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Issues

Volume 74, Issue 3
Spring 2021
Film Quarterly Cover Image for Volume 74, Issue 3
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Streaming Hope, Streaming Despair, Still Streaming
B. Ruby Rich
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Features

Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond
Cameron L. White
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Helena Ignez, an Incendiary Monster of Brazilian Cinema
Patrícia Mourão de Andrade, Bruno Guaraná
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Poetics of Refraction: Mediterranean Migration and New Documentary Forms
Christian Rossipal
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Are You Being Sirred? Work in Progress, Nanette, Douglas, and the New Butch Middlebrow
Sarah Kessler
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Interviews

Michelle Porte: Keeping Her Distance
Joan Dupont
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Columns

Elsewhere
The Veiled Avengers of Pakistan’s Streaming New Wave
Bilal Qureshi
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Cineando
The Revolution Has Always Been Queer
Manuel Betancourt
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Festival Reports

Geoblocking Fall 2020: Toronto, New York, Leipzig
B. Ruby Rich
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Page Views

Realist Cinema as World Cinema: A Conversation with Lúcia Nagib
Bruno Guaraná
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Book Reviews

Review: Twentieth Century Fox, by Frederick Wasser
Carrie Rickey
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Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin
Tom Klein
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Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger
Carlos Kong
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Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson
Martin L. Johnson
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Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy
Jessica Scarlata
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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