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man-who-knew-too-much

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Journal Articles
Film Quarterly. 2020; 73321–27 doi: https://doi.org/10.1525/fq.2020.73.3.21
Published: 01 March 2020
... the film is eighty minutes long. We knew that the biggest challenge awaited us when we got to editing. KOSTINA: How did you organize postproduction with such a tremendous amount of footage? RAZBEZHKINA: When we finished shooting, there wasn t much time left. We decided that the film had to be released...
Journal Articles
Film Quarterly. 2019; 732106–108 doi: https://doi.org/10.1525/fq.2019.73.2.106
Published: 01 December 2019
... all of Hitchcock (along with the 1956 remake of The Man Who Knew Too Much). Ingrid Bergman is a party girl con- scripted by CIA agent Cary Grant and relocated to Rio to spy on Claude Rains, a Nazi who is hoarding uranium. She is in love with Grant, her control, who encourages her to marry Rains in...
Journal Articles
Film Quarterly. 2019; 732108–110 doi: https://doi.org/10.1525/fq.2019.73.2.108
Published: 01 December 2019
... where she can read the article that their uncle sneakily tore out of the family copy. Notorious purveys one of the most masochistic romances in all of Hitchcock (along with the 1956 remake of The Man Who Knew Too Much). Ingrid Bergman is a party girl con- scripted by CIA agent Cary Grant and relocated...
Journal Articles
Film Quarterly. 2019; 73241–56 doi: https://doi.org/10.1525/fq.2019.73.2.41
Published: 01 December 2019
... t that the station Marceline returned to after the camps? The château in Bollène, Marceline s childhood home. FILM QUARTERLY 49 ZAJDERMANN: Yes. And later when she came to Paris, she lived with a man who had also been deported my husband, Jacques, knew him. It was dramatic, he was very violent...
Journal Articles
Film Quarterly. 2019; 73257–61 doi: https://doi.org/10.1525/fq.2019.73.2.57
Published: 01 December 2019
... José López Portillo, the man responsible for the debt crisis the film has focused on and explored within the domestic sphere of her well-to-do life. This is history written at the level of the individual, a quiet story about an oblivious protagonist who is forced to face the reality that her own life...
Journal Articles
Film Quarterly. 2019; 72493–98 doi: https://doi.org/10.1525/fq.2019.72.4.93
Published: 01 June 2019
... the studio s Paris office to organize the location work of The Man Who Knew Too Much [1956] in Morocco. I also call attention to the troubling rhetoric that appears in publications such as American Cinematographer, in which filmmakers descriptions of foreign labor and locations smacked of a...
Journal Articles
Film Quarterly. 2019; 7249–17 doi: https://doi.org/10.1525/fq.2019.72.4.9
Published: 01 June 2019
... disclosure: I knew exactly where she was. She had just wrapped production in Canada on a television movie for MTV, Love Song, written by yours truly. The original teleplay, commissioned as a ve- hicle for the Grammy-winning pop singer Monica, con- cerned a privileged Louisiana college student who went to...
Journal Articles
Film Quarterly. 2019; 72344–51 doi: https://doi.org/10.1525/fq.2019.72.3.44
Published: 01 March 2019
... of Aunt Wanda in Ida, though her fate here isn t quite so heavy with religious and historical guilt. She is the brains behind the folk ensemble, a committed ethnologist who faces difficult decisions about how to pro- ceed when the state takes too much of an interest in their work. She ends up getting...
Journal Articles
Film Quarterly. 2019; 72319–22 doi: https://doi.org/10.1525/fq.2019.72.3.19
Published: 01 March 2019
..., where labor is much cheaper than it is in the United States, they may have different cultural refer- ents and may not have realized who Goebbels was or why this was hate speech. However, the comments on the post made it clear that many who saw it knew exactly what it was, and liked it for that reason...
Journal Articles
Film Quarterly. 2019; 72394–100 doi: https://doi.org/10.1525/fq.2019.72.3.94
Published: 01 March 2019
... of digital-era spectatorship and news con- sumption. And the word limit enabled us to enlist many contributors who would have been too busy to write a standard-length chapter. FRANCIS: I really want to know how you solicited all these authors. What was your selection process? HENNEFELD: It was...
Journal Articles
Film Quarterly. 2018; 72255–66 doi: https://doi.org/10.1525/fq.2018.72.2.55
Published: 01 December 2018
... turned out to be unique. Oh, did Agnès love that ear, so much so that once outside the shop, I offered it to her. She asked if I knew how old she was, and I said no, suspecting she was a few years older than me, perhaps the same five years that separated me from my older sister who always wowed and...
Journal Articles
Film Quarterly. 2018; 72150–57 doi: https://doi.org/10.1525/fq.2018.72.1.50
Published: 01 September 2018
... come to their own insights within their encounter with a film. That s part of the gift of art. And it s also useful politically. Too much of what s offered within the world of documentary cinema seeks to deliver some political position or a stable of data, as if that s all that s required for political...
Journal Articles
Film Quarterly. 2018; 72158–63 doi: https://doi.org/10.1525/fq.2018.72.1.58
Published: 01 September 2018
... agingmother is direct. After all,mother and daughter remember together what they respectively (and ret- rospectively) knew, without much of the difficulty or shame that would be natural in reconstructing a child s sexual history. Jennifer Fox, director of The Tale. 58 FALL 2018 T H E V U L N E R A B L E S P E...
Journal Articles
Film Quarterly. 2018; 72113–25 doi: https://doi.org/10.1525/fq.2018.72.1.13
Published: 01 September 2018
.... Protagonists June and Moira find that the regular female barista is gone from their favorite coffee shop, replaced by a nasty man who is unsympathetic when their credit cards are rejected. They cannot access their money, apparently. Shortly thereafter, June and her female coworkers are fired from their...
Journal Articles
Film Quarterly. 2018; 71422–32 doi: https://doi.org/10.1525/fq.2018.71.4.22
Published: 01 June 2018
...] also fromabookbyArsan, about a woman who is there for men s pleasure, to seduce, not to punish. No wonder Emmanuelle was the one that was the big hit! Me, I love Néa! KAPLAN: Me too, but yes, Néa was a flop. Mustn t be para- noid, but I think it was in revenge for Pirate, a kick in the pants. It s a...
Journal Articles
Film Quarterly. 2018; 71358–64 doi: https://doi.org/10.1525/fq.2018.71.3.58
Published: 01 March 2018
...- sponds with nuanced gravity. Shaped by both the Midwest and the South, Everson was born in Mansfield, Ohio, in 1965 to parents who were part of the Second Great Migration from the South to the North, West, and Midwest in 1940 70 and into a family that main- tained strong ties to its native Mississippi...
Journal Articles
Film Quarterly. 2017; 71238–45 doi: https://doi.org/10.1525/fq.2017.71.2.38
Published: 01 December 2017
...-eyed fright. Surely Spike Lee would have recognized the resemblance to Stepin Fetchit, Mantan Moreland, and Willie Best, the infamous comics who made their living performing Negro carica- tures during Hollywood s era of segregation. Peele seems too caught up in exploiting modern narcissism to notice...
Journal Articles
Film Quarterly. 2017; 71197–103 doi: https://doi.org/10.1525/fq.2017.71.1.97
Published: 01 September 2017
... article content through the University of California Press s Reprints and Permissions web page, httpwww. ucpress.edu/journals.php?p=reprints. DOI: httpsdoi.org/10.1525/FQ.2017.71.1.97. are many murders: so much for that Commandment, and for several others, too. By the end ofMultiple Maniacs, the generic...
Journal Articles
Film Quarterly. 2017; 71110–17 doi: https://doi.org/10.1525/fq.2017.71.1.10
Published: 01 September 2017
... one man's experience of exile while the latter documents the plight of millions of stateless people. Together they represent the latest achievements of a major artist who is driven to remember and to affirm his own humanity and the humanity of Others. © 2017 by The Regents of the University of...
Journal Articles
Film Quarterly. 2017; 70467–76 doi: https://doi.org/10.1525/fq.2017.70.4.67
Published: 01 June 2017
... narrator, video installation artist, and film history and production professor at California Institute of the Arts (CalArts) since 1989, reveals a Woodberry who might be more properly termed an underground “renaissance” man than a rebel. © 2017 by The Regents of the University of California. All rights...