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Keywords: Claire Denis
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Journal Articles
Journal:
Film Quarterly
Film Quarterly (2010) 63 (4): 18–32.
Published: 01 June 2010
... Blonde-Haired Girl . ©© 2010 by the Regents of the University of California. 2010 Corneliu Porumboiu Abbas Kiarostami Sergey Dvortsevoy Serge Bromberg Claire Denis 18 summer 2010 1. PoLICe, AdjeCTIve Corneliu Porumboiu s Police, Adjective, the story of a law officer who has a guilty...
Abstract
This article presents reviews of the author's selection of the best films released in the U.S. in 2009: Police, Adjective; Shirin; Tulpan; Henri-Georges Clouzot's Inferno; 35 Shots of Rum; The Hurt Locker; Sita Sings the Blues; Me and Orson Welles; Summer Hours; Eccentricities of a Blonde-Haired Girl .
Journal Articles
Journal:
Film Quarterly
Film Quarterly (2009) 63 (2): 38–43.
Published: 01 December 2009
...Yvette Bííróó This review argues that Claire Denis's 35 Shots of Rum combines repetition and ellipsis to harmonious effect in telling a minimalist story about a Parisian father and daughter. Comparison is made with Beau Travail and Néénette and Boni . ©© 2009 by the Regents of the University of...
Abstract
This review argues that Claire Denis's 35 Shots of Rum combines repetition and ellipsis to harmonious effect in telling a minimalist story about a Parisian father and daughter. Comparison is made with Beau Travail and Néénette and Boni .
Journal Articles
Journal:
Film Quarterly
Film Quarterly (2009) 63 (2): 44–50.
Published: 01 December 2009
...James S. Williams This article explores how 35 Shots of Rum (2009) marks a radical shift in Claire Denis's method both formally and thematically. Through a highly personal homage to Ozu that decisively ““corrects”” Late Spring (1949), Denis romances the figure of the Father in order to move beyond...
Abstract
This article explores how 35 Shots of Rum (2009) marks a radical shift in Claire Denis's method both formally and thematically. Through a highly personal homage to Ozu that decisively ““corrects”” Late Spring (1949), Denis romances the figure of the Father in order to move beyond violence and fragmentation.
