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Journal Articles
Film Quarterly. 1987; 4042–11 doi: https://doi.org/10.2307/1212232
Published: 01 July 1987
...Michael Dempsey Copyright 1987 The Regents of the University of California MICHAEL DEMPSEY Light Shining in Darkness: Roland Joffe on The Mission Anyone educated at an American Catholic secondary school during the 1950s will recall how the nuns and the priests presented inspira- tional...
Journal Articles
Film Quarterly. 1981; 34345–51 doi: https://doi.org/10.2307/1212038
Published: 01 April 1981
...Flo Leibowitz; Lynn Jeffress Copyright 1981 The Regents of the University of California The Shining Kubrick Stanley REVIEWS hands, or proclaiming that he's losing when he's not. There is constant altercation between brother and sister, parent and child, "husband" and "wife" through...
Journal Articles
Film Quarterly. 1997; 51136–38 doi: https://doi.org/10.2307/1213530
Published: 01 October 1997
...Julien Lapointe Copyright 1997 The Regents of the University of California Shine Hicks Scott Scott Jane Geoffrey Rush as the adult David Helfgott (above); Noah Taylor as the young prodigy in Shine (right). Shine Director: Scott Hicks. Producer: Jane Scott. Writer: Jan Sardi...
Journal Articles
Film Quarterly. 1949; 4114–27 doi: https://doi.org/10.2307/1209380
Published: 01 October 1949
...Monique Fong Copyright 1949/1950 The Regents of the University of California "Shoe-Shine": A Student Film Analysis MONIQUE FONG MONIQUE FONG was enrolled in the Third Promotion of L'Institut des Hautes Etudes Cindmatographiques in Paris when she prepared this analysis of Shoe-Shine following...
Journal Articles
Film Quarterly. 2017; 71132–41 doi: https://doi.org/10.1525/fq.2017.71.1.32
Published: 01 September 2017
... after it occurred. Green's approach both challenges existing paradigms of documentary reenactment (and reenactment theories) and reclaims notions of gossip and public life. This article proposes that Casting JonBenet redirects attention away from the sensational trappings of the murder case to shine a...
Journal Articles
Film Quarterly. 2012; 66116–24 doi: https://doi.org/10.1525/fq.2012.66.1.16
Published: 01 September 2012
...Mark Fisher Consideration of the idea of hauntology encompassing Jacques Derrida’s introduction of the term in Specters of Marx ; Fredric Jameson’s analyses of postmodernism and The Shining ; and a British tradition of literature, film, and television by such authors as John Akomfrah, Alan Garner...
Journal Articles
Film Quarterly. 2020; 73465–67 doi: https://doi.org/10.1525/fq.2020.73.4.65
Published: 01 June 2020
... background in English theater and his natural facility with actors shine through his mainstreamHollywood productions. In 1917, the exquisitely choreographed pacing and sequenc- ing are a testament to cinematographer Roger Deakins s aesthetic and technological genius, but also to Mendes s own cinematic...
Journal Articles
Film Quarterly. 2020; 73475–81 doi: https://doi.org/10.1525/fq.2020.73.4.75
Published: 01 June 2020
... the Kinship and community at Camp Jened, as seen in Crip Camp. 76 SUMMER 2020 modern disability civil rights movement. Crip Camp shines a new light on the crescendo of that movement with another rare cache of archival footage, this time from 1977, chronicling a revolutionary sit-in at the San...
Journal Articles
Film Quarterly. 2020; 73441–49 doi: https://doi.org/10.1525/fq.2020.73.4.41
Published: 01 June 2020
... guitar, a request Chicharrón readily grants; with no one left in the world of the living to remember him and put his photo on an altar, Chicharrón s time is running out. His body goes into seizures and shines in gold tones a warning sign that the final death is coming. Héctor plays a final song as...
Journal Articles
Film Quarterly. 2020; 73450–60 doi: https://doi.org/10.1525/fq.2020.73.4.50
Published: 01 June 2020
... good about adhering to the source material but when he s completed that task and is allowed to play in the world built by that material, that s when he shines. Seasons 2 and 3 of Leftovers are more interesting and perplexing and frustrating by far than season 1. Similarly, I think the way Lindelof ap...
Journal Articles
Film Quarterly. 2020; 73383–88 doi: https://doi.org/10.1525/fq.2020.73.3.83
Published: 01 March 2020
... Memories: Retablos and Violence in Peru, in Art from a Fractured Past: Memory and Truth-Telling in Post- Shining Path Peru, ed. Cynthia E. Milton (Durham, NC, and London: Duke University Press, 2014), 108. 6. In a cruel twist of allegiance, Bustamante famously derided López Antay s prize by arguing that...
Journal Articles
Film Quarterly. 2019; 73293–99 doi: https://doi.org/10.1525/fq.2019.73.2.93
Published: 01 December 2019
... (de rigueur, evi- dently), the second half of the film gets under way, with Madá juggling calls to a lawyer, writing an Airbnb listing, even hosting a location shoot that shines a light on her true story. Three Summers is a huge leap for Kogut, demonstrating an acute sense of social justice as well as...
Journal Articles
Film Quarterly. 2019; 73231–40 doi: https://doi.org/10.1525/fq.2019.73.2.31
Published: 01 December 2019
..., to celebrate them, to carry them throughout the world. We are not alone in the world, but we are our own sun. In the deepest of all darkness, if the Other does not see me, I see myself. And I shine. Ousmane Sembène1 The week of February 23 March 2, 2019 witnessed one of themost important events on...
Journal Articles
Film Quarterly. 2019; 72418–28 doi: https://doi.org/10.1525/fq.2019.72.4.18
Published: 01 June 2019
... by Denis, High Life and Let the Sun- shine In, signal a change in the director s tone. Distinctly ab- surd, tragic, tender, they play out together, both equally envisaging an irrevocable and unmissable end point. Denis has been here before, of course. Maria (Isabelle Huppert), unrelenting and...
Journal Articles
Film Quarterly. 2019; 72438–45 doi: https://doi.org/10.1525/fq.2019.72.4.38
Published: 01 June 2019
... if an alien being were maneuvering its spacecraft. At the back of the patio-garage, the camera awaits the entry of his Ford Galaxie, its headlights brightly shining, framed as if it were a spaceship in Close Encounters of the Third Kind (Steven Spielberg, 1977). He steers it with utmost precision...
Journal Articles
Film Quarterly. 2019; 72493–98 doi: https://doi.org/10.1525/fq.2019.72.4.93
Published: 01 June 2019
... since foreign labor could sometimes reshape Hollywood studio practices. Shining a light on the contributions and agency of below-the-line crew members therefore felt crucial. NAIR: I badly wanted to rewatch Quo Vadis after reading your account of its somewhat troubled production at Cinecittà. You write...
Journal Articles
Film Quarterly. 2018; 722117–119 doi: https://doi.org/10.1525/fq.2018.72.2.117
Published: 01 December 2018
...- cant; however, the book truly shines as a paradigmatic exam- ple of what Rick Altman has called crisis historiography by employing an approach that emphasizes the potentiality of new media while ultimately underscoring industry s in- vestment in stabilizing its identity and maximizing its prof...
Journal Articles
Film Quarterly. 2018; 722115–117 doi: https://doi.org/10.1525/fq.2018.72.2.115
Published: 01 December 2018
... treatment of televisual color, Bright Signals offers a contribution to the field that is bound to be signifi- cant; however, the book truly shines as a paradigmatic exam- ple of what Rick Altman has called crisis historiography by employing an approach that emphasizes the potentiality of new media while...
Journal Articles
Film Quarterly. 2018; 72271–76 doi: https://doi.org/10.1525/fq.2018.72.2.71
Published: 01 December 2018
... nuclear family can be a petri dish for fear and dysfunction. But unlike prior hor- ror movies about family including such pessimistic narra- tives as Rosemary s Baby (Roman Polanski, 1968), The Hills Have Eyes (Wes Craven, 1977), and The Shining (Stanley Kubrick, 1980) Hereditary and It Comes at Night do...
Journal Articles
Film Quarterly. 2018; 721106–108 doi: https://doi.org/10.1525/fq.2018.72.1.106
Published: 01 September 2018
... one degree or another, Jewish. Abrams links some Kubrick obsessions to the ultimate Jewish source, the Bible. He writes: In its central idea of a father seeking to murder or sacrifice his son at the bid- ding of a supernatural power, The Shining resembles the Akedah or orders from the house, as...