Sentimental Remembrance and the Amusements of Forgetting in Karl and Harty's “Kentucky”

SUMANTH GOPINATH is Associate Professor of Music Theory at the University of Minnesota. He is the author of The Ringtone Dialectic: Economy and Cultural Form (MIT Press, 2013) and coeditor of The Oxford Handbook of Mobile Music Studies (Oxford University Press, 2014). His current work includes ongoing projects on Steve Reich, musical minimalism, digital beeps, and James Dillon, as well as a coedited volume titled Rethinking Reich.

ANNA SCHULTZ is Assistant Professor of Music at Stanford University. Her first book, Singing a Hindu Nation, was published by Oxford University Press in 2013, while her second, Songs of Translation: Bene Israel Gender and Textual Orality, is also under contract with OUP. Her research has been supported by fellowships from Fulbright-Hays, AAUW, the American Council of Learned Societies, the Hellman Foundation, the Hadassah-Brandeis Institute, the University of Illinois, and Stanford University.