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andrew-davies

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Journal Articles
Film Quarterly. 2007; 60310–15 doi: https://doi.org/10.1525/fq.2007.60.3.10
Published: 01 March 2007
...Peter Swaab ABSTRACT The BBC TV adaptation of Alan Hollinghurst's Booker Prize-winning 2004 novel of Aids and Thatcherism was undertaken by Andrew Davies, best known for his version of Pride and Prejudice . Directed by Saul Dibb, The Line of Beauty 's depiction of 1980s London is appropriate to...
Journal Articles
Film Quarterly. 2020; 7335–11 doi: https://doi.org/10.1525/fq.2020.73.3.5
Published: 01 March 2020
..., was commissioned. Com- prising one-minute iPhone movies, it included among its sixty-second auteurs Andrew Ahn, Karim Aïnouz, Fatih Akin, Gregg Araki, Roddy Bogawa, Catherine Breillat, Brady Corbet, Amy Davis and Jon Moritsugu, Alain Gomis, Bradley Rust Gray, Alain Guiraudie, Lynn Hershman, Christophe...
Journal Articles
Film Quarterly. 2018; 72271–76 doi: https://doi.org/10.1525/fq.2018.72.2.71
Published: 01 December 2018
... water to sustain his wife, Kim (Riley Keough); and their son, Andrew (Griffin Robert Faulkner). Because Will and Kim also have chickens and goats, Paul invites them to move in, and for a brief time it seems like these two families might be able to re-create civil society. Trouble comes at night, though...
Journal Articles
Film Quarterly. 2018; 71310–20 doi: https://doi.org/10.1525/fq.2018.71.3.10
Published: 01 March 2018
... for Best Documen- tary in 2017, and on and on. Its New York debut screening was introduced by Meryl Streep for an added imprimatur. 3. Andrew Pulver wrote: By giving its Golden Bear to the remarkable documentary Fire at Sea, the Berlinale has anointed its director, Gianfranco Rosi, as a new...
Journal Articles
Film Quarterly. 2017; 704124–127 doi: https://doi.org/10.1525/fq.2017.70.4.124
Published: 01 June 2017
... (1897 1979), Ida Lupino (1918 1995) remains something of a polarizing figure in film scholarship. In the 1960s Andrew Sarris reckoned that she brought to her films much of the feeling if little of the skill she showed as an actress (35). In the 1970s, the line on Lupino was that she treated feminist...
Journal Articles
Film Quarterly. 2016; 701118–120 doi: https://doi.org/10.1525/fq.2016.70.1.118
Published: 01 September 2016
... the Civil War era films The Little Colonel and The Littlest Rebel (both David Butler, 1935). He was also the star of the backstage musicals Hooray for Love (Walter Lang, 1935) and Stormy Weather (Andrew Stone, 1943), in which he partnered with ingénues Jeni LeGon and Lena Horne. Petty quotes at length...
Journal Articles
Film Quarterly. 2016; 701120–123 doi: https://doi.org/10.1525/fq.2016.70.1.120
Published: 01 September 2016
... David Butler, 1935). He was also the star of the backstage musicals Hooray for Love (Walter Lang, 1935) and Stormy Weather (Andrew Stone, 1943), in which he partnered with ingénues Jeni LeGon and Lena Horne. Petty quotes at length from the many testimo- nies penned by those warmed by the human sunbeam...
Journal Articles
Film Quarterly. 2016; 7015–10 doi: https://doi.org/10.1525/fq.2016.70.1.5
Published: 01 September 2016
.... Luckily, filmmaker and industry force Lee Daniels offer her Effie T. Brown (right) with Andrew Peterson (left) at the Provincetown International Film Festival. FILM QUARTERLY 7 a job; Brown is now the Executive Vice President of Produc- tion and Development for TVand Film for Lee Daniels En- tertainment...
Journal Articles
Film Quarterly. 2016; 69498–106 doi: https://doi.org/10.1525/fq.2016.69.4.98
Published: 01 June 2016
... Kim is with actors? Korean-American director Andrew Ahn was the most articulate, carefully dissecting the lines between race and sexuality in his debut Spa Night (2016), where a young guy tries to make his way between a crum- bling family and a spa split between gay and Korean, strand- ing him in the...
Journal Articles
Film Quarterly. 2015; 69266–73 doi: https://doi.org/10.1525/fq.2015.69.2.66
Published: 01 December 2015
... admittedly, in puppet movie-making, well beyond anything seen before which may explain why it was soon picked up by Paramount for major release at the end of 2015. That kind of wild ride is part of what festivals are all about. The quiet ride, though, is just as welcome. Andrew Haigh s 45 Years beckoned...
Journal Articles
Film Quarterly. 2015; 68424–35 doi: https://doi.org/10.1525/fq.2015.68.4.24
Published: 01 June 2015
... Liu. I am especially grateful to Dudley Andrew for his insights, critical feedback, and generous support throughout, without which this essay would have been much diminished. I also thank the anony- mous reader for his/her helpful comments and the editor of Film Quarterly, B. Ruby Rich, for her belief...
Journal Articles
Film Quarterly. 2015; 68476–85 doi: https://doi.org/10.1525/fq.2015.68.4.76
Published: 01 June 2015
... third-act salvation, certain that she won t die, trusting the formulaic ruse that generally guarantees such a pair will end up happily-ever-after. (No spoiler here.) Filmmaker Alfonso Gomez-Rejon deserves praise for adapting the eponymous novel by Jesse Andrews into a film that avoids the pitfalls of...
Journal Articles
Film Quarterly. 2014; 67490–91 doi: https://doi.org/10.1525/fq.2014.67.4.90
Published: 01 June 2014
... s stardom, but since analyzing star presence is this book s stated project, Wayne s junk should be as meaningful as his classics (99). He spends a great deal of time on John Ford s The Searchers (1956), as he should, but he cribs all the best stuff from Andrew Sarris, not bothering to credit...
Journal Articles
Film Quarterly. 2012; 65434–42 doi: https://doi.org/10.1525/fq.2012.65.4.34
Published: 01 June 2012
... consternation, and an oddly rolling, almost mincing gait; Marilyn Monroe had a breathy voice, a parted mouth with a quivering upper lip, and an undulating, provocative walk that emphasized her hips and breasts. Other stars, especially the stoic males like Dana Andrews or the flawless females like Ava Gardner...
Journal Articles
Film Quarterly. 2010; 64278–80 doi: https://doi.org/10.1525/FQ.2010.64.2.78
Published: 01 December 2010
... critical monographs, two edited collections, and a growing number of serious critical essays is a surprisingly large bibliography for a filmmaker with only four films to write about. Then too, the elevation of Malick s standing is not as apparent to everyone as Davies assumes. Andrew Sarris watched Days of...
Journal Articles
Film Quarterly. 2009; 62410–13 doi: https://doi.org/10.1525/fq.2009.62.4.10
Published: 01 June 2009
... invasion, but if that had happened there would have been no FILm QuArTerLY 11 Soviet tanks rumbling down competitively through Scotland. Even well-made films of an imagined invasion, such as the Kevin Brownlow Andrew Mollo It Happened Here (1964) and Bergman s disturbing but totally imaginary Shame (1968...
Journal Articles
Film Quarterly. 2009; 62420–33 doi: https://doi.org/10.1525/fq.2009.62.4.20
Published: 01 June 2009
...), Trouble the Water (Carl Deal and Tia Lessin), Vicky Cristina Barcelona (Woody Allen), The Visitor (Thomas McCarthy), WALL-E (Andrew Stanton). virtually interchangeable, not only with each other but also with cityscapes one could find in Dallas, downtown L.A., or the Santa Fe area of Mexico City. In...
Journal Articles
Film Quarterly. 2008; 6216–7 doi: https://doi.org/10.1525/fq.2008.62.1.6
Published: 01 September 2008
..., and so does not offer his single numbing idea: that there should be no social restraints of any kind, lest true excellence be kept from its destiny (this column grimly awaits Bird s epic masterpiece, Neoliberalism! The Cartoon). Director Andrew Stanton, who made Finding Nemo, has a broader emotional...
Journal Articles
Film Quarterly. 2006; 60256–57 doi: https://doi.org/10.1525/fq.2006.60.2.56
Published: 01 December 2006
... well-known sources, including the wide-ranging work of Charles Barr (Ealing Studios [1977 John Hill (British Cin- ema in the 1980s [1999 and Andrew Higson (Waving the Flag: Constructing a National Cinema in Britain [1995 While Leach does not rely too heavily on any single work or author and his survey...
Journal Articles
Film Quarterly. 2005; 59264–65 doi: https://doi.org/10.1525/fq.2005.59.2.64
Published: 01 December 2005
...), 103-26. SARAH CARDWELL is Lecturer in Film and Television Studies, Uni- versity of Kent, England, and the author of Adaptation Revisited:Tele- vision and the Classic Novel (Manchester University Press, 2002) and Andrew Davies (Manchester University Press, 2005). She is currently completing Time, a...