The Global Jukebox has a venerable history and significant aims. Its central principle is what founder Alan Lomax named “cultural equity,” “the right of all people to practice, maintain and pass down their languages, customs and traditions with equal respect and with harm to no one.”1 The safeguarding of the world's plethora of perspectives and experiences is growing ever more urgent as many confront displacement as a result of political upheavals and climate change, and the promise of the Internet to be a tool for equality threatens to dissolve under the hegemony of mass-produced culture. In the face of these issues, the Global Jukebox is more than just an online museum of sound: the remit is expansive and ambitious. It is intended as a resource for teachers, students, and scholars, enabling them to discover a rich, global tapestry of ethnomusicological content and to explore patterns of connection between the...
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Fall 2019
Book Review|
December 01 2019
Review: The Global Jukebox Available to Purchase
The Global Jukebox
. Anna L. Wood, Creative Director and Anthropologist; Gideon D'Arcangelo, Consulting Executive Producer; Victor Grauer, Codeveloper and Cantometrics Project Advisor; Forrestine Paulay, Codeveloper and Choreometrics Director; et al. URL: https://theglobaljukebox.org/
Tamsyn Mahoney-Steel
Tamsyn Mahoney-Steel
TAMSYN MAHONEY-STEEL is Lecturer in Digital Humanities at the University of Central Lancashire. Her PhD focused on citation and allusion in medieval motets and she has published on the motets of the Roman de Fauvel, references to games in motets, the digital annotation of medieval manuscripts, Linked Open Data and motets, and text encoding. She is a member of the editorial team for the Complete Works Edition of Guillaume de Machaut.
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Journal of the American Musicological Society (2019) 72 (3): 902–912.
Citation
Tamsyn Mahoney-Steel; Review: The Global Jukebox. Journal of the American Musicological Society 1 December 2019; 72 (3): 902–912. doi: https://doi.org/10.1525/jams.2019.72.3.902
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