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Foster,Gwendolyn Audrey

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Journal Articles
Film Quarterly. 1998; 51462–64 doi: https://doi.org/10.2307/1213261
Published: 01 July 1998
...Mark A. Reid Copyright 1998 The Regents of the University of California Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity Foster Gwendolyn Audrey individually lose money for networks but still have pro- motional advantages that outweigh...
Journal Articles
Film Quarterly. 1997; 50455–57 doi: https://doi.org/10.2307/1213455
Published: 01 July 1997
...Gwendolyn Audrey Foster Copyright 1997 The Regents of the University of California Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub Byg Barton ment in the material, centers her/himself as the author of the discourse at hand, and resolutely refuses...
Journal Articles
Film Quarterly. 2016; 70148–53 doi: https://doi.org/10.1525/fq.2016.70.1.48
Published: 01 September 2016
... Amérique as one of its main examples: Invented Memories, in Identity and Memory: The Films of Chantal Akerman, ed. Gwendolyn Audrey Foster (Carbondale: Southern Illinois University Press, 2003), 94 116. 8. This is a quotation from Søren Kierkegaard s Journals (1843), which is not credited in the film...
Journal Articles
Film Quarterly. 2016; 70154–60 doi: https://doi.org/10.1525/fq.2016.70.1.54
Published: 01 September 2016
... Akerman on Jeanne Dielman: Excerpts from an interview with Camera Obscura, November 1976, Camera Obscura 2 (Autumn 1977): 119. 3. Janet Bergstrom, Invented Memories, in Identity andMem- ory: The Films of Chantal Akerman, ed. Gwendolyn Audrey Foster (Trowbridge: Flicks Books, 1999), 99. 4. Ibid., 105...
Journal Articles
Film Quarterly. 2016; 70139–47 doi: https://doi.org/10.1525/fq.2016.70.1.39
Published: 01 September 2016
... Voice inMeetings with Anna, in Identity and Memory: The Films of Chantal Akerman, ed. Gwendolyn Audrey Foster (Carbondale: Southern Illinois University Press, 2003), 69. 19. Margulies, Nothing Happens, 211. 20. Max Harrison, Rachmaninoff: Life, Works, Recordings (London: Continuum, 2005), 148 57. 21...
Journal Articles
Film Quarterly. 2014; 67317–29 doi: https://doi.org/10.1525/fq.2014.67.3.17
Published: 01 March 2014
... Reader, ed. Gwendolyn Audrey Foster and Wheeler Dixon (New York: Routledge, 2002), 19 52. 16. Stephen Neale, Art Cinema as Institution Screen 22, no. 1 (1981): 11 40, is the locus classicus for this discussion. For an update, see David Andrews, Art Cinema as Institution, Redux in Theorizing Art...
Journal Articles
Film Quarterly. 2012; 66244–47 doi: https://doi.org/10.1525/fq.2012.66.2.44
Published: 01 December 2012
... Hollywood Reporter 5 Sept. 2012. Web. Ac- cessed 27 Feb. 2013. WHEELER WINSTON DIXON is the Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and Editor in Chief, with Gwendolyn Audrey Foster, of the Quarterly Review and...
Journal Articles
Film Quarterly. 2007; 61290–91 doi: https://doi.org/10.1525/fq.2007.61.2.90
Published: 01 December 2007
... s a Slimy World, After All (Tom Gunning, Gwendolyn Audrey Foster, Aaron Baker, Christopher Shar- rett, Peter Lehman, Kirby Farell, and Henry A. Giroux), deal with cinematic evil as a manifestation of larger cultural and technical contexts. In part two, Auteurs of Negativity, Icons of Darkness...
Journal Articles
Film Quarterly. 2007; 61282–83 doi: https://doi.org/10.1525/fq.2007.61.2.82
Published: 01 December 2007
... carefully and evocatively tackles a pervasive theme in women s experimental work (her essay prompted me to reappraise work that she does not discuss, in- cluding Yoko Ono s Cut Piece [1965], Ana Mendieta s short films, and Patty Chang s video performance art). Gwendolyn Audrey Foster s contribution...
Journal Articles
Film Quarterly. 2007; 61281–82 doi: https://doi.org/10.1525/fq.2007.61.2.81
Published: 01 December 2007
... reappraise work that she does not discuss, in- cluding Yoko Ono s Cut Piece [1965], Ana Mendieta s short films, and Patty Chang s video performance art). Gwendolyn Audrey Foster s contribution, Experiments in Ethnography, analyzes the representation of women s bod- ies in Safi Faye s Selbe (1983) and Trinh...
Journal Articles
Film Quarterly. 2004; 58173–74 doi: https://doi.org/10.1525/fq.2004.58.1.73
Published: 01 September 2004
... ©© 2004 by The Regents of the University of California. All rights reserved. 2004 Performing Whiteness : Postmodern Re/Constructions in the Cinema By Foster Gwendolyn Audrey . Albany, N.Y. : State University of New York Press , 2003 . $$65.50 cloth; $$21.95 paper . need the...
Journal Articles
Film Quarterly. 2004; 58171–73 doi: https://doi.org/10.1525/fq.2004.58.1.71
Published: 01 September 2004
... of Communication and Culture at Indiana University. © James Naremore, 2004 Performing Whiteness Postmodern Re/Constructions in the Cinema By Gwendolyn Audrey Foster. Albany, N.Y.: State University of New York Press, 2003. $65.50 cloth; $21.95 paper. In White, cultural critic Richard Dyer famously...
Journal Articles
Film Quarterly. 2002; 56250–62 doi: https://doi.org/10.1525/fq.2002.56.2.50
Published: 15 December 2002
... repeatedly. Gwendolyn Audrey Foster is Associate Professor in the Department of English, University of Nebraska, Lincoln, and Editor-in-Chief of Quarterly Review of Film and Video. Her most recent books include Captive Bodies: Postcolonial Subjectivity in Cinema, The Films of Chantal Akerman, and Troping the...
Journal Articles
Film Quarterly. 2001; 54442–69 doi: https://doi.org/10.1525/fq.2001.54.4.42
Published: 01 June 2001
... in Cinema By Gwendolyn Audrey Foster. Albany, N.Y.: State University of New York Press, 1999. $59.50 cloth; $19.95 paper. In this book, Foster reads the Hollywood system as a Plan- tocracy, where Ž lmmakers have either signed on as Plan- tocratic overseers of Colonialism , or resisted as models of...
Journal Articles
Film Quarterly. 2000; 53471–76 doi: https://doi.org/10.2307/1213768
Published: 01 July 2000
... $17.95 paperback ISBN 0-7914-4516-X CAPTIVE BODIES Postcolonial Subjectivity in Cinema Gwendolyn Audrey Foster 249 pages 27 b/w photos $19.95 paperback ISBN 0-7914-4156-3 FILM PRODUCTION THEORY Jean-Pierre Geuens 310 pages $17.95 paperback ISBN 0-7914-4526-7 THE FOLKLORE OF CONSENSUS Theatricality in the...
Journal Articles
Film Quarterly. 2000; 53360–68 doi: https://doi.org/10.2307/1213745
Published: 01 April 2000
... in Cinema Gwendolyn Audrey Foster 249 pages 27 b/w photos $19.95 paperback ISBN 0-7914-4156-3 FILM PRODUCTION THEORY Jean-Pierre Geuens 310 pages $17.95 paperback ISBN 0-7914-4526-7 THE FOLKLORE OF CONSENSUS Theatricality in the Italian Cinema, 1930-1943 Marcia Landy 352 pages 25 b/w photos $22.95...
Journal Articles
Film Quarterly. 2000; 54167–76 doi: https://doi.org/10.2307/1213819
Published: 01 October 2000
...-Chief Gwendolyn Audrey Foster Wheeler Winston Dixon University of Nebraska-Lincoln Film Studies Program 202 Andrews Hall Lincoln, NE 68588-0333 Tel: (402) 472-1854/(402) 472-6064 E-mail: gfoster@unlserve.unl.edu wdixon@unlserve.unl.edu Editorial Board: Jacqueline Bobo University of California, Santa...
Journal Articles
Film Quarterly. 1999; 53168–76 doi: https://doi.org/10.2307/3697234
Published: 01 October 1999
... topics such as acting technique, genre, and dramaturgy. Also included are translations of Bergman's writings that have never before been available in English. Contributors: Lloyd Michaels, Birgitta Steene, Wheeler Winston Dixon, Susan Sontag, Christopher Orr, Steve Vineberg, Gwendolyn Audrey Foster...
Journal Articles
Film Quarterly. 1999; 52437–39 doi: https://doi.org/10.2307/1213774
Published: 01 July 1999
... BODIES Postcolonial Subjectivity in Cinema Gwendolyn Audrey Foster Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of...
Journal Articles
Film Quarterly. 1998; 51461–62 doi: https://doi.org/10.2307/1213260
Published: 01 July 1998
... Decolonizing the Gaze, Locating Subjectivity By Gwendolyn Audrey Foster. Carbon- dale, IL: Southern Illinois University Press, 1997. $39.95 cloth; $19.95 paper. Gwendolyn Audrey Foster's Women Film- makers of the African and Asian Diaspora is one of the first single-authored texts that provides a detailed exam...