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joy-division

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Journal Articles
Film Quarterly. 2017; 71165–72 doi: https://doi.org/10.1525/fq.2017.71.1.65
Published: 01 September 2017
.... What, Their Finest quietly asks, is real? What is fake? And what does it matter, if you are at the movies? Joy is real. Tears are real. And other things, too: the tea I sip, the arm of my companion next to me, the chattering women in the row below, the sighing man who has come to the movies alone. The...
Journal Articles
Film Quarterly. 2020; 73450–60 doi: https://doi.org/10.1525/fq.2020.73.4.50
Published: 01 June 2020
... order but that rather, they manifest these failings particularly as they relate to issues of power. Brilliantly dense, the comic is a metatextual exercise that exquisitely refuses to perpetuate the fantasy of clear divisions between good and evil. Its un- sentimental rendering and critique of a world...
Journal Articles
Film Quarterly. 2019; 724101–103 doi: https://doi.org/10.1525/fq.2019.72.4.101
Published: 01 June 2019
... Inquirer. She reviews movies for Truthdig.com and writes for the Forward and the New York Times. She is the recipient of the Los Angeles Press Club s 2018 award for Film and Television Commentary and of a regional Emmy (Mid-Atlantic Division) for Best Documentary for Before Hollywood: Philadelphia and the...
Journal Articles
Film Quarterly. 2017; 71180–86 doi: https://doi.org/10.1525/fq.2017.71.1.80
Published: 01 September 2017
... finished, Lant informed the audi- ence that Doodica died within a week and Radica lived an- other two years before also succumbing to tuberculosis. Lant led the audience through an exploration of the way the era s obsession with twins was expressed in arts and scien- ces, from debates over cell division...
Journal Articles
Film Quarterly. 2016; 70125–31 doi: https://doi.org/10.1525/fq.2016.70.1.25
Published: 01 September 2016
... s life pivots on the essential separation of these roles, the horizontal topo- graphy of the flat assumes a metaphorical dimension in its division between surface and secret. Clearly, in the first in- stance, there is a simplemapping.The clients follow a strict line from front door to bedroom, and...
Journal Articles
Film Quarterly. 2015; 69290–92 doi: https://doi.org/10.1525/fq.2015.69.2.90
Published: 01 December 2015
... best parts of The Dawn of Technicolor dissect the scientific as well as ideological divisions entailed when the Technicolor company opened a Los Angeles plant to be closer to the studios but found that the engineers who had remained back at the orig- inal facilities in Boston were often at odds with...
Journal Articles
Film Quarterly. 2011; 64373–75 doi: https://doi.org/10.1525/FQ.2011.64.3.73
Published: 01 March 2011
...; undeniably thought-provoking, are these con- nections really more instructive than comparisons with the work of non-literary peers such as Atom Egoyan or even the brooding art rock of the late-1970s band Joy Division? It is, however, certainly the case that Cronenberg continues to draw directly from...
Journal Articles
Film Quarterly. 2010; 64118–22 doi: https://doi.org/10.1525/FQ.2010.64.1.18
Published: 01 September 2010
... present is its failure to explore imaginatively the implications of digi- tal technology. Aside from some unobtrusively placed cell phones, iPods, and laptops, the new Nightmare could be set in the 1980s of the original Nightmare (Quentin even wears a Joy Division T-shirt) until Nancy surfs the Web rather...
Journal Articles
Film Quarterly. 2010; 63475–76 doi: https://doi.org/10.1525/FQ.2010.63.4.75
Published: 01 June 2010
... feminism, which is manifested more by her subversion of gendered cinematic conventions than by the story s char- acters and events. The film s division into chapters suits it well for the sequential analysis favored by the BFI series, and Ungar diverges from this when appropriate. My quibbles with the book...
Journal Articles
Film Quarterly. 2007; 61222–29 doi: https://doi.org/10.1525/fq.2007.61.2.22
Published: 01 December 2007
... is Unwritten, and This Is England . ©© 2007 by the Regents of the University of California. 2007 punk biopics rock documentary film music Joy Division 22 WINTER 2007 08 If the dream of escape has always been key to American popular culture, radical British culture has often insisted...
Journal Articles
Film Quarterly. 2007; 61236–44 doi: https://doi.org/10.1525/fq.2007.61.2.36
Published: 01 December 2007
... Meat Joy [New Paltz: Documentext, 1979]: 238) with rigorous, formal, highly intellectual approaches to shooting and editing, approaches David Gatten has been a fixture on the contemporary avant- garde media scene since the late 1990s. He has been active within the community of no-budget filmmakers and...
Journal Articles
Film Quarterly. 2006; 60226–37 doi: https://doi.org/10.1525/fq.2006.60.2.26
Published: 01 December 2006
... through the University of California Press s Rights and Permissions website, httpwww.ucpressjournals.com/reprintInfo.asp. DOI: FQ.2006.60.2.26 tion between Jews and blacks in the racist imagination, but also the potentially campy division of labor they were made to perform. CAMPTOWN RACES Racial camp...
Journal Articles
Film Quarterly. 2006; 59322–34 doi: https://doi.org/10.1525/fq.2006.59.3.22
Published: 01 March 2006
... Dance Dance Revolution, or DDR. Dance Dance Revolution was officially released to U.S. arcades in 2000 and quickly became the most successful of a genre of rhythm action games called Bemani.2 Employing spe- cialized input devices rather than the traditional joy- stick-based game controller, Bemani video...
Journal Articles
Film Quarterly. 2005; 5924–17 doi: https://doi.org/10.1525/fq.2005.59.2.4
Published: 01 December 2005
... conti- nuity with the cultural traditions that had been lost during the massive traumas Korea experienced in the twentieth century: Japanese colonial occupation and attempts to extirpate the national identity in the first half; civil war and the division of the nation between a Soviet-maintained North...
Journal Articles
Film Quarterly. 2005; 58453–54 doi: https://doi.org/10.1525/fq.2005.58.4.53
Published: 01 June 2005
...-75. ISSN 0015-1386, electronic ISSN 1533-8630. All rights reserved. Send requests for permission to reprint to Rights and Permissions, University of California Press Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. Lurking at the heart of that wise question should be a...
Journal Articles
Film Quarterly. 2005; 58343–47 doi: https://doi.org/10.1525/fq.2005.58.3.43
Published: 01 March 2005
... times to illustrate the tireless nature of Kinsey s research, offers a wonderfully diverse counter to the deceptively binary division between red and blue states of our recent cartological imagi- nation. About halfway through the film, Kinsey and asso- ciate Clyde Martin visit a gay bar in Chicago. The...
Journal Articles
Film Quarterly. 2004; 5829–25 doi: https://doi.org/10.1525/fq.2004.58.2.9
Published: 01 December 2004
... what you dreamed you are. Without this imaginative leap, how can a woman be impregnated by a female im- personator (a scene we saw brilliantly enacted in Tacones lejanos)? In another era and genre, a similar kind of imaginative leap was made by Desdemona and Othello across divisions of race, age, and...
Journal Articles
Film Quarterly. 2004; 58144–55 doi: https://doi.org/10.1525/fq.2004.58.1.44
Published: 01 September 2004
... of black under- class life and/or the racial division of labor. It conse- quently fails to explicate the economic structure of racism and the relationship between slavery and mass incarceration. In the absence of such an explanation it inadvertently reinforces the stereotype of pathological blackness...
Journal Articles
Film Quarterly. 2004; 5748–21 doi: https://doi.org/10.1525/fq.2004.57.4.8
Published: 01 June 2004
..., Issue no. 4, pages 8-21. ISSN: 0015-1386. © 2004 by The Regents of the University of California. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. Oscar...
Journal Articles
Film Quarterly. 2004; 57313–23 doi: https://doi.org/10.1525/fq.2004.57.3.13
Published: 01 January 2004
.... Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. Amplifying the weight of the nation: Nargis in (and as) Mother India Orality Invisible The theme of social inclusion as it...