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Volume 69, Issue 2

Winter 2015

ISSN 0015-1386

EISSN 1533-8630

In this Issue

FROM THE EDITOR

Evidence of Visibility

B. Ruby Rich

FEATURES

Sketchy Lesbians: Carol as History and Fantasy

Patricia White

Jurassic World and Procreation Anxiety

Richard Dyer

Chronicle of a Quest: Silence after Killing

Leshu Torchin

COLUMNS

The Vulnerable Spectator: Minnie and Me and the Living Girls

Amelie Hastie

Screenings: Letter from Mexico: Expanding the Brand

Paul Julian Smith

FOR/FROM THE ARCHIVES

Movie Madness: Mostly Lost 4 Workshop

J. M. Tyree

FESTIVAL REPORTS

Troubled Times on the Potemkin Steps: The Odessa International Film Festival

Masha Shpolberg

Touching Hearts: The Uncertain but Strategic Politics of KASHISH 2015

Ani Maitra

Toronto Turns Forty

B. Ruby Rich

IN MEMORIAM

Wes Craven: Thinking Through Horror

Caetlin Benson-Allott

Candida Royalle, 1950–2015

Constance Penley

PAGE PREVIEW

Carlos Fuentes, the Cinephile

Ignacio M. Sánchez Prado

“Salón Victoria”

Carlos Fuentes

BOOK REVIEWS

Review: The Dawn of Technicolor, 1915–1935 by James Layton and David Pierce

Dana Polan

Review: New Voices in Arab Cinema by Roy Armes

Najmeh Moradiyan Rizi

Review: Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II by Colin Gunckel

Laura Isabel Serna

Review: Madeline Kahn: Being the Music, A Life by William V. Madison

Ed Sikov

Review: “It's the Pictures That Got Small”: Charles Brackett on Billy Wilder and Hollywood's Golden Age, edited by Anthony Slide

Mary Desjardins

Review: Mise en Scène and Film Style: From Classical Hollywood to New Media Art by Adrian Martin

Emre ÇağLayan

Review: Shirley Temple and the Performance of Girlhood by Kristen Hatch

Eleanor Huntington

EULOGY

Homage to Chantal Akerman

Delphine Horvilleur

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On the Necessity of Bad Trans Objects

Desire Lines: Sky Hopinka’s Undisciplining of Vision

Pascale Ferran: A Renegade in French Cinema

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing

Digging Up the Future: Almodóvar’s Parallel Mothers

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