...Michael Dempsey Copyright 1987 The Regents of the University of California MICHAEL DEMPSEY Light Shining in Darkness: Roland Joffe on The Mission Anyone educated at an American Catholic secondary school during the 1950s will recall how the nuns and the priests presented inspira- tional...

...Flo Leibowitz; Lynn Jeffress The Shining Kubrick Stanley Copyright 1981 The Regents of the University of California REVIEWS hands, or proclaiming that he's losing when he's not. There is constant altercation between brother and sister, parent and child, "husband" and "wife" through...

...Julien Lapointe Shine Hicks Scott Scott Jane Copyright 1997 The Regents of the University of California Geoffrey Rush as the adult David Helfgott (above); Noah Taylor as the young prodigy in Shine (right). Shine Director: Scott Hicks. Producer: Jane Scott. Writer: Jan Sardi...

...Monique Fong Copyright 1949/1950 The Regents of the University of California "Shoe-Shine": A Student Film Analysis MONIQUE FONG MONIQUE FONG was enrolled in the Third Promotion of L'Institut des Hautes Etudes Cindmatographiques in Paris when she prepared this analysis of Shoe-Shine following...

...Lawrence Carter-Long Traditionally, the depiction of disability in cinema has mirrored the dominant worldview’s outside-looking-in perspective. By contrast, today’s New Wave of Disability Cinema starts from the inside and shines outward, with a different focus, POV, and intentions. Lawrence Carter...

... after it occurred. Green's approach both challenges existing paradigms of documentary reenactment (and reenactment theories) and reclaims notions of gossip and public life. This article proposes that Casting JonBenet redirects attention away from the sensational trappings of the murder case to shine...

...Mark Fisher Consideration of the idea of hauntology encompassing Jacques Derrida’s introduction of the term in Specters of Marx ; Fredric Jameson’s analyses of postmodernism and The Shining ; and a British tradition of literature, film, and television by such authors as John Akomfrah, Alan Garner...

... that even the most devoted of Kubrick a cionados may nd dif cult to swallow, mush less digest: that Kubrick s oeuvre and The Shining (1980) in particular is an indirect treatment of the Holocaust (220). Cocks s overall strategy is rather like that of a stage magician who teases us with a preview of his...

..., seemingly insigni cant details. The Shining, it seems to follow, represents the return of the repressed, as multiple, overdetermined symbols point consistently (in Cocks s view) to the Nazi regime and Hitler s nal solution, despite surface appearances. Regardless of one s theoretical and methodological...

... speak of the shining of the world, a term from Heidegger that Malick virtually patented with The Thin Red Line, his philosophical World War II epic of 1998. The camerawork is crucial in this regard, continually gliding, swooping, soaring, and traveling with the characters as they go about their daily...

... Copyright 1997 The Regents of the University of California Volume 51. Number 1 Fall 1997 Michelangelo Antonioni in 1980: An Interview Inventing Screen Space in Video Games From Bedroom to Bijou: American Gay Sex Cinema Gabbeh * Shine * Film Book Survey Part II $6.25 -o %V r NEW v FROM...

... Cocks s book is welcome, but the book s central claim is one that even the most devoted of Kubrick a cionados may nd dif cult to swallow, mush less digest: that Kubrick s oeuvre and The Shining (1980) in particular is an indirect treatment of the Holocaust (220). Cocks s overall strategy is rather...

... or another, Jewish. Abrams links some Kubrick obsessions to the ultimate Jewish source, the Bible. He writes: In its central idea of a father seeking to murder or sacrifice his son at the bid- ding of a supernatural power, The Shining resembles the Akedah or orders from the house, as The Shining s Lloyd...

... University Press, 1995), Chow combines vast resources of literary, psychoanalytic, cultural, gender, and lm theory. Perhaps as a consequence of this breadth, chapters unevenly privilege the sentimental, culture, and cinema. Analyses of Zhang and Wong shine, respectively, in their incisive cultural critique...

... .Stardust Memories. 34:2:40 Jean Renoir: The French Films. 34:4:25 Jeffress, Lynn. The Shining. 34:3:45 Johnson, William. The Dark of the Screen. 34:4:42 Just Like at Home. 34:2:44 Kawin, Bruce. The American Animated Cartoon. 34:4:39 The Elephant Man. 34:4:21 Film Noir. 34:4:36 H. emingway and Film...

... treats as a kind of accum- ulating artistic disaster. He is particularly negative about anything after Sun Shines Bright (1953), the Judge Priest remake. What about The Searchers? Anderson gives a very good negative case, though any sympathetic viewer of the film could tell him why Ethan walks away...

... innovators—Ed Catmull and Alvy Ray Smith, for example, cofounders of Pixar and significant figures in Gaboury’s story—look back at their careers and the technologies they helped usher in. Catmull’s autobiographical account of Pixar, Creativity, Inc. , shined light on much that had not been public about...

... expression, not an ontological—or epistemic—reality (41). The third chapter reads key camera movements in The Shining (Stanley Kubrick, 1980) and Amator (Krzysztof Kies´ lowski, 1978), among others, as exemplary of the epistemic fantasy on which camera movements often rely. The Steadicam tracking...

...Julianne Burton Portrait of Teresa Vega Pastor Copyright 1981 The Regents of the University of California REVIEWS Ultimately, however, shining may be just what Hallorann told Danny it was-detecting the traces of the past and portents of the future operating in the present...

... actors were hired to perform often uncredited film roles. Black’s Cherokee perspective shines through every chapter of the book as she documents and theorizes the ways in which non-Native filmmakers who wrote, directed, and produced such films during this historical period were in fact making extremely...