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pedro-costa

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Journal Articles
Film Quarterly. 2009; 63254–56 doi: https://doi.org/10.1525/FQ.2009.63.2.54
Published: 01 December 2009
...James Hansen ©© 2009 by the Regents of the University of California. 2009 54 winter 2009 10 This is an edited version of a conversation I had with Portu- guese director Pedro Costa, October 8, 2009, on the occa- sion of the U.S. premiere of Ne change rien at the New York Film Festival. The...
Journal Articles
Film Quarterly. 2008; 61448–61 doi: https://doi.org/10.1525/fq.2008.61.4.48
Published: 01 June 2008
...James Naremore Prefaced by remarks about methodology, this article presents a survey of films (and one television show) released in the U.S. in 2007 which James Naremore evaluates to be the best of the year. The top three are: Pedro Costa's Colossal Youth , Pere Portabella's Cuadecuc-Vampir , and...
Journal Articles
Film Quarterly. 2020; 73389–92 doi: https://doi.org/10.1525/fq.2020.73.3.89
Published: 01 March 2020
... archive to a new ironic viewing. However, a female director is not necessarily essential for a powerful depiction of female characters, as seen in Vitalina Varela (2019) by festival favorite Pedro Costa, who won the award for best male director. The leading actress, who gives her name to both her...
Journal Articles
Film Quarterly. 2020; 7335–11 doi: https://doi.org/10.1525/fq.2020.73.3.5
Published: 01 March 2020
... Permissions web page, httpwww. ucpress.edu/journals.php?p=reprints. DOI: httpsdoi.org/10.1525/FQ.2020.73.3.5. its greatest strength, with films by Karim Aïnouz, Kleber Mendonça Filho, Sandra Kogut, and Petra Costa winning plaudits at film festivals worldwide in 2019, Bolsonaro fol- lowed his slashing of 43...
Journal Articles
Film Quarterly. 2019; 73293–99 doi: https://doi.org/10.1525/fq.2019.73.2.93
Published: 01 December 2019
... is the kind of tale that could play out as a bro- mance or rom-com in U.S. movies, but with Sukowa in charge, there s reason for love to triumph undiluted. Outliers and Truth Tellers In cinephile favorite Pedro Costa s new work, Vitalina Varela (2019), a regal working-class woman arrives in Lisbon...
Journal Articles
Film Quarterly. 2019; 73185–91 doi: https://doi.org/10.1525/fq.2019.73.1.85
Published: 01 September 2019
..., the city of Malaga was regarded as little more than a down-at-the-heels entry point for tourists en route to resorts along the Costa del Sol, but over the last decade it has been transformed into an increasingly attractive place for locals and visitors alike. Seville remains the de facto seat of the...
Journal Articles
Film Quarterly. 2018; 713106–107 doi: https://doi.org/10.1525/fq.2018.71.3.106
Published: 01 March 2018
... below them are in- deed discussed in SlowWriting, though seldom obvious ones, as experimental, documentary, hybrid, independent fiction, commercial, and exploitation films are all considered as tools for conviviality. Some crucial filmmakers are championed in more than one article: Pedro Costa, Morgan...
Journal Articles
Film Quarterly. 2018; 713104–106 doi: https://doi.org/10.1525/fq.2018.71.3.104
Published: 01 March 2018
... crucial filmmakers are championed in more than one article: Pedro Costa, Morgan Fisher, Straub- Huillet, Andy Warhol, and even Michael Moore. Andersen appraises these artists technical innovations (for instance, Costa s work with digital video) by focusing on how they use technique to privilege humanity...
Journal Articles
Film Quarterly. 2017; 70449–64 doi: https://doi.org/10.1525/fq.2017.70.4.49
Published: 01 June 2017
Journal Articles
Film Quarterly. 2016; 702103–106 doi: https://doi.org/10.1525/fq.2016.70.2.103
Published: 01 December 2016
... practice and world- views is followed by two previously published pieces (in German and Portuguese respectively): the late Harun Farocki on their Klassenverhältnisse (Class Relations, 1984) and soixante- huitard Jean-Pierre Gorin on Huillet-Straub s working rela- tionship visvis Pedro Costa s documentary...
Journal Articles
Film Quarterly. 2012; 66244–47 doi: https://doi.org/10.1525/fq.2012.66.2.44
Published: 01 December 2012
... Conquistado, which appeared as a seg- ment of the multi-part feature Centro Histo´rico (2012; his codirectors on the project were Pedro Costa, Victor Erice, and Aki Kaurisma¨ki), and at this writing he is in produc- tion with a new solo feature, A Igreja do Diabo (The Church of the Devil), based on a story by...
Journal Articles
Film Quarterly. 2009; 6324–7 doi: https://doi.org/10.1525/FQ.2009.63.2.4
Published: 01 December 2009
...Rob White ©© 2009 by the Regents of the University of California. 2009 4 winter 2009 10 Ne change rien (Pedro Costa) The Pedro Costa retrospective (September 25 October 4) at London s Tate Modern was admirably curated. In addition to eight films by this brilliant Portuguese director, other...
Journal Articles
Film Quarterly. 2010; 63456–58 doi: https://doi.org/10.1525/FQ.2010.63.4.56
Published: 01 June 2010
... of strategies, but it seems to me that he s onto something fruitful. At least to my own taste, what generally defines cutting-edge in new cinema of any kind from Godard to Pedro Costa, from Cassavetes to Albert Brooks, or from Michael Snow to Jia Zhang-ke usually entails some interaction between...
Journal Articles
Film Quarterly. 2010; 63418–32 doi: https://doi.org/10.1525/FQ.2010.63.4.18
Published: 01 June 2010
... and Ryan Fleck), Bright Star (Jane Campion), Ne change rien (Pedro Costa), Lorna s Silence (Jean-Pierre Dardenne and Luc Dardenne), Loren Cass (Chris Fuller), Where the Wild Things Are (Spike Jonze), The Headless Woman (Lucrecia Martel), Seraphine (Martin Provost), An Education (Lone Sherfig), The...
Journal Articles
Film Quarterly. 2008; 61442–47 doi: https://doi.org/10.1525/fq.2008.61.4.42
Published: 01 June 2008
... Français Cultural Center near Suidobashi, of which Matsumoto Masamichi has been direc- tor since 1979. A typical season at the Athénée Français might include complete retrospectives of Straub-Huillet or Pedro Costa, a Dreyer series, a program of new Malaysian cinema, and assorted items such as Sidney...
Journal Articles
Film Quarterly. 2003; 56312–24 doi: https://doi.org/10.1525/fq.2003.56.3.12
Published: 01 March 2003
... drive her and her brood (and possibly the Ž lmmakers as well) to seek empowerment in some arena other than sexuality, which became, with considerable help from the global success of Pedro Almodóvar s comic melo- dramas, the new libertarian stereotype of Spain under the Socialists. Not interested in sex...
Journal Articles
Film Quarterly. 1982; 36216–32 doi: https://doi.org/10.2307/3696991
Published: 01 December 1982
... strong black presence, from a country which includes the largest nation of African descent within the black diaspora. They have seen a wide variety of black roles: Pai Erlei, the umbanda priest of Amulet; Pedro Arcanjo, the culture-hero of Tent of Miracles; Dito, the sensitive delinquent of Pixote...
Journal Articles
Film Quarterly. 1971; 2442–19 doi: https://doi.org/10.2307/1211419
Published: 01 July 1971
...Joan Mellen Copyright 1971 The Regents of the University of California 2 JOAN MELLEN Fascism in the Contemporary Film The last few years have seen among serious young European directors like Bertolucci, Costa- Gavras and Saura a resurgence of interest in fascism, not as the arena for physical...