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ethics-and-cinema

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Journal Articles
Film Quarterly. 2005; 59219–31 doi: https://doi.org/10.1525/fq.2005.59.2.19
Published: 01 December 2005
... it. ©© 2006 by The Regents of the University of California. All rights reserved. 2005 Jonathan Kahana Cinema and The Ethics of Listening Isaac Julien s Frantz Fanon SINCE THE LATE 1980s, British film and video artist Isaac Julien has produced a body of moving-image work that stands as one of...
Journal Articles
Film Quarterly. 2018; 71327–36 doi: https://doi.org/10.1525/fq.2018.71.3.27
Published: 01 March 2018
... unspectacular vio- lence,Heli offers an ideal example of how to approach the problem of slow violence in cinema in general and in films about narcotrafficking in particular. A heuristic cinema of slow violence is one where the ethical disposition toward violent depictions is that which characterizes the work...
Journal Articles
Film Quarterly. 2014; 67317–29 doi: https://doi.org/10.1525/fq.2014.67.3.17
Published: 01 March 2014
... meanings might attach to the gestures without imposing any particular conclusion on the spectator. This ambiguity is ethical insofar as it demands our cogitation rather than our judgment. © 2014 by the Regents of the University of California 2014 THE NEW GESTURAL CINEMA: YANG FUDONG AND THE GALLERY...
Journal Articles
Film Quarterly. 2020; 7335–11 doi: https://doi.org/10.1525/fq.2020.73.3.5
Published: 01 March 2020
..., Criticism (2016). His essay Cinema and The Ethics of Listening: Isaac Julien's Frantz Fanon was published in FQ Winter 2005 06, Vol. 59 No. 2. 10 SPRING 2020 Notes 1. Zack Sharf, Martin Scorsese Compares Marvel Movies to Theme Parks: That s Not Cinema, IndieWire, October 4, 2019, www.indiewire.com...
Journal Articles
Film Quarterly. 2020; 733104–106 doi: https://doi.org/10.1525/fq.2020.73.3.104
Published: 01 March 2020
... protagonist s psychological opacity an invalidation of the premise long upheld in neorealism and cinéma verite that reenactment leads inevitably to redemption or self- knowledge. Instead, in contemporary works such as Panh s and Tonacci s, the real/actor becomes an agent of critical unease (18). As...
Journal Articles
Film Quarterly. 2020; 733102–104 doi: https://doi.org/10.1525/fq.2020.73.3.102
Published: 01 March 2020
...=reprints . 2020 BOOK DATA Ivone Margulies , In Person: Reenactment in Postwar and Contemporary Cinema . New York : Oxford University Press , 2019 . $99.00 cloth; $29.95 paper. 348/352 pages. want it? (517). Audiences flocked to see Cabaret (Bob Fosse, 1972), which, like the classical...
Journal Articles
Film Quarterly. 2020; 73328–33 doi: https://doi.org/10.1525/fq.2020.73.3.28
Published: 01 March 2020
... of this dossier. Instead, these articles pay attention to the post-1968 moment when national politics, campus activism, indepen- dent filmmaking, video technologies, and an unprecedented concurrence of pan Asian American consciousness all came together to create a newly self-aware cinema. Visual...
Journal Articles
Film Quarterly. 2020; 733106–107 doi: https://doi.org/10.1525/fq.2020.73.3.106
Published: 01 March 2020
... theories and practices as well as a fuller questioning of global media industry dominance. KEN PROVENCHER teaches film and media studies at Loyola Mary- mount University. He is coeditor (with Mike Dillon) of Exploiting East Asian Cinemas (Bloomsbury Press, 2018). His work has also appeared in A Companion...
Journal Articles
Film Quarterly. 2020; 73341–46 doi: https://doi.org/10.1525/fq.2020.73.3.41
Published: 01 March 2020
... documentarian in both Asian American and queer cinema. Dong s filmography covers three broad areas of interest. His early work, including Sewing Woman, focused on the ex- periences of first-generation Chinese immigrants to the United States. Three of his early shorts formed what he now describes as the Toisan...
Journal Articles
Film Quarterly. 2019; 732100–105 doi: https://doi.org/10.1525/fq.2019.73.2.100
Published: 01 December 2019
.... My hope was to speak to different types of readers at once including Brazilian film scholars like yourself and newcomers to Brazil and Brazilian cinema. It s a tricky negotiation of audiences, and I am not sure if I succeeded in striking the right balance. It took me some time to develop a structure...
Journal Articles
Film Quarterly. 2019; 73192–97 doi: https://doi.org/10.1525/fq.2019.73.1.92
Published: 01 September 2019
... circu- lation in insurgency picture albums and short films like The Relief of Lucknow (Edison, 1912). Jaikumar describes these as colonial disaster tourism (197). After indepen- dence, the ruin was restored in popular cinema: in Hindi- Urdu melodramas, gothic romances, and horror films of the 1950s...
Journal Articles
Film Quarterly. 2004; 57347–55 doi: https://doi.org/10.1525/fq.2004.57.3.47
Published: 01 January 2004
... elliptical, min- imalist, starkly materialist style and his search for grace in a world overwhelmed by depravity and suffering. Dumont similarly challenges viewers to question their own sense of ethics and to rethink the roles that con- demnation, compassion, and cinema itself play in con- temporary society...
Journal Articles
Film Quarterly. 2019; 73133–41 doi: https://doi.org/10.1525/fq.2019.73.1.33
Published: 01 September 2019
... with his 1990s photographs of his family (originally displayed alongside the work of other Young British Artists [YBAs] at the London Sensation exhibition in 1997), and introducing new formal aspects of narrative cinema into his career in the visual arts. Called a “cine-memoir” by Billingham, Ray...
Journal Articles
Film Quarterly. 2019; 73142–53 doi: https://doi.org/10.1525/fq.2019.73.1.42
Published: 01 September 2019
... emotional demands of a scene, and the visual impact of a particular effect. As a visual tendency long native to main- stream American cinema and television, the expressionist treatment of nature has been exacerbated by the advent of computer-generated imagery; today, the natural world is thoroughly designed...
Journal Articles
Film Quarterly. 2019; 724105–106 doi: https://doi.org/10.1525/fq.2019.72.4.105
Published: 01 June 2019
... as they tie the stakes of the discussion to whether films directly change people s attitudes or opinions about certain issues. Cinema/Politics/Philosophy, by contrast, recasts the relationship between film and politics by asking: Can cinema be an ethics, a politics, or a form of thought? Put another...
Journal Articles
Film Quarterly. 2019; 724103–105 doi: https://doi.org/10.1525/fq.2019.72.4.103
Published: 01 June 2019
.... These frameworks are rather limiting insofar as they tie the stakes of the discussion to whether films directly change people s attitudes or opinions about certain issues. Cinema/Politics/Philosophy, by contrast, recasts the relationship between film and politics by asking: Can cinema be an ethics, a...
Journal Articles
Film Quarterly. 2019; 72468–73 doi: https://doi.org/10.1525/fq.2019.72.4.68
Published: 01 June 2019
... documentary as it has developed under the Maysles Brothers and other disciples of Direct Cinema. Chin and company repeatedly suggest that Free Solo could and maybe even should end with an In Memoriam title rather than the rousing Tim McGraw song it has instead. Chin s allusions to death brought me up short...
Journal Articles
Film Quarterly. 2019; 7245–8 doi: https://doi.org/10.1525/fq.2019.72.4.5
Published: 01 June 2019
... own sort of thunderbolt. In early spring the Society for Cinema and Media Studies (SCMS) marked its sixtieth anniversary at its own convening: the annual conference that attracts thousands of academics, this year in Seattle. This year s treat, for me, was the standing- room-only event where Tara...
Journal Articles
Film Quarterly. 2019; 72418–28 doi: https://doi.org/10.1525/fq.2019.72.4.18
Published: 01 June 2019
... these characters as a refuge because the place and its Director Claire Denis. © 2013 Alcatraz Films / Wild Bunch / ARTE France Cinema / Pandora Films Produktion 18 SUMMER 2019 Film Quarterly, Vol. 72, Number 4, pp. 18 28, ISSN 0015-1386, electronic ISSN 1533-8630. © 2019 by The Regents of the University...
Journal Articles
Film Quarterly. 2019; 72493–98 doi: https://doi.org/10.1525/fq.2019.72.4.93
Published: 01 June 2019
... cables, union protests and tax havens, far-flung screening rooms and printing laboratories, unexpected breaks in filming for rain and tea all coming together to power a spectacular new visual imagination in American cinema after World War II. Runaway Hollywood opens with a question: Why did Hollywood...