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native-americans

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Journal Articles
Film Quarterly. 1981; 34436 doi: https://doi.org/10.2307/1212152
Published: 01 July 1981
...Gerald Vizenor Copyright 1981 The Regents of the University of California The Pretend Indians: Images of Native Americans in the Movies Gretchen Bataille Charles Silet 36 Another query may be raised over movie content as evidential with respect to different-class audiences. May speaks...
Journal Articles
Film Quarterly. 2009; 62335–40 doi: https://doi.org/10.1525/fq.2009.62.3.35
Published: 01 March 2009
...Edward Buscombe An essay on an extended DVD of Terrence Malick's The New World , focusing on representation of relations between Native Americans and settlers from England, and the film's place in the history of the Pocahontas story. ©© 2009 by the Regents of the University of California. 2009...
Journal Articles
Film Quarterly. 2020; 734101–103 doi: https://doi.org/10.1525/fq.2020.73.4.101
Published: 01 June 2020
... segregates diegetic space by photographing the European American principals in the foreground while relegating the Native American extras to a rear-projected background visi- ble only through a window. Rather than create a seamlessly unified space, such scenes of rear projection appeal to the spectator s...
Journal Articles
Film Quarterly. 2020; 73461–64 doi: https://doi.org/10.1525/fq.2020.73.4.61
Published: 01 June 2020
... s both a way of seeing and a way of witnessing two processes that may feel similar but that require decidedly different skills. Once a pioneer, Guzmán is now one of the preeminent practitioners of a kind of contemporary Latin American nonfiction project that increasingly marries the first-person...
Journal Articles
Film Quarterly. 2020; 7345–10 doi: https://doi.org/10.1525/fq.2020.73.4.5
Published: 01 June 2020
... the former Soviet Union, with Cuba as a proxy, lasted for thirteen days in October 1962, during which time Americans raced to stock their fallout shelters, without the help of either Amazon or Instacart.The Exterminating An- gel was shown the next year in the New York Film Festival s inaugural edition...
Journal Articles
Film Quarterly. 2020; 73334–40 doi: https://doi.org/10.1525/fq.2020.73.3.34
Published: 01 March 2020
... brought Asian American, black, Latinx, and Native American students into the film school in significant numbers for the first time.2 Though short- lived, this program opened the gates for successive waves of black women directors, including Carroll Parrott Blue, Melvonna Ballenger, Jacqueline Frazier, O...
Journal Articles
Film Quarterly. 2020; 73328–33 doi: https://doi.org/10.1525/fq.2020.73.3.28
Published: 01 March 2020
.../journals.php?p=reprints . 2020 AN INTRODUCTION Brian Hu and B. Ruby Rich Today, there are celebrations taking place across U.S. uni- versities. The creation of Asian American studies centers and departments fifty years ago was the culmination of an effort by students, administrators, and community members...
Journal Articles
Film Quarterly. 2020; 73383–88 doi: https://doi.org/10.1525/fq.2020.73.3.83
Published: 01 March 2020
.... Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2020 Latin-American Indigeneity On-Screen Manuel Betancourt Retablo (Álvaro Delgado...
Journal Articles
Film Quarterly. 2020; 7335–11 doi: https://doi.org/10.1525/fq.2020.73.3.5
Published: 01 March 2020
... Asian American Film at Fifty undertakes a view of filmmakers and institutions with an eye to history. By no means com- plete, it represents an effort to mark significant anniversa- ries of key institutions: Visual Communications (VC) and the UCLA Asian American Studies Center in Los Angeles, CAAM...
Journal Articles
Film Quarterly. 2020; 73312–20 doi: https://doi.org/10.1525/fq.2020.73.3.12
Published: 01 March 2020
... DISPOSSESSION John David Rhodes Although not well known outside of her native United Kingdom, except to cinephile audiences and festivalgoers, Joanna Hogg has, since 2007, been patiently making a body of work four feature films which, though modest in number, are monumental in terms of their rigor, precision...
Journal Articles
Film Quarterly. 2019; 7329–22 doi: https://doi.org/10.1525/fq.2019.73.2.9
Published: 01 December 2019
... Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019) made, as have been all her films in the last two decades, with Steven Bognar is being championed for an Academy Award nomination, which would be Reichert s fourth, and has been picked up by the...
Journal Articles
Film Quarterly. 2019; 73272–79 doi: https://doi.org/10.1525/fq.2019.73.2.72
Published: 01 December 2019
...], 1933), René Clement (Le mura di Malapaga [The Walls of Malapaga], 1948), Marcel Carné (La Marie du port [Marie of the Port], 1949), and Max Ophu::ls (Le Plaisir, 1951). Other programs were dedicated to American film- makers Henry King and Felix E. Feist, whose The Devil Thumbs a Ride (1947) was...
Journal Articles
Film Quarterly. 2019; 73293–99 doi: https://doi.org/10.1525/fq.2019.73.2.93
Published: 01 December 2019
... a world that sometimes seems to have lost its emotional compass in a rush to fads and fascism. At TIFF, my state of mind led me to avoid the big tentpole American films positioning themselves for awards season. Oscar buzz is definitely my least favorite aspect of TIFF and the other fall festivals...
Journal Articles
Film Quarterly. 2019; 73164–67 doi: https://doi.org/10.1525/fq.2019.73.1.64
Published: 01 September 2019
... real life, the separation of children from their parents would be- come so tragically fraught just before the release of his film. But his bi-national cast and the bilingual dialogue (in the orig- inal version, both American and Mexican actors speak their native tongues) suggest a coming together of...
Journal Articles
Film Quarterly. 2019; 73133–41 doi: https://doi.org/10.1525/fq.2019.73.1.33
Published: 01 September 2019
.... 3 The reaction against miser- abilism, meanwhile, has always accused it of wallowing in pessimism for its own sake, sometimes leading to political paralysis. For David Roediger, writing of the contemporary American cultural context but drawing on the classic critique of miserabilism in the writing...
Journal Articles
Film Quarterly. 2019; 73142–53 doi: https://doi.org/10.1525/fq.2019.73.1.42
Published: 01 September 2019
... emotional demands of a scene, and the visual impact of a particular effect. As a visual tendency long native to main- stream American cinema and television, the expressionist treatment of nature has been exacerbated by the advent of computer-generated imagery; today, the natural world is thoroughly designed...
Journal Articles
Film Quarterly. 2019; 72446–53 doi: https://doi.org/10.1525/fq.2019.72.4.46
Published: 01 June 2019
... to truly show you care, he argues, you need to abolish the structural inequalities that perpetuate a racist colonial order. The figure of Cleo and the presence of Aparicio, the ac- tress who plays her, have become lightning rods for public and especially online debates. Some Native Americans have...
Journal Articles
Film Quarterly. 2019; 72474–78 doi: https://doi.org/10.1525/fq.2019.72.4.74
Published: 01 June 2019
... how the series differs from other televisual accounts of the conquest of Mexico in both its emphasis on the domestic lives of women and its use of multiple indigenous languages. He concludes by comparing the series to a recent film about the colonial experience by another Latin American female...
Journal Articles
Film Quarterly. 2019; 72499–101 doi: https://doi.org/10.1525/fq.2019.72.4.99
Published: 01 June 2019
... dispossessed such as its young protagonist, Krishna, nicknamed Chaipau ( Tea Boy Singh is such an excellent guide to Nair s work precisely because he is conscious of how native Indians receive it as well as how foreigners might. On its release, I viewed Sa- laam, Bombay! in a continuum of films such as Luis...
Journal Articles
Film Quarterly. 2019; 724101–103 doi: https://doi.org/10.1525/fq.2019.72.4.101
Published: 01 June 2019
... anomaly in both commercial Indian and commercial Anglo-American cin- ema, it s surprising that all three broke through as trans- national filmmakers. A structural problem inherent in Singh s book is that its nonchronological organization is less than ideal for un- derstanding Nair s evolution as a film...