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italian-neorealism

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Journal Articles
Film Quarterly. 2009; 63182–83 doi: https://doi.org/10.1525/FQ.2009.63.1.82
Published: 01 September 2009
... ©© 2009 by the Regents of the University of California. 2009 Ruberto Laura E. and Wilson Kristi M. , eds. Italian Neorealism and Global Cinema . Detroit, MI : Wayne State University Press , 2007 . $28.95 paper. 360 pages . 82 fall 2009 MArciA butZeL Italian Neorealism...
Journal Articles
Film Quarterly. 1992; 46155 doi: https://doi.org/10.2307/1213049
Published: 01 October 1992
...Marsha Kinder Copyright 1992 The Regents of the University of California What Is Neorealism? A Critical English-Language Bibliography of Italian Cinematic Neorealism Cardullo Bert Book Notes Contributors to book notes: Leo Braudy, Brian Henderson, Albert Johnson, Marsha Kinder, and...
Journal Articles
Film Quarterly. 2016; 70217–29 doi: https://doi.org/10.1525/fq.2016.70.2.17
Published: 01 December 2016
...Alan O'Leary The fiftieth anniversary of the release of The Battle of Algiers (Gillo Pontecorvo, 1966) offers an occasion to challenge commonplaces about the film and to show that there remains much to be clarified about its character. Typically discussed in terms of its debt to Italian neorealism...
Journal Articles
Film Quarterly. 1984; 38262–63 doi: https://doi.org/10.2307/1212226
Published: 01 December 1984
...Seymour Chatman Copyright 1985 The Regents of the University of California Italian Cinema: From Neorealism to the Present Bondanella Peter one could defend against its destiny as capital of the Third Reich. Wolf Gremm shows why. And if he has omitted the passages of self...
Journal Articles
Film Quarterly. 2012; 65359–65 doi: https://doi.org/10.1525/fq.2012.65.3.59
Published: 01 March 2012
... alternative critical perspective onto the period to that offered by neorealism. © 2012 by the Regents of the University of California. 2012 Raffaello Matarazzo Italian neorealism Chains Tormento Nobody's Children FiLM QUArTErLY 59 REOPENING THE MATARAZZO CASE ERIK BACHMAN aND EVAN CALDER...
Journal Articles
Film Quarterly. 2020; 733108–109 doi: https://doi.org/10.1525/fq.2020.73.3.108
Published: 01 March 2020
... of encounter from the city to the Mediterranean, which O Healy positions as a borderscape that acknowledges the border as both a symbolic and mate- rial construction (138). This chapter considers the legacy of both neorealism and Italian cinema d impegno, particularly for Terraferma (Emanuele...
Journal Articles
Film Quarterly. 2019; 72454–60 doi: https://doi.org/10.1525/fq.2019.72.4.54
Published: 01 June 2019
...: httpsdoi.org/10.1525/FQ.2019.72.4.54. I see references, explicit or implicit or even unintentional, to both these films in Roma. Cuarón s title and its parallels with Italian neorealism almost innately recall Rossellini s film. A New Year s hunting scene in Roma, with its strict line of well-heeled guests with...
Journal Articles
Film Quarterly. 2019; 724106–108 doi: https://doi.org/10.1525/fq.2019.72.4.106
Published: 01 June 2019
... new points of solidar- ity between Chinese and Euro-American film workers (25). Aside from charting citations surrounding major aes- thetic discourses (such as Soviet montage, Brecht s epic the- ater and alienation effect, Italian neorealism, and the French NewWave) and their correlated radical...
Journal Articles
Film Quarterly. 2019; 72369–77 doi: https://doi.org/10.1525/fq.2019.72.3.69
Published: 01 March 2019
... Fellini, Pier Paolo Pasolini, and Cesare Zavattini. As Mariano Lisa pointed out, naturally, Lumbreras was strongly influenced by the ideology of Italian neorealism. Her goal was to condemn poverty and improve ordinary people s living conditions through the objective and unaltered representation of reality...
Journal Articles
Film Quarterly. 2018; 71387–93 doi: https://doi.org/10.1525/fq.2018.71.3.87
Published: 01 March 2018
... of Roses). In college, he was attracted to Italian Neorealism and European avant- garde cinema, which prompted his life-long exploration of reality and expression in film and writing.4 His theory of neo-documentarism related experimental and documen- tary methodologies as a means to express...
Journal Articles
Film Quarterly. 2018; 71327–36 doi: https://doi.org/10.1525/fq.2018.71.3.27
Published: 01 March 2018
... action in Italian neorealist films. He argues, in contradistinction to the traditional understanding of this corpus as a nation- alist aesthetic trend, that neorealist films shared an incite- ment to welcome a foreign observer as a much-needed political participant. By figuring the human body in pain...
Journal Articles
Film Quarterly. 2017; 71197–103 doi: https://doi.org/10.1525/fq.2017.71.1.97
Published: 01 September 2017
... Female Trouble distributor touted that film with the slogan: What Italian neorealism did for Rome, John Waters does for the basements, backyards and byroads of Baltimore. Saliva Films production blurb, 1975. 4. In 2017, the film would have cost roughly $33,000. Peanuts. Waters was then 22 years old. In...
Journal Articles
Film Quarterly. 2016; 70294–100 doi: https://doi.org/10.1525/fq.2016.70.2.94
Published: 01 December 2016
.... LONGO: Karl, is this on a continuum with what you identified in Chapter 4 as your earlier work on Italian neorealism or with the role of the spectatorial bystander that you identified in your earlier seminal book, Brutal Vision: The Neorealist Body in Postwar Italian Cinema [2012]? SCHOONOVER: The...
Journal Articles
Film Quarterly. 2016; 701126–128 doi: https://doi.org/10.1525/fq.2016.70.1.126
Published: 01 September 2016
...- 1970s, Hart again highlights foreign influences, particularly Italian neorealism and the French New Wave, which con- tributed to the so-called New Latin American Cinema. The former was particularly important in Cuba, where director Julio García Espinosa coined the influential term imperfect cinema to...
Journal Articles
Film Quarterly. 2016; 702103–106 doi: https://doi.org/10.1525/fq.2016.70.2.103
Published: 01 December 2016
... (112). Meanwhile, in Writings, Huillet talked to Italian actor Enzo Ungari, who starred in the pair s adaptation of Schoenberg s opera Moses und Aron (Moses and Aaron, 1975) about the estrangement which follows one s (their) rejection of re-voicing and other market-driven measures in film production...
Journal Articles
Film Quarterly. 2015; 69136–44 doi: https://doi.org/10.1525/fq.2015.69.1.36
Published: 01 September 2015
.... ucpress.edu/journals.php?p=reprints. DOI: 10.1525/FQ.2015.69.1.36. films, though, resembles thoughtful channel surfing. Ander- sson alights, then moves on, the segments (forty or more) of his films accretive rather than consecutive. He arrived at this method slowly. Italian neorealism and the Czech New Wave...
Journal Articles
Film Quarterly. 2014; 68286–88 doi: https://doi.org/10.1525/fq.2014.68.2.86
Published: 01 December 2014
... the displaced children who were lost in the rubble of World War II in Europe. Inspired in part by the gritty works of Italian Neorealism and the documentaries of close friend Robert Flaherty, Zinnemann was committed to an honest depiction of the plight of the children, shooting in Europe with child...
Journal Articles
Film Quarterly. 2013; 672100–101 doi: https://doi.org/10.1525/fq.2014.67.2.100
Published: 01 December 2013
... organized around the notion of mise-en-sce`ne. Examples are plentiful: Jacques Rivette s discussion of Kenji Mizogushi (57); Bazin s focus on Italian neorealism, espe- cially in his descriptions of Vittorio De Sica s Umberto D (58 59); the celebration of the work of Robert Bresson (59); the focus on the...
Journal Articles
Film Quarterly. 2013; 67299–100 doi: https://doi.org/10.1525/fq.2014.67.2.99
Published: 01 December 2013
... cine´ma can be organized around the notion of mise-en-sce`ne. Examples are plentiful: Jacques Rivette s discussion of Kenji Mizogushi (57); Bazin s focus on Italian neorealism, espe- cially in his descriptions of Vittorio De Sica s Umberto D (58 59); the celebration of the work of Robert Bresson (59...
Journal Articles
Film Quarterly. 2013; 66450–59 doi: https://doi.org/10.1525/fq.2013.66.4.50
Published: 01 June 2013
... out for the strange response it s received: Elio Petri s savagely funny, jarring, and bleak The Working Class Goes to Heaven (La Classe Operaia va in Paradiso, aka Lulu the Tool, 1971), which centers on a violent strike in a northern Italian factory at the start of the 1970s, viewed through the lens...