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Issues

Volume 75, Issue 3
Spring 2022
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Don’t Look Down: Film’s COVID Prospects
B. Ruby Rich
View Articletitled, Don’t Look Down<span class="subtitle-colon">: </span><span class="subtitle">Film’s COVID Prospects</span>
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Features

Desire Lines: Sky Hopinka’s Undisciplining of Vision
Diana Flores Ruíz
View Articletitled, Desire Lines<span class="subtitle-colon">: </span><span class="subtitle">Sky Hopinka’s Undisciplining of Vision</span>
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On the Necessity of Bad Trans Objects
Cáel M. Keegan
View Articletitled, On the Necessity of Bad Trans Objects
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Digging Up the Future: Almodóvar’s Parallel Mothers
Carla Marcantonio
View Articletitled, Digging Up the Future<span class="subtitle-colon">: </span><span class="subtitle">Almodóvar’s <em>Parallel Mothers</em></span>
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Interviews

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing
Oliver Wang
View Articletitled, Knife to the Heart<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of <em>Chan Is Missing</em></span>
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Pascale Ferran: A Renegade in French Cinema
Joan Dupont
View Articletitled, Pascale Ferran<span class="subtitle-colon">: </span><span class="subtitle">A Renegade in French Cinema</span>
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Columns

Elsewhere
From Diversity Hire to Diverse Critic: A Personal Case against Critical Representation Theory
Bilal Qureshi
View Articletitled, From Diversity Hire to Diverse Critic<span class="subtitle-colon">: </span><span class="subtitle">A Personal Case against Critical Representation Theory</span>
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raw Genre
Identity Remakes in and out of Time: Notes on Scenes from a Marriage
Rebecca Wanzo
View Articletitled, Identity Remakes in and out of Time<span class="subtitle-colon">: </span><span class="subtitle">Notes on <em>Scenes from a Marriage</em></span>
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Cineando
Toward a Nonfiction Cinema of Audience Accountability
Manuel Betancourt
View Articletitled, Toward a Nonfiction Cinema of Audience Accountability
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Page Views

Hollywood’s Embassies: A Conversation with Ross Melnick
Bruno Guaraná
View Articletitled, Hollywood’s Embassies<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with Ross Melnick</span>
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Book Reviews

Review: Life-Destroying Diagrams, by Eugenie Brinkema
Rosalind Galt
View Articletitled, Review: <em>Life-Destroying Diagrams</em>, by Eugenie Brinkema
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Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to Japanese Cinema, edited by David Desser
Markus Nornes
View Articletitled, Review: <em>The Japanese Cinema Book</em>, edited by Hideaki Fujiki and Alastair Phillips; <em>Routledge Handbook of Japanese Cinema</em>, edited by Joanne Bernardi and Shota T. Ogawa; <em>A Companion to Japanese Cinema</em>, edited by David Desser
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Review: Post-Horror: Art, Genre and Cultural Elevation, by David Church
Caetlin Benson-Allot
View Articletitled, Review: <em>Post-Horror: Art, Genre and Cultural Elevation</em>, by David Church
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Review: Molecular Capture: The Animation of Biology, by Adam Nocek
Mikki Kressbach
View Articletitled, Review: <em>Molecular Capture: The Animation of Biology</em>, by Adam Nocek
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Review: Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture, by David C. Oh
Brian Hu
View Articletitled, Review: <em>Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture</em>, by David C. Oh
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Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony
Maggie Roberts
View Articletitled, Review: <em>How Do We Look? Resisting Visual Biopolitics</em>, by Fatimah Tobing Rony
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All Issues
Orlando, Desire Lines: In Search of a t4t Documentary Practice
Everything Begins in the Middle: Xala and Futurity
Sembene, Vieyra, and the Making of Xala
“We Have So Many Stories and Not Much Time”: An Interview with Iryna Tsilyk
A Path into Filmmaking, the Cayuga Language, and Fancy Dance: An Interview with Erica Tremblay
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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