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Volume 72, Issue 3
Spring 2019
Film Quarterly Cover Image for Volume 72, Issue 3
ISSN 0015-1386
EISSN 1533-8630
FROM THE EDITOR
Status Updates: Travel through Manifestations, Memories, Manifestos
B. Ruby Rich
View Articletitled, Status Updates: Travel through Manifestations, Memories, Manifestos
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MANIFESTOS
Reclaiming Black Film and Media Studies
Racquel J. Gates, Michael Boyce Gillespie
View Articletitled, Reclaiming Black Film and Media Studies
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A Queer('s) Cinema
Manuel Betancourt
View Articletitled, A Queer('s) Cinema
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Renew the Encounter
RaMell Ross
View Articletitled, Renew the Encounter
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Watching White Supremacy on Digital Video Platforms: “Screw Your Optics, I'm Going In”
Lisa Nakamura
View Articletitled, Watching White Supremacy on Digital Video Platforms: “Screw Your Optics, I'm Going In”
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Hutukara (“The Part of the Sky from Which the Earth Was Born,” in Yanomami)
Karim Aïnouz, Viviane Letayf
View Articletitled, <em>Hutukara</em> (“The Part of the Sky from Which the Earth Was Born,” in Yanomami)
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Where Have You Gone, Stephen Dwoskin? On Disability Film
Lawrence Carter-Long
View Articletitled, Where Have You Gone, Stephen Dwoskin? On Disability Film
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Eleven Theses for Breaking Away
Natalia Brizuela
View Articletitled, Eleven Theses for Breaking Away
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For a New Cinephilia
Girish Shambu
View Articletitled, For a New Cinephilia
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The Natural Cinema of Aleksandr Rastorguev
Nikita Smirnov, Vasiliy Stepanov, and the Séance editorial staff, Alice Jondorf
View Articletitled, The Natural Cinema of Aleksandr Rastorguev
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Insurgent Habitats: On Media and Environment
Dale Hudson, Patricia R. Zimmermann
View Articletitled, Insurgent Habitats: On Media and Environment
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Doing All Things Differently
Jesse Wente
View Articletitled, Doing All Things Differently
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FEATURES
Cold War Contexts: Pawlikowski in Film, Television, and European History
Jerry White
View Articletitled, <em>Cold War</em> Contexts: Pawlikowski in Film, Television, and European History
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INTERVIEWS
Due Process: A Conversation with Maria Augusta Ramos
Nilo Couret
View Articletitled, Due Process: A Conversation with Maria Augusta Ramos
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COLUMNS
Screenings: Netflix's The House of Flowers and the New Telenovela
Paul Julian Smith
View Articletitled, Screenings<span class="subtitle-colon">: </span><span class="subtitle">Netflix's <em>The House of Flowers</em> and the New Telenovela</span>
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The Vulnerable Spectator: Funny Hands and Feminist Fits
Amelie Hastie
View Articletitled, The Vulnerable Spectator<span class="subtitle-colon">: </span><span class="subtitle">Funny Hands and Feminist Fits</span>
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Elsewhere: Remixing and Reframing the Rockdoc: the M.I.A. Sessions
Bilal Qureshi
View Articletitled, Elsewhere<span class="subtitle-colon">: </span><span class="subtitle">Remixing and Reframing the Rockdoc: the M.I.A. Sessions</span>
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FOR/FROM THE ARCHIVES
Intervening in the Present: Catalan Cinema's Radical Years (1968–1978)
Barbara Zecchi
View Articletitled, Intervening in the Present: Catalan Cinema's Radical Years (1968–1978)
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FESTIVAL REPORTS
Filmless Festivals and Dragon Seals: Independent Cinema in China
Markus Nornes
View Articletitled, Filmless Festivals and Dragon Seals: Independent Cinema in China
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Reflections on Realness: The International Documentary Association Conference
Joshua Glick
View Articletitled, Reflections on Realness: The International Documentary Association Conference
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PAGE VIEWS
Fraught Viewing: A Conversation with Editors Nicholas Baer, Maggie Hennefeld, Laura Horak, and Gunnar Iversen on Unwatchable
Marc Francis
View Articletitled, Fraught Viewing: A Conversation with Editors Nicholas Baer, Maggie Hennefeld, Laura Horak, and Gunnar Iversen on <em>Unwatchable</em>
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BOOK REVIEWS
The Sky Is Falling: How Vampires, Zombies, Androids, and Superheroes Made America Great for Extremism by Peter Biskind
Carrie Rickey
View Articletitled, <em>The Sky Is Falling: How Vampires, Zombies, Androids, and Superheroes Made America Great for Extremism</em> by Peter Biskind
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Enduring Images: A Future History of New Left Cinema by Morgan Adamson
Corina Copp
View Articletitled, <em>Enduring Images: A Future History of New Left Cinema</em> by Morgan Adamson
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What Philosophy Wants from Images by D. N. Rodowick
Swagato Chakravorty
View Articletitled, <em>What Philosophy Wants from Images</em> by D. N. Rodowick
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Film Censorship: Regulating America's Screen by Sheri Chinen Biesen
Noah Isenberg
View Articletitled, <em>Film Censorship: Regulating America's Screen</em> by Sheri Chinen Biesen
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The Global Road Movie: Alternative Journeys around the World edited by José Duarte and Timothy Corrigan
David Laderman
View Articletitled, <em>The Global Road Movie: Alternative Journeys around the World</em> edited by José Duarte and Timothy Corrigan
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Los Angeles Documentary and the Production of Public History, 1958–1977 by Joshua Glick
Hadi Gharabaghi
View Articletitled, <em>Los Angeles Documentary and the Production of Public History, 1958–1977</em> by Joshua Glick
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The Essay Film After Fact and Fiction by Nora M. Alter
Josh Guilford
View Articletitled, <em>The Essay Film After Fact and Fiction</em> by Nora M. Alter
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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