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Journal Articles

Review: Molecular Capture: The Animation of Biology , by Adam Nocek

Mikki Kressbach
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 94–96.
DOI: https://doi.org/10.1525/fq.2022.75.3.94
Published: 01 March 2022
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Journal Articles

Review: Life-Destroying Diagrams , by Eugenie Brinkema

Rosalind Galt
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 87–89.
DOI: https://doi.org/10.1525/fq.2022.75.3.87
Published: 01 March 2022
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Journal Articles

Hollywood’s Embassies: A Conversation with Ross Melnick

Bruno Guaraná
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 80–86.
DOI: https://doi.org/10.1525/fq.2022.75.3.80
Published: 01 March 2022
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Journal Articles

Review: How Do We Look? Resisting Visual Biopolitics , by Fatimah Tobing Rony

Maggie Roberts
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 97–99.
DOI: https://doi.org/10.1525/fq.2022.75.3.97
Published: 01 March 2022
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Journal Articles

Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture , by David C. Oh

Brian Hu
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 96–97.
DOI: https://doi.org/10.1525/fq.2022.75.3.96
Published: 01 March 2022
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Journal Articles

Review: Post-Horror: Art, Genre and Cultural Elevation , by David Church

Caetlin Benson-Allot
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 92–94.
DOI: https://doi.org/10.1525/fq.2022.75.3.92
Published: 01 March 2022
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Journal Articles

Review: The Japanese Cinema Book , edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema , edited by Joanne Bernardi and Shota T. Ogawa; A Companion to Japanese Cinema , edited by David Desser

Markus Nornes
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 89–92.
DOI: https://doi.org/10.1525/fq.2022.75.3.89
Published: 01 March 2022
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Journal Articles

Toward a Nonfiction Cinema of Audience Accountability

Manuel Betancourt
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 76–79.
DOI: https://doi.org/10.1525/fq.2022.75.3.76
Published: 01 March 2022
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Journal Articles

Identity Remakes in and out of Time: Notes on Scenes from a Marriage

Rebecca Wanzo
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 71–75.
DOI: https://doi.org/10.1525/fq.2022.75.3.71
Published: 01 March 2022
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Journal Articles

From Diversity Hire to Diverse Critic: A Personal Case against Critical Representation Theory

Bilal Qureshi
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 66–70.
DOI: https://doi.org/10.1525/fq.2022.75.3.66
Published: 01 March 2022
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Journal Articles

Don’t Look Down: Film’s COVID Prospects

B. Ruby Rich
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 5–11.
DOI: https://doi.org/10.1525/fq.2022.75.3.5
Published: 01 March 2022
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Journal Articles

On the Necessity of Bad Trans Objects

Cáel M. Keegan
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 26–37.
DOI: https://doi.org/10.1525/fq.2022.75.3.26
Published: 01 March 2022
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Journal Articles

Desire Lines: Sky Hopinka’s Undisciplining of Vision

Diana Flores Ruíz
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 12–25.
DOI: https://doi.org/10.1525/fq.2022.75.3.12
Published: 01 March 2022
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Journal Articles

Pascale Ferran: A Renegade in French Cinema

Joan Dupont
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 57–65.
DOI: https://doi.org/10.1525/fq.2022.75.3.57
Published: 01 March 2022
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Journal Articles

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing

Oliver Wang
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 46–56.
DOI: https://doi.org/10.1525/fq.2022.75.3.46
Published: 01 March 2022
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Journal Articles

Digging Up the Future: Almodóvar’s Parallel Mothers

Carla Marcantonio
Journal: Film Quarterly
Film Quarterly (2022) 75 (3): 38–45.
DOI: https://doi.org/10.1525/fq.2022.75.3.38
Published: 01 March 2022
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in Hollywood’s Embassies: A Conversation with Ross Melnick > Film Quarterly
Published: 01 March 2022
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Corporate Accountability consists of images taken surreptitiously from the...

Corporate Accountability consists of images taken surreptitiously from the...

in Toward a Nonfiction Cinema of Audience Accountability > Film Quarterly
Published: 01 March 2022
Corporate Accountability consists of images taken surreptitiously from the director’s car. More
Images
Raúl Briones plays Montoya in Alonso Ruizpalacios’s serious-minded mockumen...

Raúl Briones plays Montoya in Alonso Ruizpalacios’s serious-minded mockumen...

in Toward a Nonfiction Cinema of Audience Accountability > Film Quarterly
Published: 01 March 2022
Raúl Briones plays Montoya in Alonso Ruizpalacios’s serious-minded mockumentary Una película de policías (2021). More
Images
Untitled image

Untitled image

in Review: Life-Destroying Diagrams , by Eugenie Brinkema > Film Quarterly
Published: 01 March 2022
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