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Issues

Volume 72, Issue 1
Fall 2018
Issue Cover
ISSN 0015-1386
EISSN 1533-8630
FROM THE EDITOR
A Deer in the Headlights
B. Ruby Rich
View Articletitled, A Deer in the Headlights
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FEATURES
The Handmaid's Tale as Ustopian Allegory: “Stars and Stripes Forever, Baby”
Heather Hendershot
View Articletitled, <em>The Handmaid's Tale</em> as Ustopian Allegory: “Stars and Stripes Forever, Baby”
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The Time Is Now: Pressure, Guerrilla, and the (Re)invention of Black British Cinema and History
James S. Williams
View Articletitled, The Time Is Now: <em>Pressure, Guerrilla</em>, and the (Re)invention of Black British Cinema and History
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Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability
Faye Ginsburg
View Articletitled, Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability
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INTERVIEWS
The Landscape of Futurelessness: An Interview with Brett Story
Scott MacDonald
View Articletitled, The Landscape of Futurelessness: An Interview with Brett Story
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COLUMNS
The Vulnerable Spectator: “It Was the Seventies”
Amelie Hastie
View Articletitled, The Vulnerable Spectator<span class="subtitle-colon">: </span><span class="subtitle">“It Was the Seventies”</span>
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Screenings: Letter from Peru: Teen Telenovela, Popular Comedy, Auteur Cinema
Paul Julian Smith
View Articletitled, Screenings<span class="subtitle-colon">: </span><span class="subtitle">Letter from Peru: Teen Telenovela, Popular Comedy, Auteur Cinema</span>
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Elsewhere: A Tale of Two Arabias
Bilal Qureshi
View Articletitled, Elsewhere<span class="subtitle-colon">: </span><span class="subtitle">A Tale of Two Arabias</span>
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FESTIVAL REPORTS
Emotional Images, Immersive Realities: The Fortieth Cinéma du Réel
Clarence Tsui
View Articletitled, Emotional Images, Immersive Realities: The Fortieth Cinéma du Réel
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Love: The Eleventh Annual Orphan Film Symposium
Liz Czach
View Articletitled, Love: The Eleventh Annual Orphan Film Symposium
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IN MEMORIAM
Master of Cinema Novo: Nelson Pereira dos Santos, RIP
João Luiz Vieira
View Articletitled, Master of Cinema Novo: Nelson Pereira dos Santos, RIP
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PAGE VIEWS
Cinema of the Palestinian Revolution: A Conversation with Nadia Yaqub
Nicholas Baer
View Articletitled, Cinema of the Palestinian Revolution: A Conversation with Nadia Yaqub
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BOOK REVIEWS
Nobody's Girl Friday: The Women Who Ran Hollywood by J. E. Smyth
Carrie Rickey
View Articletitled, <em>Nobody's Girl Friday:</em> The Women Who Ran Hollywood by J. E. Smyth
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Charles Burnett: A Cinema of Symbolic Knowledge by James Naremore
Aaron Cutler
View Articletitled, <em>Charles Burnett: A Cinema of Symbolic Knowledge</em> by James Naremore
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Agnès Varda between Film, Photography, and Art by Rebecca J. DeRoo
Violet Lucca
View Articletitled, <em>Agnès Varda between Film, Photography, and Art</em> by Rebecca J. DeRoo
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Comic Venus: Women and Comedy in American Silent Film by Kristen Anderson Wagner and Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld
Joanna E. Rapf
View Articletitled, <em>Comic Venus: Women and Comedy in American Silent Film</em> by Kristen Anderson Wagner and <em>Specters of Slapstick and Silent Film Comediennes</em> by Maggie Hennefeld
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Stanley Kubrick: New York Jewish Intellectual by Nathan Abrams
David Mikics
View Articletitled, <em>Stanley Kubrick: New York Jewish Intellectual</em> by Nathan Abrams
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All Issues
A Profound Edge: Collectivism and the New Negress Film Society
Bodies that Persist: The Seismic Legacy of Chilean Documentary Resistance
On Listening, Talking, and Silence: Reenactment as Feminist Praxis in Maria Schneider, 1983 and My Name Is Andrea
Political Camerawork: A Conversation with D. Andy Rice
Beyond Memory: An Introduction
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2023
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