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Issues

Volume 75, Issue 4
Summer 2022
Film Quarterly Cover Image for Volume 75, Issue 4
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Conscience and Controversy
B. Ruby Rich
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Features

Arts of Healing: Tsai Ming-liang’s Days
Jean Ma
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Women Auteurs, Western Promises
Patricia White
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Phantasms of Dissent: Hong Kong’s New Documentary Vernacular
Tiffany Sia
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Death by the Numbers: Factory Farms as Allegories in Cow and Gunda
Benjamín Schultz-Figueroa
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Columns

On Platforms
Film and the Right to Privacy
Caetlin Benson-Allott
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Cineando
Colombia Enchanted in Memoria and Encanto
Manuel Betancourt
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raw Genre
Things You Can Tell by Looking: Passing, Social Issue Films, and the Beautiful
Rebecca Wanzo
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Elsewhere
The Radio of Cinema: Jonas Poher Rasmussen’s Flee
Bilal Qureshi
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Festival Report

Sundance 2022: Up Close at a Distance
B. Ruby Rich
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Page Views

Queer African Cinemas: A Conversation with Lindsey B. Green-Simms
Bruno Guaraná
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Book Reviews

Review: Alluring Monsters: The Pontianak and Cinemas of Decolonization, by Rosalind Galt
Iggy Cortez
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Review: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, by Rochona Majumdar
Trinankur Banerjee
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Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV
David Forgacs
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Review: Branding Brazil: Transforming Citizenship on Screen, by Leslie L. Marsh
Hoor Elshafei
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Review: Digital Black Feminism, by Catherine Knight Steele
Briana Barner
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Review: Image Objects: An Archaeology of Computer Graphics, by Jacob Gaboury
Kyle Stine
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Review: Media Hot and Cold, by Nicole Starosielski
Samir Bhowmik
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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