The release of Songs of the Humpback Whale in 1970 helped galvanize a torrent of North American activism to save the whale from commercial whaling. Whale song quickly became a cornerstone of environmentalist and New Age political culture. This article places humpback whale song science in the larger context of acoustic science and technology, arguing that the history of whale song science is a history of the voice. Recovering and drawing on an array of sources—from sound recordings, to whaling narratives, to archived research notebooks, correspondence, and funding reports—this article seeks to place whale song science in an interdisciplinary context that binds acoustic and naval engineers, speech scientists, ornithologists, and cetologists together in a web of vocal technologies, techniques, and representational formats. Blending these stories into a single narrative, this article broadens the historiography of whale song science by placing it back into the hands, eyes, and ears of the diverse workers who generated the conditions of its possibilities and sustained its development–from academic scientists and sonar engineers to research assistants and whalemen.
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June 2025
Research Article|
June 01 2025
Voices of Humpback Whales: A New History of Whale Song Science, 1856–1986 Available to Purchase
Max Chervin Bridge
Brown University, Department of History, 32 Meadow Ln., Apt. 3. Bridgewater, MA 02324
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Historical Studies in the Natural Sciences (2025) 55 (3): 209–250.
Citation
Max Chervin Bridge; Voices of Humpback Whales: A New History of Whale Song Science, 1856–1986. Historical Studies in the Natural Sciences 1 June 2025; 55 (3): 209–250. doi: https://doi.org/10.1525/hsns.2025.55.3.209
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