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Journal Articles

Autobiographies and Biographies

Ernest Callenbach, John Fell, James Roy MacBean

Film Quarterly (1987) 40 (4): 22–24.

DOI: https://doi.org/10.2307/1212236

Published: 01 July 1987

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Journal Articles

Review: The Italian Political Filmmakers by John J. Michalczyk

James Roy MacBean

Film Quarterly (1987) 40 (4): 40–41.

DOI: https://doi.org/10.2307/1212249

Published: 01 July 1987

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Journal Articles

[Miscellaneous]

Ernest Callenbach, Christopher Sharrett, John Fell, James Roy MacBean, Scott Simmon

Film Quarterly (1987) 40 (4): 54–57.

DOI: https://doi.org/10.2307/1212268

Published: 01 July 1987

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Journal Articles

Review: Robert J. Flaherty: A Biography by Paul Rotha, Jay Ruby

James Roy MacBean

Film Quarterly (1985) 38 (4): 25–28.

DOI: https://doi.org/10.2307/1212394

Published: 01 July 1985

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Journal Articles

Review: Applied Grammatology by Gregory L. Ulmer

James Roy MacBean

Film Quarterly (1985) 38 (4): 56–57.

DOI: https://doi.org/10.2307/1212423

Published: 01 July 1985

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Journal Articles

A Dialogue with Tomás Gutiérrez Alea on the Dialectics of the Spectator in "Hasta Cierto Punto"

James Roy MacBean, Tomás Gutiérrez Alea

Film Quarterly (1985) 38 (3): 22–29.

DOI: https://doi.org/10.2307/1212540

Published: 01 April 1985

Abstract

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Journal Articles

Filming the inside of His Own Head: Godard's Cerebral Passion

James Roy MacBean

Film Quarterly (1984) 38 (1): 16–24.

DOI: https://doi.org/10.2307/1211863

Published: 01 October 1984

Abstract

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Journal Articles

Review: Politics, Art and Commitment in the East European Cinema by David W. Paul

James Roy MacBean

Film Quarterly (1984) 37 (4): 43–45.

DOI: https://doi.org/10.2307/3697044

Published: 01 July 1984

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Journal Articles

[Miscellaneous]

Ernest Callenbach, Don Willis, James Roy MacBean, Susan Sitkin

Film Quarterly (1984) 37 (4): 31.

DOI: https://doi.org/10.2307/3697033

Published: 01 July 1984

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Journal Articles

Two on German Cinema

James Roy MacBean

Film Quarterly (1984) 37 (4): 48–51.

DOI: https://doi.org/10.2307/3697046

Published: 01 July 1984

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Journal Articles

[Miscellaneous]

James Roy MacBean, Ernest Callenbach, Gaetana Marrone-Puglia

Film Quarterly (1984) 37 (4): 60–62.

DOI: https://doi.org/10.2307/3697056

Published: 01 July 1984

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Journal Articles

Watching the Third World Watchers: The Visual, the Verbal, the Personal and the Political in "Under Fire" and "The Year of Living Dangerously"

James Roy MacBean

Film Quarterly (1984) 37 (3): 1–13.

DOI: https://doi.org/10.2307/3697193

Published: 01 April 1984

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Journal Articles

Two Laws from Australia, One White, One Black

James Roy MacBean

Film Quarterly (1983) 36 (3): 30–43.

DOI: https://doi.org/10.2307/3697348

Published: 01 April 1983

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Journal Articles

The Working Class Goes Directly to Heaven, without Passing Go: Or, the Name of the Game Is Still Monopoly

James Roy MacBean

Film Quarterly (1973) 26 (3): 52–58.

DOI: https://doi.org/10.2307/1211346

Published: 01 April 1973

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Journal Articles

Godard and the Dziga Vertov Group: Film and Dialectics

James Roy MacBean

Film Quarterly (1972) 26 (1): 30–44.

DOI: https://doi.org/10.2307/1211409

Published: 01 October 1972

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Journal Articles

Sex and Politics: Wilhelm Reich, World Revolution, and Makavejev's WR

James Roy MacBean

Film Quarterly (1972) 25 (3): 2–13.

DOI: https://doi.org/10.2307/1211516

Published: 01 April 1972

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Journal Articles

Fight Power with Spontaneity and Humor: An Interview with Dusan Makaveyev

Robert Sitton, James Roy MacBean, Ernest Callenbach, Dusan Makaveyev

Film Quarterly (1971) 25 (2): 3–9.

DOI: https://doi.org/10.2307/1211535

Published: 01 December 1971

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Journal Articles

Rossellini's Materialist Mise-en-Scène of "La Prise de Pouvoir par Louis XIV"

James Roy MacBean

Film Quarterly (1971) 25 (2): 20–29.

DOI: https://doi.org/10.2307/1211537

Published: 01 December 1971

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Journal Articles

The "Ice"-Man Cometh No More (He Gave His Balls to the Revolution)

James Roy MacBean

Film Quarterly (1971) 24 (4): 26–33.

DOI: https://doi.org/10.2307/1211421

Published: 01 July 1971

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Journal Articles

"See You at Mao": Godard's Revolutionary British Sounds

James Roy Macbean

Film Quarterly (1970) 24 (2): 15–23.

DOI: https://doi.org/10.2307/1211216

Published: 01 December 1970

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NARROW

Autobiographies and Biographies

Review: The Italian Political Filmmakers by John J. Michalczyk

[Miscellaneous]

Review: Robert J. Flaherty: A Biography by Paul Rotha, Jay Ruby

Review: Applied Grammatology by Gregory L. Ulmer

A Dialogue with Tomás Gutiérrez Alea on the Dialectics of the Spectator in "Hasta Cierto Punto"

Filming the inside of His Own Head: Godard's Cerebral Passion

Review: Politics, Art and Commitment in the East European Cinema by David W. Paul

[Miscellaneous]

Two on German Cinema

[Miscellaneous]

Watching the Third World Watchers: The Visual, the Verbal, the Personal and the Political in "Under Fire" and "The Year of Living Dangerously"

Two Laws from Australia, One White, One Black

The Working Class Goes Directly to Heaven, without Passing Go: Or, the Name of the Game Is Still Monopoly

Godard and the Dziga Vertov Group: Film and Dialectics

Sex and Politics: Wilhelm Reich, World Revolution, and Makavejev's WR

Fight Power with Spontaneity and Humor: An Interview with Dusan Makaveyev

Rossellini's Materialist Mise-en-Scène of "La Prise de Pouvoir par Louis XIV"

The "Ice"-Man Cometh No More (He Gave His Balls to the Revolution)

"See You at Mao": Godard's Revolutionary British Sounds

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