[Footnotes]

[Footnotes]
1
Wulfstani Cantoris Narratio Metrica de Sancto Swithuno, verses 141- 172, ed. Alistair Campbell (Verona, 1950)
Campbell
Wulfstani Cantoris Narratio Metrica de Sancto Swithuno
1950
J. P. Migne, Patrologiae Cursus Completus: Series Latina, Vol. 166 (Paris, 1854), cols. 1177-78
Migne
166
Patrologiae Cursus Completus: Series Latina
1854
Ars musica Joannis Aegidii Zamorensis, XV
XV
Ars musica Joannis Aegidii Zamorensis
Gerbert, Scriptores, Vol. II, p. 388
Gerbert
388
II
Scriptores
2
Arnold Schering, Aufführungspraxis alter Musik (Leipzig, 1931), pp. 10-12
Schering
10
Aufführungspraxis alter Musik
1931
Rudolf Ficker, "Polyphonic Music of the Gothic Period," The Musical Quarterly XV (1929), p. 49410.2307/738564
494
Gustave Reese, Music in the Middle Ages (New York, 1940), pp. 124, 325
Reese
124
Music in the Middle Ages
1940
Alec Harmon, "Medieval and Early Renaissance Music," Man and his Music (Fairlawn, N.J., 1958), pp. 66-69
Harmon
Medieval and Early Renaissance Music
66
Man and his Music
1958
Edmund Bowles, "Were Musical Instruments Used in the Liturgical Service during the Middle Ages?", The Galpin Society Journal X (1957), pp. 40-5610.2307/841804
40
Frank Harrison, Music in Me- dieval Britain (London, 1958), p. xiv
Harrison
xiv
Music in Medieval Britain
1958
idem, "Tradition and Innovation in Instru- mental Usage 1100-1450," Aspects of Medieval and Renaissance Music (New York, 1966), pp. 319-335
Harrison
Tradition and Innovation in Instrumental Usage 1100-1450
319
Aspects of Medieval and Renaissance Music
1966
3
"The Meaning of the Patristic Polemic against Musical Instru- ments," Current Musicology I (1965), pp. 69-82
69
I
Current Musicology
1965
4
Migne, Patrologiae Cursus Completus: Series Graeca, Vol. 27 (Paris, 1857), col. 260
Migne
27
Patrologiae Cursus Completus: Series Graeca
1857
5
MPL 37, col. 1964.
6
Edwin Hatch, The Influence of Greek Ideas and Usages upon the Christian Church (The Hibbert Lectures, 1888), ed. A. M. Fairbairn (London, 1890), pp. 50-65
Hatch
50
The Influence of Greek Ideas and Usages upon the Christian Church
1890
7
Erwin R. Goodenough, An Introduction to Philo Judaeus (2nd ed., Oxford, 1962), pp. 134-159
Goodenough
2
134
An Introduction to Philo Judaeus
1962
Harry A. Wolfson, Philo (Cambridge, Mass., 1947)
Wolfson
Philo
1947
8
Dialogus cum Tryphone Judaeo, cxiv
cxiv
Dialogus cum Tryphone Judaeo
MPG 6, col. 739
9
Jean Danielou, Origen, trans. Walter Mitchell (New York, 1955)
Danielou
Origen
1955
10
De principiis IV, iii, 5
iii
5
IV
De principiis
ed. Paul Koetschau, Origenes Werke, Vol. V, "Die Christlichen Schriftsteller der ersten drei Jahrhunderte" (Leipzig, 1913), p. 331
Koetschau
Die Christlichen Schriftsteller der ersten drei Jahrhunderte
331
V
Origenes Werke
1913
11
The Study of the Bible in the Middle Ages (2nd ed., Oxford, 1962), p. 142
14
The Study of the Bible in the Middle Ages
1962
P. C. Spicq, Esquisse d'une Histoire de l'Exégèse Latine au Moyen Age (Paris, 1944)
Spicq
Esquisse d'une Histoire de l'Exégèse Latine au Moyen Age
1944
Henri de Lubac, Exigésè Medievale, 2 vols. (Aubier, 1959-64)
de Lubac
Exigésè Medievale
1964
W. T. H. Jackson, The Literature of the Middle Ages (New York, 1960), pp. 18-21
Jackson
18
The Literature of the Middle Ages
1960
Max Laistner, Thought and Letters in Western Europe, AD. 500 to 900 (2nd ed., London, 1957)
Laistner
2
Thought and Letters in Western Europe, AD. 500 to 900
1957
12
Johannes Quasten, Patrology, Vol. III (Utrecht, 1960), pp. 175-176
Quasten
175
III
Patrology
1960
13
Psalms 32, 42, 48, 56, 67, 70, 80, 91, 97, 130, 136, 143, 147, 149, 150
14
Origen's teacher: Paidagogus IV, ii, MPG 8: 441
Protrepticus I, i, MPG 8: 60
Stromata VI, xi, MPG 9: 309
15
MPG 27, cols. 361-364
Sol Baruch Finesinger, "Musical Instruments in the Old Testament," Hebrew Union College Annual III (1926), pp. 21 -76
Finesinger
21
III
Hebrew Union College Annual
1926
16
MPG 13, col. 320.
17
MPG 27, col. 420.
18
MPG 23, col. 1233.
19
Didymus, MPG 39
Basil, MPG 29
Gregory of Nyssa, MPG 44
Cyril of Alexandria, MPG 69
20
MPG 55, col. 494.
21
MPG 80, col. 1996.
22
McKinnon, "The Significance of the Patristic Polemic," pp. 75-77
McKinnon
75
The Significance of the Patristic Polemic
23
Théodore Gérold, in his influential book Les Pères de IÉglise et la Musique (Strasbourg, 1931), p. 124
Gérold
124
Les Pères de IÉglise et la Musique
1931
Musik und Gesang in den Kulten der heidnischen Antike und Christlichen Frühzeit (Münster in Westf., 1930), p. 244
244
Musik und Gesang in den Kulten der heidnischen Antike und Christlichen Frühzeit
1930
Martin Gerbert discussed the matter at length and with penetration in De Cantu, Vol. I (St. Blaise, Switzerland, 1774), pp. 210-217
Gerbert
210
I
De Cantu
1774
24
MPL 26
26
MPL 14
14
Hilary, MPL 9
9
MPL 53
53
25
Hermann Abert, Die Musikanschauung des Mittelalters und ibre Grundlagen (Halle, 1905), pp. 222-223
Abert
222
Die Musikanschauung des Mittelalters und ibre Grundlagen
1905
Henri Marrou, Saint Augustine et la Fin de la Culture Antique (Paris, 1938), pp. 484-498
Marrou
484
Saint Augustine et la Fin de la Culture Antique
1938
26
McKinnon, "The Church Fathers and Musical Instruments," unpublished Ph.D. diss., Columbia University, 1965, pp. 235-236
27
MPL 70, col. 692.
70
28
Pseudo-Bede, MPL 93
93
Haymo, MPL 116
116
Remigius, MPL 131
131
Bruno of Wurzburg, MPL 142
142
Bruno the Carthusian, MPL 152
152
Bruno of Monte Cassino, MPL 164
164
Odo of Asti, MPL 165
165
Honorius of Autun, MPL 172
172
Peter Lombard, AMPL 191
Gerhoh, MPL 193-194
193
Spicq, Esquisse ... de l'Exégèse, p. 396
396
29
Edmund Bowles, "The Role of Musical Instruments in Medieval Sacred Drama," The Musical Quarterly XLV (1959), pp. 67-8410.2307/740356
67
30
MPL xx 2, col. 1067.
2
xx
MPL
31
Bowles, "La hiérarchie des instruments de Musique dans l'Europe féodale," Revue de Musicologie XLII (1958), pp. 155-16910.2307/927773
155
32
Memorials of St. Dunstan, ed. William Stubbs, Rerum Britannicarum Medii Aevi Scriptores, Vol. 63 (London, 1857), p. 257
257
63
Memorials of St. Dunstan, ed. William Stubbs, Rerum Britannicarum Medii Aevi Scriptores
1857
Wulfstani Cantoris Narratio Metrica ..., verses 141-172, ed. Alistair Campbell (Verona, 1950), (Elphege enlarged upon the work of his predecessor, Ethelwald, verse 35)
Campbell
Wulfstani Cantoris Narratio Metrica
1950
"Vita S. Oswaldi," The Historians of the Church of York and its Archbishops, ed. James Raine, Rerum Britannicarum Medii Aevi Scriptores, Vol. 71 (London, 1857), p. 464
Raine
Vita S. Oswaldi
464
71
Rerum Britannicarum Medii Aevi Scriptores
1857
33
Gérold, Les Peres ., p. 132
132
MPG 12, col. 1684
Psalm 150
34
MPL 105, col.106.
105
35
Helen R. Bitterman, "The Organ in the Early Middle Ages," Speculum IV (1929), p. 405.
Bitterman
405
IV
Speculum
1929
36
MPL 066, cols. 177-78.
66
37
Joseph Smits van Waesberghe, Cymbala (Rome: American Institute of Musicology, 1951)
van Waesberghe
Cymbala
1951
Honorius of Can- terbury, "Commentarius in Ps. 80," MPL 194, col. 500
194
MPL
Die authentische Klangform des primitiven Or- ganum (Kassel, 1958), pp. 43-45
43
Die authentische Klangform des primitiven Organum
1958
38
Thus Walafrid Strabo (d. 849)
Chron. xvi (MPL 113, col. 652)
Chron
113
xvi
MPL
39
Ernest T. Dewald, The Illustrations of the Utrecht Psalter (Princeton, 1932)
Dewald
The Illustrations of the Utrecht Psalter
1932
MPL 37, col. 1964
37
MPL 70, col. 1209
70
40
Ernest T. Dewald, The Stuttgart Psalter (Princeton, 1930)
Dewald
The Stuttgart Psalter
1930
41
MPL 83, cols. 163-164
70
Dewald, Stuttgart Psalter, p. 6
6
42
MPG 55, cols. 531-534
Dewald, The Illustrations in the Manuscripts of the Septuagint, Vol. III, Part 2: Vaticanus Graecus 752 (Princeton, 1942)
Dewald
752
III
The Illustrations in the Manuscripts of the Septuagint
1942
43
MPG 84, cols. 20-32.
44
MPG 27, cols. 12-46.
46
Dora Panofsky, "The Textual Basis of the Utrecht Psalter Illustrations," The Art Bulletin XXV (1943), pp. 50-5810.2307/3046861
50
47
Karl Kunstle, Ikonographie der Christlichen Kunst, Vol. I (Freiburg im Breisgau, 1926), pp. 58-60
Kunstle
58
I
Ikonographie der Christlichen Kunst
1926
48
Georg Kinsky, A History of Music in Pictures (London, 1930)
Kinsky
A History of Music in Pictures
1930
Marc Pincherle, An Illustrated History of Music, tr. Rollo Myers (New York, 1959)
Pincherle
An Illustrated History of Music
1959
Heinrich Besseler, Die Musik des Mittelalters und der Renaissance (Potsdam, 1931)
Besseler
Die Musik des Mittelalters und der Renaissance
1931
49
A. Boinet, Les manuscrits à peintures de la Bibliothèque Saint-Geneviève (Paris, 1921)
Boinet
Les manuscrits à peintures de la Bibliothèque Saint-Geneviève
1921
Ph. Lauer, Les enluminures romanes des manuscrits de la Bibliothèque Nationale (Paris, 1927)
Lauer
Les enluminures romanes des manuscrits de la Bibliothèque Nationale
1927
V. Leroquais, Les psautiers manuscrits latins des biblioth~ques publiques deFrance (Macon, 1940-41)
Leroquais
Les psautiers manuscrits latins des biblioth~ques publiques deFrance
1941
50
Plates XXIII, I and XXVI
Jean Perrot, L'Orgue de ses origines hellenistiques à la fin du XIIP siècle (Paris, 1965)
Perrot
L'Orgue de ses origines hellenistiques à la fin du XIIP siècle
1965
51
Plates 4 and 5
Hugo Steger, David Rex et Propheta, Erlanger Beiträge zur Sprach-und Kunstwissenschaft, Band VI (Nürnberg, 1961)
Steger
David Rex et Propheta
1961
52
"From Mozarabic to Romanesque in Silos," The Art Bulletin XXI (1959), PP. 339-347
339
XXI
The Art Bulletin
1959
53
Günther Haseloff, Die Psalterillustration im 13. Jahrhundert (1938), pp. 104-23.
Haseloff
104
Die Psalterillustration im 13. Jahrhundert
1938
54
MPL 70, col. I I.
70
55
Die Musik der Engel: Untersuchungen zur Musikanschauung des Mittelalters (Munich, 1962)
Die Musik der Engel: Untersuchungen zur Musikanschauung des Mittelalters
1962
56
McKinnon, "The Meaning of the Patristic Polemic."
57
Frank Harrison, Music in Medieval Britain, p. 206
206
Johannes Tinctoris, De inventione et usu musicae, ed. Karl Weinmann, Johannes Tinctoris und sein unbekannter Traktat "De inventione et usu musicae" (2nd ed., Tutzing, 1961), p. 39
Tinctoris
2
De inventione et usu musicae
39
Johannes Tinctoris und sein unbekannter Traktat "De inventione et usu musicae"
1961
Desiderrii Erasmi Opera Omnia (Leiden, 1705), Vol. VI, p. 731
731
VI
Desiderrii Erasmi Opera Omnia
1705
Edmund Bowles' letter in The Galpin Society Journal XII (1959), p. 91
Bowle
91
XII
The Galpin Society Journal
1959
Walter Salmen, "Zur Geschichte der Ministriles im Dienste geistlicher Herren des Mittelalters," Miscelánea en Homenaje a Monseñor Higinio Anglés, Vol. II (Barcelona, 1961), pp. 811-820
Salmen
Zur Geschichte der Ministriles im Dienste geistlicher Herren des Mittelalters
811
II
Miscelánea en Homenaje a Monseñor Higinio Anglés
1961
58
Karl Young, The Drama of the Medieval Church (Oxford, 1962), Vol. II, pp. 227-242
Young
227
II
The Drama of the Medieval Church
1962
59
Harrison's excellent discussion of the use of the organ in Music in Medieval Britain, pp. 214-216
214
60
McKinnon, "The Church Fathers and Musical Instruments," pp. 280- 289
McKinnon
280
The Church Fathers and Musical Instruments
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