Search Results for adaptation
1-20 of 1485 Search Results for
Film Quarterly. 2009; 63183–84 doi: https://doi.org/10.1525/FQ.2009.63.1.83
Published: 01 September 2009
... ©© 2009 by the Regents of the University of California. 2009 Leitch Thomas . Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ" . Baltimore, MD : Johns Hopkins University Press , 2007 . $55.00 cloth; $30.00 paper. 368 pages . fIlM...
Film Quarterly. 2005; 58366–67 doi: https://doi.org/10.1525/fq.2005.58.3.66
Published: 01 March 2005
... ©© 2005 by The Regents of the University of California. All rights reserved. 2005 Hollywood Outsiders : The Adaptation of the Film Industry, 19137ndash;1934 . By Morey Ann . Minneapolis, MN : University of Minnesota Press , 2003 . $68.95 cloth; $22.95 paper. Hollywood...
Film Quarterly. 2004; 58136–43 doi: https://doi.org/10.1525/fq.2004.58.1.36
Published: 01 September 2004
...Lucas Hilderbrand This review of Adaptation (2002) argues that the film productively narrativizes masturbation's myriad associations, pathologies, and, most importantly, possibilities for creative inspiration. The self-reflexive film presents writers as autoerotic fantasizers who suffer through...
Film Quarterly. 1998; 51455–56 doi: https://doi.org/10.2307/1213256
Published: 01 July 1998
...Wheeler Winston Dixon Copyright 1998 The Regents of the University of California Novel to Film: An Introduction to the Theory of Adaptation McFarlane Brian (from CNN to various newspapers) covered the debate vigorously, publicizing Hollywood's ignoble tradition of debasing gay and...
Film Quarterly. 1994; 47439–41 doi: https://doi.org/10.2307/1212984
Published: 01 July 1994
...Maurizio Viano Copyright 1994 The Regents of the University of California Filmmaking by the Book: Italian Cinema and Literary Adaptation Marcus Millicent Crisis Cinema The Apocalyptic Idea in Postmodern Narrative Film Edited by Christopher Sharrett. Wash- ington, D.C.: Maisonneuve...
Film Quarterly. 1989; 42443–44 doi: https://doi.org/10.2307/1212838
Published: 01 July 1989
...Bruce Kawin Copyright 1989 The Regents of the University of California Fiction, Film, and Faulkner: The Art of Adaptation Phillips Gene D. One-Eyed Jacks, yet outside of urban reperto- ry cinemas the film is not seen very often, and it is not a special favorite on local TV or the...
Film Quarterly. 1979; 33212–20 doi: https://doi.org/10.2307/1211972
Published: 01 December 1979
... Library, 1950), p. 95 95 Conrad 1950 MARSHA KINDER The Power of Adaptation in Apocalypse Now Lately Francis has been talking about his fears. His fears that he can't write an ending for his film. His fear that he can't write. That his great- est success has come from adapting someone else's writing...
Film Quarterly. 1967; 2129–18 doi: https://doi.org/10.2307/25700406
Published: 01 December 1967
... reality in terms of spec tacle, rather than giving the appearance of life to essentially theatrical material. (Translated by Randall Conrad) GRAHAM PETRIE The Films of Sidney Lumet: Adaptation as Art Georges SadouFs comment on Twelve Angry Men in his Dictionnaire des films provides an accurate reflection...
Film Quarterly. 2019; 73119–25 doi: https://doi.org/10.1525/fq.2019.73.1.19
Published: 01 September 2019
...Melissa Hardie Can You Ever Forgive Me? adapts Lee Israel's 2008 memoir of the same name to offer a biographical portrait that challenges conventional ideas of ‘psychological ‘insight and development. In their place the film offers a celebration of the aesthetic labour of creating and being a fake...
Film Quarterly. 1961; 14315–19 doi: https://doi.org/10.2307/1210063
Published: 01 April 1961
... example of Hollywood's "new maturity." On the Bowery and Maddow's The Savage Eye, the theme is in danger of becoming a cinematic clich6 15 GEORGE BLUESTONE Adaptation or Evasion: "Elmer Gantry" In the past few years it has become a truism that film and fiction are autonomous forms. In the case of...
Film Quarterly. 2018; 71381–86 doi: https://doi.org/10.1525/fq.2018.71.3.81
Published: 01 March 2018
... and exciting films from the region, and also included a special tribute on film adaptations. This special tribute, “From Words to Images: Balkan Literature and Cinema,” presented, both new and old, important and ground-breaking works from the archival collections and film heritages of each nation...
Film Quarterly. 2008; 61486–87 doi: https://doi.org/10.1525/fq.2008.61.4.86
Published: 01 June 2008
... ©© 2008 by the Regents of the University of California. 2008 P. G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations , by Taves Brian . Jefferson, NC : McFarland , 2006 . $35.00 paper. 220 pages. 86 SUMMER 2008 seem a missed chance for dialogue, with a topic as...
Film Quarterly. 2018; 72238–44 doi: https://doi.org/10.1525/fq.2018.72.2.38
Published: 01 December 2018
...), a phenomenally successful Rambo-style action adventure. This article explores the ways in which Wolf Warrior 2 adapts Hollywood conventions to China's current nationalist ambitions, with particular regard to issues of genre and masculinity. © 2018 by The Regents of the University of California...
Film Quarterly. 2018; 72164–68 doi: https://doi.org/10.1525/fq.2018.72.1.64
Published: 01 September 2018
... political violence, while her latest production—an adaptation of the classic Peruvian novel, Un mundo para Julius —probes race, class, and gender inequalities in 1950s Peru. © 2018 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy...
Film Quarterly. 2017; 71265–71 doi: https://doi.org/10.1525/fq.2017.71.2.65
Published: 01 December 2017
...Caetlin Benson-Allott Women-led serials have been getting a lot of attention lately for bringing “the female gaze” to the small screen. Jill Soloway—the television auteur behind Transparent (Amazon, 2014–) and the recent adaptation of Kraus's novel, I Love Dick (Amazon, 2017–)—even taught a class...
Film Quarterly. 2017; 71165–72 doi: https://doi.org/10.1525/fq.2017.71.1.65
Published: 01 September 2017
...Amelie Hastie Adapted from the Lissa Evans novel Their Finest Hour and a Half, Their Finest (Lone Scherfig, 2016) is a fictional film based loosely on historical figures and circumstances, as it tells the story of the production of a feature film by the UK Ministry of Information (MOI) in 1940...
Film Quarterly. 2020; 73399–102 doi: https://doi.org/10.1525/fq.2020.73.3.99
Published: 01 March 2020
..., 1953) form the trifecta of integrated musicals, and they are all originals, all created for the screen. Minnelli would win Best Picture Oscars for An American in Paris and Gigi (1958), his exquisite adaptation of the Lerner and Loewe musical, shot mostly in Paris. Finally, with these awards, Hollywood...
Film Quarterly. 2020; 733102–104 doi: https://doi.org/10.1525/fq.2020.73.3.102
Published: 01 March 2020
... instrument, creating new paths into important well-known works while also giving lesser-known ones their due consideration. The book is a remarkable feat; it maintains exceptional rigor, precision, and theoretical as- tuteness while also leaving room for the central concept to adapt to varying...
Film Quarterly. 2020; 73383–88 doi: https://doi.org/10.1525/fq.2020.73.3.83
Published: 01 March 2020
... indigeneity on- screen: Wiñaypacha wants to enact an indigenous way of seeing and experiencing the world. With its constant juxtaposition of the unrelenting power of the sublime Andean mountains with a tenderly micro- scopic focus on an aging couple, Wiñaypacha adapts nonfic- tion filmmaking techniques for a...
Film Quarterly. 2020; 73341–46 doi: https://doi.org/10.1525/fq.2020.73.3.41
Published: 01 March 2020
..., httpwww. ucpress.edu/journals.php?p=reprints. DOI: httpsdoi.org/10.1525/FQ.2020.73.3.41. Since then, you ve redirected your energies into books adapted from two of your earlier films.What s driven your change of direction? ARTHUR DONG: My childhood ambition was to be a film historian. This goes back to my...