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psychoanalysis-and-cinema

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Journal Articles
Film Quarterly. 1991; 45155–56 doi: https://doi.org/10.2307/1212686
Published: 01 October 1991
...Linda Williams Copyright 1991 The Regents of the University of California Psychoanalysis and Cinema Kaplan E. Ann tions of the essays of film scholar Tadao Sato, and in his new book he is concerned to extend Sato's ex- plorations of the ways that cinema is inflected by social forces...
Journal Articles
Film Quarterly. 1982; 36258–64 doi: https://doi.org/10.2307/3696998
Published: 01 December 1982
...Raymond Durgnat Copyright 1982 Regents of the University of California Psychoanalysis and Cinema Metz Christian background on Steinbeck's career in Holly- wood, a small extra of this book. Millichap is thorough in all things, often at the expense of efficiency. He will provide pain...
Journal Articles
Film Quarterly. 1998; 52257–58 doi: https://doi.org/10.2307/1213280
Published: 01 December 1998
...Vincent F. Rocchio Copyright 1998 The Regents of the University of California Representing the Woman: Cinema and Psychoanalysis Cowie Elizabeth Representing the Woman Cinema and Psychoanalysis By Elizabeth Cowie. Minneapolis, MN: University of Minnesota Press. 1997. $47.95 cloth...
Journal Articles
Film Quarterly. 2019; 731107–109 doi: https://doi.org/10.1525/fq.2019.73.1.107
Published: 01 September 2019
... has been variously understood as developing from philo- sophical toys, visual cultures, and urban entertainment, as well as the nineteenth-century novel. As such, the cinema is often considered the bastard child of other arts and visual media. In the first half of the twentieth century, this inherent...
Journal Articles
Film Quarterly. 2019; 731106–107 doi: https://doi.org/10.1525/fq.2019.73.1.106
Published: 01 September 2019
... in Film by Brigitte Peucker Few would disagree that the cinema is a hybrid medium. It has been variously understood as developing from philo- sophical toys, visual cultures, and urban entertainment, as well as the nineteenth-century novel. As such, the cinema is often considered the bastard child of...
Journal Articles
Film Quarterly. 2019; 73133–41 doi: https://doi.org/10.1525/fq.2019.73.1.33
Published: 01 September 2019
... with his 1990s photographs of his family (originally displayed alongside the work of other Young British Artists [YBAs] at the London Sensation exhibition in 1997), and introducing new formal aspects of narrative cinema into his career in the visual arts. Called a “cine-memoir” by Billingham, Ray...
Journal Articles
Film Quarterly. 2019; 72468–73 doi: https://doi.org/10.1525/fq.2019.72.4.68
Published: 01 June 2019
...,The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Bloomington: Indiana University Press, 1988). 2. Notably, this quote comes not from a review of the film but from an opinion piece about Honnold s actual climb. See Daniel Duane, El Capitan, My El Capitan, New York Times, June 9...
Journal Articles
Film Quarterly. 2019; 724105–106 doi: https://doi.org/10.1525/fq.2019.72.4.105
Published: 01 June 2019
...=reprints . 2019 BOOK DATA Nico Baumbach , Cinema/Politics/Philosophy . New York : Columbia University Press , 2018 . $85.00 cloth; $28.00 paper; 27.99 e-book. 248 pages. GREG BURRIS is Assistant Professor of Media Studies at the American University of Beirut in Lebanon and the author...
Journal Articles
Film Quarterly. 2019; 724103–105 doi: https://doi.org/10.1525/fq.2019.72.4.103
Published: 01 June 2019
... lowski between Theory and Post-Theory. Like many scholars today, i ek believes that film theory is an inher- ently political project because it has the unique capacity to demystify the filmic illusion and reveal its ideological trap- pings. The goal of Nico Baumbach s exciting new book, Cinema/Politics...
Journal Articles
Film Quarterly. 2019; 72369–77 doi: https://doi.org/10.1525/fq.2019.72.3.69
Published: 01 March 2019
... (June 1992): 68 87. 8. Quoted in Vicente Molina-Foix, New Cinema in Spain (Lon- don: BFI, 1977), 23. 9. Kaja Silverman, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Bloomington: Indiana University Press, 1988). 10. Pep Sánchez, Llorenç Soler, la voz de los sin voz, Cultura en...
Journal Articles
Film Quarterly. 2018; 722110–112 doi: https://doi.org/10.1525/fq.2018.72.2.110
Published: 01 December 2018
... realm of the visible while also layering its complexity: the mirror of psychoanalysis, the mirror of colonialism, of writ- ing, of the city, of science and detection, of genre, of cinema, of immiscible times. Finally, the doppelgänger itself becomes a mirror through which to grasp the irrepressible...
Journal Articles
Film Quarterly. 2018; 722100–105 doi: https://doi.org/10.1525/fq.2018.72.2.100
Published: 01 December 2018
..., neoliberal capital trends that Young considers in an ex- tended epilogue with reference to two recent films. While Paul Schrader s Kickstarter-funded The Canyons (2013) re- flects a condition of post-cinema and ubiquitous market log- ics, Alain Guiraudie s L inconnu du lac (Stranger by the Lake, 2013...
Journal Articles
Film Quarterly. 2018; 71310–20 doi: https://doi.org/10.1525/fq.2018.71.3.10
Published: 01 March 2018
... Dennis Lim argues that this process leads to something very special: Rosi gets very close to these men and women . . . and this intimacy is a hallmark of his cinema. 17 Rosi s filmmaking is about letting a special closeness, an alliance, genuine connection, emerge. If he speaks, in the words of an...
Journal Articles
Film Quarterly. 2017; 71246–52 doi: https://doi.org/10.1525/fq.2017.71.2.46
Published: 01 December 2017
... Psychoanalysis (New York: Routledge, 1993), 55. 3. Teresa de Lauretis, Alice Doesn t: Feminism, Semiotics, Cinema (Bloomington: Indiana University Press, 1984), 118. 4. My claim here is centrally related to and guided by Kara Keeling s assertion that the black femme is a figure that ex- ists on the edge line...
Journal Articles
Film Quarterly. 2016; 701120–123 doi: https://doi.org/10.1525/fq.2016.70.1.120
Published: 01 September 2016
... the cinema. And it was a key essay not only in its turn to psychoanalysis (with voyeur- ism and fetishistic scopophilia identified as constituents of the infamous male gaze ) but in its recasting of narrative devices as gendered ones, and its call for a radical feminist film prac- tice that would...
Journal Articles
Film Quarterly. 2016; 701118–120 doi: https://doi.org/10.1525/fq.2016.70.1.118
Published: 01 September 2016
... Backman Rogers Political Animals: The New Feminist Cinema by Sophie Mayer There is feminism, and there is feminist theory. Both are contested and sometimes controversial terms, containing dif- ferent definitions and different approaches to gender equal- ity and women s freedom. And then there is feminist...
Journal Articles
Film Quarterly. 2016; 70154–60 doi: https://doi.org/10.1525/fq.2016.70.1.54
Published: 01 September 2016
...: The Cinema of Chantal Akerman (2015), made in the year of her death and a year after her mother s: I realized that deep down my mother was at the heart of my work. She adds chillingly, That s why now I m afraid. I think that now that my mother is no longer there, there s nothing left. So when the...
Journal Articles
Film Quarterly. 2016; 70148–53 doi: https://doi.org/10.1525/fq.2016.70.1.48
Published: 01 September 2016
... du cinéma (Paris: P.O.L. 2009), 258. In this text, I have used the term mastery for its psychoanalytic value but also more broadly, and in a way that would merit more detailed treatment, to substitute in part for what Bellour calls hypnosis. The link between mastery and incorporation is thus de...
Journal Articles
Film Quarterly. 2016; 69319–27 doi: https://doi.org/10.1525/fq.2016.69.3.19
Published: 01 March 2016
..., even as it remained profoundly particular. As he ex- pressed in 1992 in a now-famous essay written for the cata- logue of the Cinéma du Réel festival, he wanted to try to understand the country, the people, history, life and myself, but always fixated on the concrete, on the microcosm. 3 I like to...
Journal Articles
Film Quarterly. 2015; 69225–35 doi: https://doi.org/10.1525/fq.2015.69.2.25
Published: 01 December 2015
... and governed by the perpetrators of past violence. Where Killing is grandiose and bombastic and full of de- lirious displays of cinema, Silence is intimate and meditative, composed of rigorous observation and interviews. Such a transition reflects an anxiety regarding the representation of trauma...