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Journal Articles
Film Quarterly. 2019; 7315–10 doi: https://doi.org/10.1525/fq.2019.73.1.5
Published: 01 September 2019
...=reprints . 2019 Be Like Water: Film, Politics, Legacy B. Ruby Rich Bruce Lee counseled: Be water, my friend, alternately translated as Be like water. The protests that engulfed Hong Kong in early summer drew inspiration from the great martial-arts star, as reported by columnist Nicolas Atkin. He...
Journal Articles
Film Quarterly. 2019; 724105–106 doi: https://doi.org/10.1525/fq.2019.72.4.105
Published: 01 June 2019
...=reprints . 2019 BOOK DATA Nico Baumbach , Cinema/Politics/Philosophy . New York : Columbia University Press , 2018 . $85.00 cloth; $28.00 paper; 27.99 e-book. 248 pages. GREG BURRIS is Assistant Professor of Media Studies at the American University of Beirut in Lebanon and the author...
Journal Articles
Film Quarterly. 2019; 724106–108 doi: https://doi.org/10.1525/fq.2019.72.4.106
Published: 01 June 2019
...=reprints . 2019 BOOK DATA Gina Marchetti , Citing China: Politics, Postmodernism, and World Cinema . Honolulu : University of Hawai‘i Press , 2018 . $68.00 cloth. 248 pages, AsBaumbach notes, this is quite close toDeleuze, who argues that philosophy, science, and art are all related...
Journal Articles
Film Quarterly. 2019; 7249–17 doi: https://doi.org/10.1525/fq.2019.72.4.9
Published: 01 June 2019
... for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2019 THE DAUGHTERS DEBT: HOW BLACK SPIRITUALITY AND POLITICS ARE TRANSFORMING THE TELEVISUAL LANDSCAPE Josslyn...
Journal Articles
Film Quarterly. 2018; 713102–104 doi: https://doi.org/10.1525/fq.2018.71.3.102
Published: 01 March 2018
...=reprints . 2018 BOOK DATA Nora M. Alter and Timothy Corrigan , eds. Essays on the Essay Film . New York : Columbia University Press , 2017 . $105.00 cloth. $35.00 paper. $34.99 e-book. 392 pages. Elizabeth A. Papazian and Caroline Eades , eds. The Essay Film: Dialogue, Politics...
Journal Articles
Film Quarterly. 2017; 71238–45 doi: https://doi.org/10.1525/fq.2017.71.2.38
Published: 01 December 2017
... celebration of style in Moonlight (Barry Jenkins, 2016), here, too, other politics are at play. In some ways, to reject formal analysis is to subconsciously reject the earlier era of film studies that treated the study of black film (and eventually television) as marginal or inconsequential. In other ways...
Journal Articles
Film Quarterly. 2019; 731102–104 doi: https://doi.org/10.1525/fq.2019.73.1.102
Published: 01 September 2019
...=reprints . 2019 BOOK DATA Javier Campo and Humberto Perez-Blanco , eds., A Trail of Fire for Political Cinema: “The Hour of the Furnaces” Fifty Years Later . Chicago : Intellect Books , 2019 . $106.50 cloth; $77.19 e-book. 283 pages. Keeling s arguments culminate most powerfully in...
Journal Articles
Film Quarterly. 2017; 711118–119 doi: https://doi.org/10.1525/fq.2017.71.1.118
Published: 01 September 2017
...=reprints . 2017 BOOK DATA Matt Bell , ed., The Boys in the Band: Flashpoints of Cinema, History, and Queer Politics . Detroit : Wayne State University Press , 2016 . $34.99 paper. 336 pages. evolving version of the story in interviews, especially after he retired from directing in the early...
Journal Articles
Film Quarterly. 2020; 73354–58 doi: https://doi.org/10.1525/fq.2020.73.3.54
Published: 01 March 2020
...Lan Duong Vietnamese American filmmaking must be seen in the context of a community's diasporic formations. As such, it maps out a politics of representation that encapsulates the issues of community and history that invariably striate the ways in which Vietnamese American films and videos have...
Journal Articles
Film Quarterly. 2020; 73359–65 doi: https://doi.org/10.1525/fq.2020.73.3.59
Published: 01 March 2020
...Melissa Phruksachart If what characterizes Asian American radical politics in 2020 is an articulation of the difference between, and interrelatedness of, the Asian diasporic elite and the migrant poor, the 2018 Asian American films Crazy Rich Asians and Searching achieved mainstream success by...
Journal Articles
Film Quarterly. 2019; 73142–53 doi: https://doi.org/10.1525/fq.2019.73.1.42
Published: 01 September 2019
... model for responding to current debates about climate change, politics, and the ethics of survival. The Game of Thrones universe lacks a sense of ecology: there are no vertical relationships that connect climatic conditions to causality or material context. All conflicts and threats are human-centered...
Journal Articles
Film Quarterly. 2020; 73347–53 doi: https://doi.org/10.1525/fq.2020.73.3.47
Published: 01 March 2020
... and rhetoric of the “amateur” in Nakasako's work, and the ways in which Nakasako transforms low-resolution, independent videomaking into an aesthetic as well as political force. Nakasako's “video diary” series, often called the refugee trilogy, emphasizes the significance of making film with and about...
Journal Articles
Film Quarterly. 2020; 73312–20 doi: https://doi.org/10.1525/fq.2020.73.3.12
Published: 01 March 2020
... emotional and political analysis. Her most recent feature, The Souvenir (2019), converts elements of Hogg's own biography to tell the story of a young filmmaker who learns the hard way that filmmaking and romantic love are the most difficult enterprises. © 2020 by The Regents of the University of...
Journal Articles
Film Quarterly. 2015; 69260–65 doi: https://doi.org/10.1525/fq.2015.69.2.60
Published: 01 December 2015
... festival's rather difficult self-stated goal of “touching hearts” locally and globally, as shaped by the often-conflicting ideologies espoused by local politics, global and corporatized LGBT rights discourses, and Euro-American queer theory. © 2015 by The Regents of the University of California. All rights...
Journal Articles
Film Quarterly. 2018; 72281–84 doi: https://doi.org/10.1525/fq.2018.72.2.81
Published: 01 December 2018
...Amelie Hastie The 1970s ushered in a new cinephilic culture for viewers. In reviewing the films of this era, columnist Amelie Hastie is struck by their resonance for our current political realities and concerns surrounding civil rights, governmental authority, and personal surveillance. To the...
Journal Articles
Film Quarterly. 2019; 73262–65 doi: https://doi.org/10.1525/fq.2019.73.2.62
Published: 01 December 2019
... political film, bristling with an urgent plea for empathy, inspired by the blinding xenophobia of Brexit. © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California...
Journal Articles
Film Quarterly. 2019; 73287–92 doi: https://doi.org/10.1525/fq.2019.73.2.87
Published: 01 December 2019
... intersectionality of identities, the films presented are linked by a compelling thematic thread: they all investigate how cinema represents Arab women with a focus on the body, its materiality, and the power relations that determine it. Although each film reflected its local political and socio-economic context...
Journal Articles
Film Quarterly. 2019; 73223–30 doi: https://doi.org/10.1525/fq.2019.73.2.23
Published: 01 December 2019
... results from entrapping two survivors of distinct historical and psychological traumas in a recursive loop, Russian Doll evokes what José Muñoz called “brown feeling”—an affectively and politically depressive position that holds a transformative potential. It is, in fact, Russian Doll 's enactment of the...
Journal Articles
Film Quarterly. 2019; 73154–63 doi: https://doi.org/10.1525/fq.2019.73.1.54
Published: 01 September 2019
... reenactment brought about unexpected results. They also discuss the creative and political dimensions of “undocumented storytelling,” which relates to the filmmakers' enduring commitment to depicting fully dimensional representations of immigrants and Latinx experiences. © 2019 by The Regents of the...
Journal Articles
Film Quarterly. 2018; 72226–37 doi: https://doi.org/10.1525/fq.2018.72.2.26
Published: 01 December 2018
... Film movement, but little is known about its presence in China or the enigmatic figure Liu Na'ou who imported these discourses from the West, via Tokyo to Shanghai. Intended to improve the quality of Chinese films, these modernist film theories inevitably became embroiled in Liu's political campaign to...