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Paul Thomas
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Journal Articles
Film Quarterly (2015) 68 (4): 86–87.
Published: 01 June 2015
Abstract
As a graduate student around 1970, Paul Thomas learned through the grapevine that filmmaker Alain Resnais was in New York, living out of suitcases from one hotel to the next, and that he was short of ready cash. Thomas procured enough of a fee to lure Resnais and his wife, Florence Malraux, up to Harvard to give a talk to students in the fledgling film studies program he was helping to establish and in which he was teaching. This article recollects the memorable encounter.
Journal Articles
Film Quarterly (2013) 66 (3): 58–60.
Published: 01 May 2013
Journal Articles
Film Quarterly (2012) 66 (2): 52–54.
Published: 01 December 2012
Journal Articles
Film Quarterly (2012) 66 (1): 77–79.
Published: 01 September 2012
Journal Articles
Film Quarterly (2012) 65 (4): 74–75.
Published: 01 June 2012
Journal Articles
Film Quarterly (2012) 65 (3): 86–87.
Published: 01 March 2012
Journal Articles
Film Quarterly (2011) 65 (1): 78–79.
Published: 01 September 2011
Journal Articles
Film Quarterly (2011) 64 (4): 82–83.
Published: 01 June 2011
Journal Articles
Film Quarterly (2011) 64 (3): 82–83.
Published: 01 March 2011
Journal Articles
Film Quarterly (2010) 64 (2): 90–91.
Published: 01 December 2010
Journal Articles
Film Quarterly (2010) 64 (1): 82–83.
Published: 01 September 2010
Journal Articles
Film Quarterly (2010) 63 (4): 86–87.
Published: 01 June 2010
Journal Articles
Film Quarterly (2010) 63 (3): 10–13.
Published: 01 March 2010
Journal Articles
Film Quarterly (2010) 63 (3): 82–83.
Published: 01 March 2010
Journal Articles
Film Quarterly (2009) 63 (2): 86–87.
Published: 01 December 2009
Journal Articles
Film Quarterly (2009) 63 (1): 86–87.
Published: 01 September 2009
Journal Articles
Film Quarterly (2009) 62 (4): 94–95.
Published: 01 June 2009
Journal Articles
Film Quarterly (2009) 62 (3): 90–91.
Published: 01 March 2009
Journal Articles
Film Quarterly (2008) 62 (2): 20–25.
Published: 01 December 2008
Abstract
Rossellini's dramatic contrivances in Stromboli , especially the performance of Ingrid Bergman, contribute more authenticity to this picture of a fishing village than does Visconti's allegedly more documentary approach to the same subject.
Journal Articles
Film Quarterly (2007) 60 (4): 68–70.
Published: 01 June 2007