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Issues

Volume 77, Issue 1
Fall 2023
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Revisiting the Decade: A World, and Cinema, in Upheaval
B. Ruby Rich
View Articletitled, Revisiting the Decade<span class="subtitle-colon">: </span><span class="subtitle">A World, and Cinema, in Upheaval</span>
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Features

On Listening, Talking, and Silence: Reenactment as Feminist Praxis in Maria Schneider, 1983 and My Name Is Andrea
Amy Herzog
View Articletitled, On Listening, Talking, and Silence<span class="subtitle-colon">: </span><span class="subtitle">Reenactment as Feminist Praxis in <em>Maria Schneider, 1983</em> and <em>My Name Is Andrea</em></span>
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A Profound Edge: Collectivism and the New Negress Film Society
Samantha N. Sheppard
View Articletitled, A Profound Edge<span class="subtitle-colon">: </span><span class="subtitle">Collectivism and the New Negress Film Society</span>
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Special Focus: Chilean Film & Media Fifty Years Later (1973/2023) (Edited by José Miguel Palacios and Elizabeth Ramírez-Soto)

Beyond Memory: An Introduction
José Miguel Palacios
View Articletitled, Beyond Memory<span class="subtitle-colon">: </span><span class="subtitle">An Introduction</span>
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Bodies that Persist: The Seismic Legacy of Chilean Documentary Resistance
Elizabeth Ramírez-Soto
View Articletitled, Bodies that Persist<span class="subtitle-colon">: </span><span class="subtitle">The Seismic Legacy of Chilean Documentary Resistance</span>
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Wallmapu in Contemporary Chilean Cinema: Struggles over Indigenous Land
Iván Pinto, Carolina Urrutia, Carl Fischer, Lucy Engle
View Articletitled, Wallmapu in Contemporary Chilean Cinema<span class="subtitle-colon">: </span><span class="subtitle">Struggles over Indigenous Land</span>
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Interview

He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition: An Interview with Sam Pollard
Josslyn Luckett
View Articletitled, <em>He Insists!</em> From Apprentice Editor to Elder Statesman of the Black Documentary Tradition<span class="subtitle-colon">: </span><span class="subtitle">An Interview with Sam Pollard</span>
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Columns

TV on Demand
The Video Revolution, according to the Museum of Modern Art
Laurie Ouellette
View Articletitled, The Video Revolution, according to the Museum of Modern Art
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raw Genre
The Other Replacement Theory: Labor and the AI Film
Rebecca Wanzo
View Articletitled, The Other Replacement Theory<span class="subtitle-colon">: </span><span class="subtitle">Labor and the AI Film</span>
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Cineando
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen
Manuel Betancourt
View Articletitled, Looking for Laura &amp; Meaning in Laura Citarella’s <em>Trenque Lauquen</em>
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Festival Report

Cannes 2023
B. Ruby Rich
View Articletitled, Cannes 2023
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Page Views

Political Camerawork: A Conversation with D. Andy Rice
Bruno Guaraná
View Articletitled, Political Camerawork<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with D. Andy Rice</span>
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Book Reviews

Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini
Juan Camilo Velásquez
View Articletitled, Review: <em>Italian Political Cinema: Figures of the Long ’68</em>, by Mauro Resmini
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Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell
Douglas Long
View Articletitled, Review: <em>Perplexing Plots: Popular Storytelling and the Poetics of Murder</em>, by David Bordwell
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Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath
Jing Wang
View Articletitled, Review: <em>Chinese Film: Realism and Convention from the Silent Era to the Digital Age</em>, by Jason McGrath
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Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry
Ann Lyuwenyu Zhang
View Articletitled, Review: <em>A Decolonizing Ear: Documentary Film Disrupts the Archive</em>, by Olivia Landry
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Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo
Daniela Crespo-Miró
View Articletitled, Review: <em>Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster</em>, by Jossianna Arroyo
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Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed
Roberto Filippello
View Articletitled, Review: <em>Sovereign Intimacy: Private Media and the Traces of Colonial Violence</em>, by Laliv Melamed
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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