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1-3 of 3
Keywords: Japanese cinema
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Journal Articles
Journal:
Film Quarterly
Film Quarterly (2010) 64 (2): 19–23.
Published: 01 December 2010
... as a consequence. © 2010 by the Regents of the University of California. 2010 Oshima Japanese cinema political cinema Sing a Song of Sex A Treatise on Japanese Bawdy Song FiLM QUArterLY 19 In fall 2009, the National Film Theatre in London put on a retrospective of the work of Nagisa Oshima...
Abstract
Nagisa Oshima's films of the 1960s made him a darling of left-wing cinephiles, who responded to their radicalism and embraced it as revolutionary optimism. Thirty years on, however, the films seem much more pessimistic, skeptical, and unlikable—and arguably all the greater as a consequence.
Journal Articles
Journal:
Film Quarterly
Film Quarterly (2008) 61 (4): 42–47.
Published: 01 June 2008
.... 2008 Tokyo Japanese cinema Hasumi Shigehiko Naruse Ozu 42 SUMMER 2008 Film Quarterly, Vol. 61, No. 4, pps 42 47, ISSN 0015-1386, electronic ISSN 1533-8630. © 2008 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy...
Abstract
This essay explores places of cinematic interest in Tokyo, including areas of the city filmed by notable directors, and screening/discussion venues such as the National Film Center, Eurospace, and the Institut Franco-Japonais.
Journal Articles
Journal:
Film Quarterly
Film Quarterly (2008) 61 (4): 24–32.
Published: 01 June 2008
... is agonized and outraged at injustice. ©© 2008 by the Regents of the University of California. 2008 Mikio Naruse Yasujiro Ozu shomin-geki Japanese cinema women in cinema Film Quarterly, Vol. 61, No. 4, pps 24 32, ISSN 0015-1386, electronic ISSN 1533-8630. © 2008 Joan Mellen. DOI: 10.1525/FQ...
Abstract
This essay reflects on the shared qualities of the late works of Yasujiro Ozu and Mikio Naruse. Both worked in the shomin-geki genre of middle-class life, depicting the often unhappy social conditions, notably among women, in post-war Japan. But while Ozu is tender and pitying, Naruse is agonized and outraged at injustice.
