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Issues

Volume 72, Issue 1
Fall 2018
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

FROM THE EDITOR

A Deer in the Headlights
B. Ruby Rich
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FEATURES

The Handmaid's Tale as Ustopian Allegory: “Stars and Stripes Forever, Baby”
Heather Hendershot
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The Time Is Now: Pressure, Guerrilla, and the (Re)invention of Black British Cinema and History
James S. Williams
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Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability
Faye Ginsburg
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INTERVIEWS

The Landscape of Futurelessness: An Interview with Brett Story
Scott MacDonald
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COLUMNS

The Vulnerable Spectator: “It Was the Seventies”
Amelie Hastie
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Screenings: Letter from Peru: Teen Telenovela, Popular Comedy, Auteur Cinema
Paul Julian Smith
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Elsewhere: A Tale of Two Arabias
Bilal Qureshi
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FESTIVAL REPORTS

Emotional Images, Immersive Realities: The Fortieth Cinéma du Réel
Clarence Tsui
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Love: The Eleventh Annual Orphan Film Symposium
Liz Czach
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IN MEMORIAM

Master of Cinema Novo: Nelson Pereira dos Santos, RIP
João Luiz Vieira
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PAGE VIEWS

Cinema of the Palestinian Revolution: A Conversation with Nadia Yaqub
Nicholas Baer
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BOOK REVIEWS

Nobody's Girl Friday: The Women Who Ran Hollywood by J. E. Smyth
Carrie Rickey
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Charles Burnett: A Cinema of Symbolic Knowledge by James Naremore
Aaron Cutler
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Agnès Varda between Film, Photography, and Art by Rebecca J. DeRoo
Violet Lucca
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Comic Venus: Women and Comedy in American Silent Film by Kristen Anderson Wagner and Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld
Joanna E. Rapf
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Stanley Kubrick: New York Jewish Intellectual by Nathan Abrams
David Mikics
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All Issues
When Beauty Is in the Eye of the Beholder
Redemption Song: Performing Black History and Masculinity
Sundance on Your Couch
Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects
Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2021
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