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Issues

Volume 73, Issue 1
Fall 2019
Issue Cover
ISSN 0015-1386
EISSN 1533-8630
FROM THE EDITOR
Be Like Water: Film, Politics, Legacy
View Articletitled, Be Like Water: Film, Politics, Legacy
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FEATURES
Dirty Data: Content Moderation, Regulatory Outsourcing, and The Cleaners
Lisa Parks
View Articletitled, Dirty Data: Content Moderation, Regulatory Outsourcing, and <em>The Cleaners</em>
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Ontology of the Fake: Marielle Heller's Can You Ever Forgive Me?
Melissa Hardie
View Articletitled, Ontology of the Fake: Marielle Heller's <em>Can You Ever Forgive Me?</em>
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Alejandro Landes's Monos and the Once and Future Colombian War Film
Manuel Betancourt
View Articletitled, Alejandro Landes's <em>Monos</em> and the Once and Future Colombian War Film
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The Return of Miserabilism: Richard Billingham's Ray & Liz
J. M. Tyree
View Articletitled, The Return of Miserabilism: Richard Billingham's <em>Ray &amp; Liz</em>
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A Virtual Winter: On the Absence of Ecology in Game of Thrones
Despina Kakoudaki
View Articletitled, A Virtual Winter: On the Absence of Ecology in <em>Game of Thrones</em>
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INTERVIEWS
By Radical Means Necessary: Interview with Cristina Ibarra and Alex Rivera
Diana Flores Ruiz
View Articletitled, By Radical Means Necessary: Interview with Cristina Ibarra and Alex Rivera
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COLUMNS
Screenings: Mexican Genres: Rom-Com, Horror, Indie, Sitcom
Paul Julian Smith
View Articletitled, Screenings<span class="subtitle-colon">: </span><span class="subtitle">Mexican Genres: Rom-Com, Horror, Indie, Sitcom</span>
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On Platforms: Spirits of Cinema
Caetlin Benson-Allott
View Articletitled, On Platforms<span class="subtitle-colon">: </span><span class="subtitle">Spirits of Cinema</span>
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Elsewhere: Cinematic Arrivals in a Ghanaian Summer
Bilal Qureshi
View Articletitled, Elsewhere<span class="subtitle-colon">: </span><span class="subtitle">Cinematic Arrivals in a Ghanaian Summer</span>
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FESTIVAL REPORTS
Chronicles from the Biosphere: A Film Programmer's Report from the Cannes Film Festival
Rasha Salti
View Articletitled, Chronicles from the Biosphere: A Film Programmer's Report from the Cannes Film Festival
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The Malaga Festival: Cinema, Celebrity, and Culture
Duncan Wheeler
View Articletitled, The Malaga Festival: Cinema, Celebrity, and Culture
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PAGE VIEWS
Scouting the Past: A Conversation with Priya Jaikumar on Where Histories Reside: India as Filmed Space
Kartik Nair
View Articletitled, Scouting the Past<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with Priya Jaikumar on <em>Where Histories Reside: India as Filmed Space</em></span>
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BOOK REVIEWS
The Apartment Complex: Urban Living and Global Screen Cultures edited by Pamela Robertson Wojcik
Carrie Rickey
View Articletitled, <em>The Apartment Complex: Urban Living and Global Screen Cultures</em> edited by Pamela Robertson Wojcik
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Queer Times, Black Futures by Kara Keeling
Nick Davis
View Articletitled, <em>Queer Times, Black Futures</em> by Kara Keeling
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A Trail of Fire for Political Cinema: “The Hour of the Furnaces” Fifty Years Later edited by Javier Campo and Humberto Pérez-Blanco
Rielle Navitski
View Articletitled, <em>A Trail of Fire for Political Cinema: “The Hour of the Furnaces” Fifty Years Later</em> edited by Javier Campo and Humberto Pérez-Blanco
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Front Lines of Community: Hollywood between War and Democracy by Hermann Kappelhoff, translated by Daniel Hendrickson
Linda Williams
View Articletitled, <em>Front Lines of Community: Hollywood between War and Democracy</em> by Hermann Kappelhoff, translated by Daniel Hendrickson
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The Technical Delusion: Electronics, Power, Insanity by Jeffrey Sconce
Leo Goldsmith
View Articletitled, <em>The Technical Delusion: Electronics, Power, Insanity</em> by Jeffrey Sconce
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Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker
Frances Guerin
View Articletitled, <em>Aesthetic Spaces: The Place of Art in Film</em> by Brigitte Peucker
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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