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mexican-cinema

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Journal Articles
Film Quarterly. 1998; 51451–53 doi: https://doi.org/10.2307/1213254
Published: 01 July 1998
...Ilene S. Goldman Copyright 1998 The Regents of the University of California Mexican Cinema/Mexican Woman, 1940-1950 Hershfield Joanne camera movement that accompanied an earlier scene where she witnessed his return with another woman; this, Bacher informs us, was something Ophuls...
Journal Articles
Film Quarterly. 1982; 35445 doi: https://doi.org/10.2307/1212107
Published: 01 July 1982
... Copyright 1982 The Regents of the University of California Mexican Cinema: Reflections of a Society, 1896-1980 Mora Carl J. CALIFORNIA FILM BOOKS Three books on film were published during the past year by the University of California Press, which is also the publisher of this...
Journal Articles
Film Quarterly. 1979; 32326–37 doi: https://doi.org/10.2307/1212204
Published: 01 April 1979
...Jesús Salvador Treviño Copyright 1979 The Regents of the University of California JESUS SALVADOR T EVINO The New Mexican Cinema On April 22, 1974, Mexican President Luis Eche- verria Alvarez assembled the entire force of Mexi- can film-making-producers, directors, actors and technicians-on the...
Journal Articles
Film Quarterly. 1965; 18446–55 doi: https://doi.org/10.2307/1210255
Published: 01 July 1965
...Manuel Michel; Neal Oxenhandler Copyright 1965 The Regents of the University of California 46 MANUEL MICHEL Mexican Cinema: A Panoramic View The author of the following report is a Mexican film-maker and film student. He has produced five short films, studied at the I.D.H.E.C. in Paris...
Journal Articles
Film Quarterly. 2017; 71272–77 doi: https://doi.org/10.1525/fq.2017.71.2.72
Published: 01 December 2017
...Paul Julian Smith The seventh edition of the Statistical Yearbook of Mexican Cinema , which covers 2016, was launched at the Guadalajara International Film Festival by IMCINE (Instituto Méxicano de Cinematografía) , the national film institute. Some months later the eleventh edition of the Ibero...
Journal Articles
Film Quarterly. 2016; 69478–81 doi: https://doi.org/10.1525/fq.2016.69.4.78
Published: 01 June 2016
...Paul Julian Smith FQ Columnist Paul Julian Smith traces the changes in queer Mexican cinema since the 1990s and asks: What does it mean for a film to be both queer and mainstream? Recent Mexican features with lesbian, gay, and trans themes pose this question. They are audience-friendly genre movies...
Journal Articles
Film Quarterly. 2019; 73164–67 doi: https://doi.org/10.1525/fq.2019.73.1.64
Published: 01 September 2019
...Paul Julian Smith FQ Columnist Paul Julian Smith explores the latest trends in Mexican cinema, which encompasses such divergent genres as the rom-com and horror. Illustrating the former is the office comedy Mirreyes vs. Godinez (dir. Chava Cartas, 2019), which pits the spoiled offspring of the...
Journal Articles
Film Quarterly. 1994; 48141–42 doi: https://doi.org/10.2307/1212925
Published: 01 October 1994
...Marvin D'Lugo Copyright 1994 The Regents of the University of California Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 Berg Charles Ramírez Cinema of Solitude A Critical Study of Mexican Film, 1967-1983 By Charles Ramirez Berg. Austin, TX: University of Texas Press...
Journal Articles
Film Quarterly. 2020; 7345–10 doi: https://doi.org/10.1525/fq.2020.73.4.5
Published: 01 June 2020
... sadness and grief for curators and filmmakers, film critics and distributors, cinema owners and workers, film studies professors and students, and, yes, their audiences all, of course, as of print time. Cancel a festival? It was unimaginable until it was stan- dard, all in the blink of an eye. There was a...
Journal Articles
Film Quarterly. 2020; 73461–64 doi: https://doi.org/10.1525/fq.2020.73.4.61
Published: 01 June 2020
.... Lazzara have argued that this type of cinema speaks to the way filmmakers respond to a historical reality that has demanded they ques- tion conventional truths and challenge objectivity both for- mally and politically: From the pain of exile, state terror, and the defeat of the revolutions, a cinema of...
Journal Articles
Film Quarterly. 2020; 73434–40 doi: https://doi.org/10.1525/fq.2020.73.4.34
Published: 01 June 2020
... claim contested by the filmmakers themselves.4 The emphasis on the phenomenological world may recall other SEL works, but the conspicuousness of the film s textual operations contrasts with the lab s general ori- entation, which presumes a cinema of sensuous plenitude and perceptual richness that...
Journal Articles
Film Quarterly. 2020; 73383–88 doi: https://doi.org/10.1525/fq.2020.73.3.83
Published: 01 March 2020
..., María Sojob, and Luna Marán (all of whom recently took part in a forum, titled Mexican Indigenous Filmmakers: Identity and New Narra- tives, for women directors at this year s Morelia Interna- tional Film Festival). But in the world of narrative features, those who are framing and directing indigenous...
Journal Articles
Film Quarterly. 2020; 73366–78 doi: https://doi.org/10.1525/fq.2020.73.3.66
Published: 01 March 2020
... American filmmakers and their audiences engaged in a collective process of formal inno- vation to invent new ways of telling stories to a pan-ethnic community they were helping to conjure into being. By the mid- to late seventies, as Asian American cinema began to institutionalize and professionalize...
Journal Articles
Film Quarterly. 2019; 73257–61 doi: https://doi.org/10.1525/fq.2019.73.2.57
Published: 01 December 2019
... reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2019 Looking Back, Looking Askew: 1980s Mexico in Las niñas bien, Esto no es Berlín, Museo Manuel Betancourt From its inception, Mexican cinema has...
Journal Articles
Film Quarterly. 2019; 73185–91 doi: https://doi.org/10.1525/fq.2019.73.1.85
Published: 01 September 2019
... brain-damaged by a boxing injury. Bayoneta is a Mexican take on the blood sport that is as popular in every- day life there as it is surprisingly absent from the national cinema. María Léon and Dani Rovira in Los Japón. © Europa Press FILM QUARTERLY 89 Looking Ahead: Cinema (Festivals) in the Age of...
Journal Articles
Film Quarterly. 2019; 7315–10 doi: https://doi.org/10.1525/fq.2019.73.1.5
Published: 01 September 2019
...- programming in the form of a roundup of responses from art-house exhibitors and distributors titled Here s How Movie Theaters Will Survive the Next 10 Years: Exhibitors Speak Out. There, the Film at Lincoln Center s head of programming, Dennis Lim, noted: There is clearly some- thing about cinema that...
Journal Articles
Film Quarterly. 2019; 73154–63 doi: https://doi.org/10.1525/fq.2019.73.1.54
Published: 01 September 2019
... elite cultural corner- stone as a study of class, gender, and tradition within inter- generational cross-border communities. Rivera s landmark film Sleep Dealer (2008) presciently fig- ures a speculative future inwhich private, transnational entities minimize Mexican access to water and maximize...
Journal Articles
Film Quarterly. 2019; 72446–53 doi: https://doi.org/10.1525/fq.2019.72.4.46
Published: 01 June 2019
... Maid, Sebastián Silva, 2009), from Chile; and Que Horas Ela Volta? (The Second Mother, Anna Muylaert, 2015), from Brazil to name just a few. In Mexican cinema, female domestic workers tend to be portrayed as comical and gossipy or as erotic objects, or they remain marginalized in the narrative.11 What...
Journal Articles
Film Quarterly. 2019; 72474–78 doi: https://doi.org/10.1525/fq.2019.72.4.74
Published: 01 June 2019
...Paul Julian Smith FQ Columnist Paul Julian Smith discusses the Mexican limited series, Malinche , which tracks the Spanish conquest of Mexico and destruction of the Mexica (Aztec) Empire from the perspective of the conquistador Hernán Cortés's interpreter, the indigenous woman Malinche. He explains...
Journal Articles
Film Quarterly. 2019; 72454–60 doi: https://doi.org/10.1525/fq.2019.72.4.54
Published: 01 June 2019
...Amelie Hastie FQ Columnist Amelie Hastie offers a unique and personal meditation on cinema's affective qualities, particularly the sentiment of love. She traces Cuarón's exploration of cinema's fundamental humanism back to Jean Renoir and continues through the Italian Neo-Realists, particularly...