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Issues

Volume 74, Issue 2
Winter 2020
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Zoom Out: The Melancholic Screens of 2020
B. Ruby Rich
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Dossier: The New Brazilian Cinema

The New Aesthetics of Discovery and Emergency in the New Brazilian Cinema
João Luiz Vieira; B. Ruby Rich
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Brazilian Women’s Cinema from the Retomada to Bolsonaro
Karla Holanda; Mark Cohen
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Confronting Devastation: The Guardian Cinema of the Guajajara People
André Brasil
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With the Alma no Olho: Notes on Contemporary Black Cinema
Janaína Oliveira; Mark Cohen
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Filmes de Plástico’s Plural Realism
Ivone Margulies
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The Impossible Embrace: Ilha, Travessia, and Black Brazilian Cinema Now
Juliano Gomes; Mark Cohen
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How the Machine Works: Brazil’s New Black Cinema Series
Kênia Freitas; Mark Cohen
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The Monstrification of Underdevelopment in Contemporary Brazilian Cinema: Ava Yvy Vera and Seven Years in May
Fábio Andrade
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Pluriversal Brazil: A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine
Natalia Brizuela; Tatiana Monassa; Bruno Guaraná
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Special Focus on Bacurau

“A Few Years from Now” in Western Pernambuco: Bacurau’s Vision of the Future
Bruno Guaraná
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The Ambiguities of Bacurau
Marcelo Ikeda
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Bacurau as Science-Fiction Revenge Fantasy
Jocimar Dias, Jr.
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Interview

The Hidden Labor of Civil Rights: An Interview with Dawn Porter
Eileen G’Sell
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Cineando

Melodrama, Telenovela, and the New Latin American Women’s Picture
Manuel Betancourt
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On Platforms

How I May Destroy You Reinvents Rape Television
Caetlin Benson-Allott
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Page Views

Reuse, Misuse, Abuse: A Conversation with Jaimie Baron
Bruno Guaraná
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Book Reviews

Review: Hollywood’s Artists: The Directors Guild of America and the Construction of Authorship, by Virginia Wright Wexman
Carrie Rickey
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Review: Afterimages: Women, Cinema and Changing Times, by Laura Mulvey
Patricia White
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Review: Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy, by Joshua Neves
Fan Yang
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Review: Cinema of the Arab World: Contemporary Directions in Theory and Practice, by Terri Ginsberg and Chris Lippard
Giovanni Vimercati
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Review: Feminino e plural: Mulheres no cinema brasileiro (Female and Plural: Women on Brazilian Cinema), edited by Karla Holanda and Marina Cavalcanti Tedesco; Mulheres atrás das câmeras: As cineastas brasileiras de 1930 a 2018 (Women behind the Camera: Brazilian Filmmakers, 1930–2018), edited by Luiza Lusvarghi and Camila Vieira da Silva and Mulheres de cinema (Women of Cinema), edited by Karla Holanda
Lívia Perez
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All Issues
When Beauty Is in the Eye of the Beholder
Redemption Song: Performing Black History and Masculinity
Sundance on Your Couch
Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects
Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2021
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