, loc. cit.
31
Ibid., pp. 144 and 153
32
Trattato della natura et cognitione di tutti gli tuoni di canto figurato non da altrui piu scritti ... (Venice, 1525)
Trattato della natura et cognitione di tutti gli tuoni di canto figurato non da altrui piu scritti
1525
Strunk, Source Read- ings, pp. 205-18
205
33
Liber de natura et proprietate tonorum, Chap. I
Chap. I
Liber de natura et proprietate tonorum
CS, IV, 19b and 27a
19b
IV
Cs
CS, IV, 21b ff.
21b
IV
Cs
CS, IV, 29a f.
29a
IV
Cs
34
Ibid., Chap. 19
36
Liber de Natura et Proprietate Tonorum, "Chap. 24, "Quae commixtio et mix- tio tonorum non solum in cantu simplici, sed etiam in composito fiant"
Quae commixtio et mixtio tonorum non solum in cantu simplici, sed etiam in composito fiant
Liber de Natura et Proprietate Tonorum
CS, IV, 29a
29a
IV
CS
Treitler's comments, "Tone System," pp. 132, 164
132
fn. 19
37
Werken, 1.2, p. 3, mm. 2-5 and 5-10
3
1.2
Werken
38
Werken, 1.2, p. 67, mm. i-ii.
67
1.2
Werken
39
Werken, 1.3, p. 61, mm. 1-10
61
1.3
Werken
Helmut Osthoff, Josquin Desprez (Tut- zing, 1962), I, 116
Osthoff
116
I
Josquin Desprez
1962
41
Missa Mater patris, mm. 23-31
42
Aaron, Trattato della natura et cognitione di tutti gli tuoni, Chaps. 3 and 4
Aaron
Chaps. 3 and 4
Trattato della natura et cognitione di tutti gli tuoni
Tinctoris, Liber de natura et proprietate tonorum, Chaps. 7 and 8
Tinctoris
Chaps. 7 and 8
Liber de natura et proprietate tonorum
43
Aaron, Trattato, Chap. 4
Aaron
Chap. 4
Trattato
Gaffurius, Practica musicae, Bk. I, Chap. 11
Gaffurius
Chap. 11
Practica musicae
44
Opera Omnia, p. xxx
xxx
45
Werken, I.i, pp. 2 f.
2
I.i
Werken
46
Osthoff, Josquin Desprez, I, 163
Osthoff
163
I
Josquin Desprez
48
Werken, 1.3, p. 40.
40
1.3
Werken
49
Osthoff, Josquin Desprez, I, 163
Osthoff
163
I
Josquin Desprez
50
Werken, I., p. 57.
57
I
Werken
51
Werken, I.i, p. 79
79
I.i
Werken
52
Josquin Desprez, I, 122 ff.
122
I
Josquin Desprez
53
Kyrie I, mm. 9 ff.
54
Missa de Beata Virgine in the Proceedings of the Inter- national Josquin Festival-Conference
Missa de Beata Virgine
Proceedings of the International Josquin Festival-Conference
This content is only available via PDF.

Article PDF first page preview

Article PDF first page preview