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science-fiction-cinema

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Journal Articles
Film Quarterly. 2009; 63178–80 doi: https://doi.org/10.1525/FQ.2009.63.1.78
Published: 01 September 2009
... ©© 2009 by the Regents of the University of California. 2009 Cornea Christine . Science Fiction Cinema: Between Fantasy and Reality . New Brunswick, NJ : Rutgers University Press , 2007 . $68.00 cloth; $23.95 paper. 308 pages . Nama Adilifu . Black Space: Imagining...
Journal Articles
Film Quarterly. 2006; 59464–65 doi: https://doi.org/10.1525/fq.2006.59.4.64
Published: 01 June 2006
... ©© 2006 by The Regents of the University of California. All rights reserved. 2006 Off the Planet: Music, Sound and Science Fiction Cinema Edited by Hayward Philip . Eastleigh, U.K. : John Libbey Publishing , 2004 . $24.99. 214 pages. to hate him, lest we be forced to...
Journal Articles
Film Quarterly. 1991; 45161–63 doi: https://doi.org/10.2307/1212689
Published: 01 October 1991
...Jack Boozer,, Jr. Copyright 1991 The Regents of the University of California Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema Kuhn Annette Alien Zone Cultural Theory and Contemporary Science Fiction Cinema Edited by Annette Kuhn. New York: Verso, 1990. $17.95 paper...
Journal Articles
Film Quarterly. 2020; 73366–78 doi: https://doi.org/10.1525/fq.2020.73.3.66
Published: 01 March 2020
... of science-fiction New Queer Cinema, a self-declared generation of Neo Ultra Punk.15 My new work 3×3×6 was presented at the Venice Biennale in 2019 at the Palazzo delle Prigioni, which first served as a prison in the sixteenth century and employs contemporary technologies of communication and surve...
Journal Articles
Film Quarterly. 2020; 73334–40 doi: https://doi.org/10.1525/fq.2020.73.3.34
Published: 01 March 2020
..., Barbara McCullough, and Alile Sharon Larkin were firmly incor- porated into an amplified L.A. Rebellion history.1 The prehistory of this black cinema rebellion includes the for- mation of an affirmative-action initiative within the UCLA film school: called the Ethno-Communications Program (1969 73), it...
Journal Articles
Film Quarterly. 2019; 732112–113 doi: https://doi.org/10.1525/fq.2019.73.2.112
Published: 01 December 2019
... must continue to grapple. During the book s closing interview, Keegan expresses how he experiences the Wachowskis film and television worldmaking. You said that science fiction for you and Lilly has always been about what could happen, if reality were permitted to . . . become experimental (137...
Journal Articles
Film Quarterly. 2019; 73280–86 doi: https://doi.org/10.1525/fq.2019.73.2.80
Published: 01 December 2019
... be de- scribed as a hybrid science-fiction horror documentary, aesthetically portending the movement now referred to as Adela Legrá as the eponymous heroine in Humberto Solás s Lucía. FILM QUARTERLY 83 Indigenous Futurism. Spanish colonizers are portrayed as suit-donning aliens, devilish zombielike...
Journal Articles
Film Quarterly. 2019; 732110–112 doi: https://doi.org/10.1525/fq.2019.73.2.110
Published: 01 December 2019
... (and that goes on to inform aspects of André Bazin s criticism). More generally, Zoological Surrealism s approach encourages a salutary provincializing of cinema studies, prompting further investigation into how cinema, science, and the avant-garde intersect. In spite of Zoological Surrealism s...
Journal Articles
Film Quarterly. 2019; 732100–105 doi: https://doi.org/10.1525/fq.2019.73.2.100
Published: 01 December 2019
... simply that Adirley Queirós is unique. Combining science fiction and documentary, his Branco sai, preto fica is a singular film in Brazilian cinema, and as far as I know has few relatable examples anywhere. I can think of the Afrofuturism of John Akomfrah s The Last Angel of History [1996], or of Kidlat...
Journal Articles
Film Quarterly. 2019; 731104–106 doi: https://doi.org/10.1525/fq.2019.73.1.104
Published: 01 September 2019
... Mrinal Sen s appropriation of footage from the film in Padatik (The Guerilla Fighter, 1974), the polemics and practices attached to the concept of Third Cinema in Africa and Asia get short shrift here (143, 156). Overall, no doubt due to space constraints, the volume s twelve studies are sometimes too...
Journal Articles
Film Quarterly. 2019; 73142–53 doi: https://doi.org/10.1525/fq.2019.73.1.42
Published: 01 September 2019
... to weather and climatic events, and while they borrow elements from long-standing interests and traditions in science fiction and fantasy, they often by- pass questions of context, of ecological totality. This tendency is exacerbated in the television series, which lacks the books focus on limited...
Journal Articles
Film Quarterly. 2019; 73154–63 doi: https://doi.org/10.1525/fq.2019.73.1.54
Published: 01 September 2019
... to under- stand what it was that moved them to try to think about the border in this way. RIVERA: For me, I think there s definitely continuity with my past work in terms of an interest in genre as a gateway into seeing these themes. As much as Sleep Dealer used science fiction to look at the border...
Journal Articles
Film Quarterly. 2019; 724106–108 doi: https://doi.org/10.1525/fq.2019.72.4.106
Published: 01 June 2019
...=reprints . 2019 BOOK DATA Gina Marchetti , Citing China: Politics, Postmodernism, and World Cinema . Honolulu : University of Hawai‘i Press , 2018 . $68.00 cloth. 248 pages, AsBaumbach notes, this is quite close toDeleuze, who argues that philosophy, science, and art are all related...
Journal Articles
Film Quarterly. 2019; 72429–37 doi: https://doi.org/10.1525/fq.2019.72.4.29
Published: 01 June 2019
... sustenance, shelter, education, health, and labor while mapping out the myriad systems that impede access to these rights. Torchin suggests that Sorry' s playful hybridity, combining science fiction, performance art, and even corporate-video mockumentary to invoke recent experimentations in black American...
Journal Articles
Film Quarterly. 2019; 72418–28 doi: https://doi.org/10.1525/fq.2019.72.4.18
Published: 01 June 2019
... theFranceCulture radio station on themorning of the release of the film in France. See Tewfik Hakem, Claire Denis, C est plutôt un film de prison que de science-fiction [ClaireDenis: It smore a prison film than a science fiction film], France Culture, Le réveil culturel, November 7, 2018, www...
Journal Articles
Film Quarterly. 2019; 72487–92 doi: https://doi.org/10.1525/fq.2019.72.4.87
Published: 01 June 2019
... of mild science fiction, known as near-future, that spins out present-day clues into terrifyingly possible extremes a style that he made famous with his classic Sleep Dealer (2008). After years of intense collaboration with activists, Rivera and cocreator Cristina Ibarra brought The Infiltrators...
Journal Articles
Film Quarterly. 2019; 72479–86 doi: https://doi.org/10.1525/fq.2019.72.4.79
Published: 01 June 2019
...-fiction film Entropia (2019) won the Teddy Short Film Award this year. Höhne was also a fabulous onstage interlocutor with her festival guests: responsive, funny, and critically acute. She left to take up a new posi- tion as director of the Hamburg Short Film Festival. The opening night brought a gang of...
Journal Articles
Film Quarterly. 2019; 723105–107 doi: https://doi.org/10.1525/fq.2019.72.3.105
Published: 01 March 2019
...-fiction cinema, Meteor presents a series of image- and-sound montages that reorder their relations. Rodowick then applies Walter Benjamin s understanding of écriture (image writing), an intriguing rediscovery that argues for the need to trace, in its ever-mobile combinations of image clus- ters, spoken...
Journal Articles
Film Quarterly. 2018; 722110–112 doi: https://doi.org/10.1525/fq.2018.72.2.110
Published: 01 December 2018
... realm of the visible while also layering its complexity: the mirror of psychoanalysis, the mirror of colonialism, of writ- ing, of the city, of science and detection, of genre, of cinema, of immiscible times. Finally, the doppelgänger itself becomes a mirror through which to grasp the irrepressible...
Journal Articles
Film Quarterly. 2018; 72226–37 doi: https://doi.org/10.1525/fq.2018.72.2.26
Published: 01 December 2018
... emphasis on science and math in the works of German Absolute Cinema propo- nents Viking Eggling and Hans Richter, who emphasized abstraction-in-motion as a goal. Further, John Dréville dis- cussed Ruttmann s Berlin in relation to French photogénie, writing that it brought out the photogénie of urban life...