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Volume 73, Issue 2
Winter 2019
Film Quarterly Cover Image for Volume 73, Issue 2
ISSN 0015-1386
EISSN 1533-8630
FROM THE EDITOR
The Obamas, Woody Allen, and the Europe–U.S. Divide
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FEATURES
Julia Reichert and the Work of Telling Working-Class Stories
Patricia Aufderheide
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Alone Again Tonight: Russian Doll
Sarah Kessler
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Cine-Agora Africana: Meditating on the Fiftieth Anniversary of FESPACO
Aboubakar Sanogo
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INTERVIEW
Marceline Loridan-Ivens: A Posthumous Interview
Joan Dupont
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COLUMNS
Cineando: Looking Back, Looking Askew: 1980s Mexico in Las niñas bien, Esto no es Berlín, Museo
Manuel Betancourt
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Elsewhere: Bending It Like Chadha
Bilal Qureshi
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On Platforms: Race, Rage, and Genre Revisionism
Caetlin Benson-Allott
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FESTIVAL REPORTS
Bologna, My Love: Il Cinema Ritrovato
Carla Marcantonio
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History Calling: Decolonizing Cinema at New York's Film Forum
Jamie Berthe
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You Don't Own This War: Arab Women's Cinema Showcase
Müge Turan
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Toronto 2019: From Budapest to the Zeitgeist
B. Ruby Rich
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PAGE VIEWS
Cinematic Archives of the Present: A Conversation with Gustavo Procopio Furtado
Bruno Guaraná
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BOOK REVIEWS
Hitchcock's People, Places, and Things by John Bruns
Carrie Rickey
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Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé by James Leo Cahill
Oliver Gaycken
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Lana and Lilly Wachowski by Cáel M. Keegan
Lucas Hilderbrand
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African Cinema and Human Rights edited by Mette Hjort and Eva Jørholt
MaryEllen Higgins
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Frame by Frame: A Materialist Aesthetics of Animated Cartoons by Hannah Frank
Patrick Sullivan
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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