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pere-portabella

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Journal Articles
Film Quarterly. 2008; 61448–61 doi: https://doi.org/10.1525/fq.2008.61.4.48
Published: 01 June 2008
...James Naremore Prefaced by remarks about methodology, this article presents a survey of films (and one television show) released in the U.S. in 2007 which James Naremore evaluates to be the best of the year. The top three are: Pedro Costa's Colossal Youth , Pere Portabella's Cuadecuc-Vampir , and...
Journal Articles
Film Quarterly. 2019; 72369–77 doi: https://doi.org/10.1525/fq.2019.72.3.69
Published: 01 March 2019
.... In this corpus, women are not made into an other or a victim, but instead are presented as subjects with agency. Actual historical women from Pere Portabella s ex political prisoner to JaimeCamino s politicians in exile, from Joaquím Jordà s factory workers to Nunes s and Lumbreras s peasants are...
Journal Articles
Film Quarterly. 2016; 694113–119 doi: https://doi.org/10.1525/fq.2016.69.4.113
Published: 01 June 2016
... Abduction of Europe, 2015), Catalan auteur Pere Portabella proved he hasn t mellowed with age (he is 87) and is still as fiery as he was at the time he made the first General Report film four decades ago. That first installment, Informe general sobre unas cuestiones de interés para una proyección pública...
Journal Articles
Film Quarterly. 2016; 6945–9 doi: https://doi.org/10.1525/fq.2016.69.4.5
Published: 01 June 2016
... and its place in film history.) Reporting from Rotterdam, Clarence Tsui found a festi- val caught up in the grip of the political changes sweeping Europe and focused especially on the documentaries as a re- sult. His description of Catalan auteur Pere Portabella s Gen- eral Report II: The New...
Journal Articles
Film Quarterly. 2016; 69367–71 doi: https://doi.org/10.1525/fq.2016.69.3.67
Published: 01 March 2016
... together two generations of local art-film directors: diplomatic elder statesman Pere Portabella (The Silence before Bach, 2007) and enfant terrible Albert Serra (Story of My Death, 2013). While the former spoke with dig- nity and modesty of his long track record in experimental cinema, the latter was...